This catalogue has been published in connection with the exhibition Heimo Zobernig at the Museum Moderner Kunst Stiftung Ludwig Wien December 7, 2002 - March 2, 2003; at Kunsthalle Basel April 5 - June 23, 2003; at K21 Kunstsammlung Nordrhein-Westafalen, Dusseldorf July 12 - November 2, 2003.

Anfang der 1980er Jahre wurde Taaffe als wichtiger Vertreter der Appropriation Art international bekannt. Sein Interesse an Ornamenten unterschiedlicher Kulturen und historische Naturdarstellungen, die er als Fragmente in leuchtenden Farben auf die Leinwand bringt, prägen seine Bilder.

This book is first in a series on critical spatial practice developed alongside the Städelschule program of the same name. Each edition includes work by invited artists—the first includes newly commissioned work by the photographer Armin Linke, who documented the Occupy camp around the European Central Bank in Frankfurt. (engl.)

“I wanted a newspaper, the picture in my head was of someone slapping a fat stack of paper on the table in front of you, in your face, saying: Right, now it’s happened.” (Siggi Hofer) The versatility that distinguishes Siggi Hofer’s exhibitions is also evident in a publication accompanying his current

This book is published on the occasion of the exhibitions : Palais des Beaux-Arts de Bruxelles/Paleis voor Schone Kunsten Brussel 20.2.1998 - 26.4.1998

“A Metaphysical Interior” is the title of the book that was published on a proposal from Luca Lo Pinto during the exhibition “D’après Giorgio”, which was held at the Fondazione Giorgio e Isa de Chirico from 27th January 2012 to 27th January 2013.

“The African Twintowers” by Christoph Schlingensief is the conclusion of a trilogy on the theme of “Slum” that Neue Galerie Graz started in autumn 2006. “The African Twintowers”; this hybrid of theatrical installation and cinema, is a powerful investigation of the African poverty crisis. The countries high daily mortality rate, resulting either from the cruel civil wars, hunger, or AIDS, can still be traced back to the aftermath of Western colonial policy.

This collection of eerie figurative works by the young Polish painter Marcin Maciejowski, who has shown at Leo Koenig Gallery in New York and at the 2004 Art Basel fair as a "Statement" artist, features work from 2003 to 2007, as well as extensive background information.