The catalog Global Joy by Lucy McKenzie, published in 2002 by Galerie Buchholz, documents the artist's solo exhibition of the same name in Cologne in 2001.

The publication Secessionism and Abstraction: Austrian Art 1900–1930, published by Galerie Metropol, Vienna (1989), accompanied an exhibition of the same name that examined the development of Austrian art from the Vienna Secession to abstraction.

First introduced to the public in September 1926 on a New York City street corner, the automatic photobooth quickly became both a popular amusement and a unique tool for self-representation.

The publication Raummalerei – Spatial Painting: Analytical Secessionism 1900–1910 explores a pivotal moment in Viennese modernism, focusing on the emergence of a holistic approach to spatial design at

Le Livre Art Publishing is excited to announce the release of “Julio Le Parc”, the most comprehensive monograph on the renowned Argentinian artist to date.

Chris Moore is the undisputed king of catwalk photography. His six-decade career includes images of all the iconic catwalk shows because he was at them all. This is the ultimate and only edit of Moore's work throughout his career and covering the changing face of the catwalk. Covering each of the decades images

This book is published on the occasion of Pablo Bronstein: Pissoir, at Kunsthal Charlottenborg in 2011, curated by Mark Sladen.

This concertina opens in vibrant color to reveal in progressive spreads of two, four and six pages a rich sensory exploration of Edward James’ surreal jungle garden Las Posaz, in Mexico. Lush vegetation intertwines with the constructed buildings and staircases of James’ imagination and with Douglas’ own, in experiencing this garden and the rich culture of Mexico.

The Dutch photobook is internationally acclaimed for its close collaboration between photographer, printer, and designer. The current photobook boom in the Netherlands stems from a tradition of excellence that predates World War II.

Die großen, grotesken Fotoserien von Anna und Bernhard Blume sind heute wohlbekannt. In ihnen inszenieren die Künstler im dokumentarischen Gestus paranormale Situationen, die sich im Inneren einer „kleinbürgerlichen“ Welt oder in symbolisch besetzten Regionen deutscher Kunst (wie dem Schwarzwald) abspielen.

Peter Friedl is a conceptual artist whose practice is characterized by a critical examination of social, political, and cultural narratives. Working across various media such as photography, video, drawing, installation, and text, Friedl challenges established power structures, historical representations, and systems of perception by creating alternative perspectives and narrative strategies.

This collection of eerie figurative works by the young Polish painter Marcin Maciejowski, who has shown at Leo Koenig Gallery in New York and at the 2004 Art Basel fair as a "Statement" artist, features work from 2003 to 2007, as well as extensive background information.

Created in Berlin around 15 years ago, this large-format collage book by Isa Genzken is both a personal diary and artistic manifesto. In it are portraits of the artist and her friends;

“I wanted a newspaper, the picture in my head was of someone slapping a fat stack of paper on the table in front of you, in your face, saying: Right, now it’s happened.” (Siggi Hofer)
The versatility that distinguishes Siggi Hofer’s exhibitions is also evident in a publication accompanying his current

Started as a xerox zine, a saturated compilation of drawings done by amateurs, musicians or comics authors, Nazi Knife explored, in its more recent issues, some more singular editorial approaches: the publication seen as a library, as a collection of motley elements, where raw materials, symbolic references or cultural products could be combined, or as the visual repetition of few fetishistic obsessions, modulated by an architecture of filters, quite opaque to say the least.

Joachim Brohm (Jahrgang 1955) unternimmt ein foto-urbanistisches Projekt mit Langzeitbeoachtung. Von 1992 bis 2002 fotografiert er auf ein und demselben Areal, das - am Rande einer deutschen Großstadt gelegen

Anfang der 1980er Jahre wurde Taaffe als wichtiger Vertreter der Appropriation Art international bekannt. Sein Interesse an Ornamenten unterschiedlicher Kulturen und historische Naturdarstellungen, die er als Fragmente in leuchtenden Farben auf die Leinwand bringt, prägen seine Bilder.

A corporate report as conceptual intervention

Franz Graf hat für die vier Flächen in der Passage Hauptbahnhof/U1 Südtiroler Platz unterschiedlichste Bildmotive aus seinem künstlerischen Archiv zu komplexen Kompositionen zusammengefügt. Die Sujets sind an Himmelskarten und Verbindungslinien angelehnt, die im weitesten Sinn Beziehungen zwischen Worten und Gedanken Reisender reflektieren. Filmsequenzen oder Traumbildern vergleichbar fügen sich die Elemente aus geometrischen Symbolen, reduzierten Textfragmenten und Schriftbildern,

Der Alterungsprozess wird in der öffentlichen Wahrnehmung heute in erster Linie als Defizit angesehen. Begriffe wie „Anti-Aging“ vermitteln den Eindruck, Altern sei etwas Pathologisches. Der vorherrschende Jugendlichkeitskult bemüht sich, die Spuren des Alterungsprozesses auszublenden.

Zero Tolerance ist ein Kunstbuchprojekt im Kontext von künstlerischen Produktionsweisen und Alltagsästhetik. Das Werk beleuchtet die bildnerischen Strategien und den performativen Charakter sogenannter «Dilettanten-Graffiti».

Ein im Rahmen der gleichnamigen, 1983 von Harald Szeemann kuratierten Ausstellung publizierter Ausstellungskatalog.

“The African Twintowers” by Christoph Schlingensief is the conclusion of a trilogy on the theme of “Slum” that Neue Galerie Graz started in autumn 2006.

This catalogue has been published in connection with the exhibition Heimo Zobernig at the Museum Moderner Kunst Stiftung Ludwig Wien December 7, 2002 - March 2, 2003; at Kunsthalle Basel April 5 - June 23, 2003; at K21 Kunstsammlung Nordrhein-Westafalen, Dusseldorf July 12 - November 2, 2003.

Alasdair Gray, born Glasgow 1934, produces fiction, theatre, criticism of politics and literature and in visual art mural painting, illustration and book design. His first novel Lanark, written as both autobiography and socialist science fiction, was developed over a period of 30 years and is a landmark in English language literature; he is the leading

Charlemagne Palestine works from a highly personal universe of ritual, intoxication, and shamanism.

The Los Angeles-based artist Sterling Ruby (born on an American Air Force 1972 in Bitburg, Germany) is undoubtedly one of the most influential and innovative artists of the generation born in the 1970s and is still one of the most enigmatic,

Daniel Gebhart de Kokkeok has documented the acrobatic talent of flying cats in fascinating photographs and is now presenting a selection of these images for the first time in the form of a perpetual calendar.

Erstmals rückt dieser Katalog die Zeichnungen, Monotypien und Aquarelle von Erwin Bohatsch in den Mittelpunkt einer retrospektiv angelegten Präsentation.

“A Metaphysical Interior” is the title of the book that was published on a proposal from Luca Lo Pinto during the exhibition “D’après Giorgio”, which was held at the Fondazione Giorgio e Isa de Chirico from 27th January 2012 to 27th January 2013.

Die fünfte Ausgabe der Zeitschrift „bauhaus“ widmet sich den Sehnsuchtsorten der europäischen Avantgardisten zwischen Lateinamerika, Afrika und Asien

This book is first in a series on critical spatial practice developed alongside the Städelschule program of the same name. Each edition includes work by invited artists—the first includes newly commissioned work by the photographer Armin Linke, who documented the Occupy camp around the European Central Bank in Frankfurt. (engl.)

There will be no place in India - from small villages to big cities - without a road named after Mahatma Gandi. MG Road is one of the main streets in Ahmedabad. During my four week stay, I wove my way up and down the street at least once a day. Just as Gandhi encouraged people

Seit Ende der 1990er jahre steht der menschliche Körper als Projektionsfläche des individuellen Seins und als wenig vertrauenswürdige, form- und manipulierbare Hülle im Mittelpunkt seiner Arbeiten. Spielerisch verbindet Schinwalds Werk unterschiedlichste Medien- von magisch-mystischen Filmen