2010. Atlas of Transformation is a sort of global guidebook of transformation processes. With structured entries, its goal is to create a tool for the intellectual grasping of the processes of social and political change in countries that call themselves "countries of transformation" or are described by this term. The Atlas of Transformation was first published in Czech and it contains more than 200 "entries" and key terms of transformation.

Das AMAM verwahrt mehr als 1.500 Dokumente, darunter mehr als 300 Zeichnungen, Collagen, Aquarelle, Radierungen und Skizzenbücher von den frühen 1950er Jahren bis zum frühen Tod der Künstlerin im Jahre 1970. Sämtliche Zeichnungen und zahlreiche Seiten aus den Notebooks sind in der vorliegenden Publikation meist erstmals perfekt farbig abgebildet.

A two-volume artist’s book highlighting the sculptor’s protracted career and stringent works
Designed by American conceptual sculptor Cady Noland (born 1956), The Clip-On Method’s two volumes can be picked up and read in any order: back to front, front to back, or started in the middle. Readers take it upon themselves to weave their way through Noland’s tangled oeuvre.

Thomas Feuerstein hat die Räume der Galerie im Taxispalais Innsbruck in ein zusammenhängendes Ensemble aus Gewächshaus, Laborküche, Kühlraum und Fabrik verwandelt. Schläuche mäandern durch die Ausstellung, sie verbinden Apparaturen und Objekte, aus Algen und Pilzen wird

Im Fokus dieser Publikation stehen die Fotoarbeiten von Aglaia Konrad und Armin Linke zu wegweisenden Hollein-Bauten der vergangenen fünf Jahrzehnte.

Weaving as a Metaphor offers the intimate side of the artist's oeuvre. . . . Emulating a gallery setting, the catalog, itself a work of art, presents each weaving on a separate page. Trenchant information as well as thought-provoking essays--by Arthur C. Danto, Joan Simon and Nina Stritzler-Levine--archival photographs and notebooks round out this wonderful publication.

Manifesto per una nuova ceramica [For a Manifesto of the New Ceramics] is born from the necessity to shape a shared feeling, a “trembling,” that crossed the Italian and international ceramics landscape in the past few years. Irene Biolichini, curator and professor, intercepted this sensation and,

Rab-Rab Press announces the publication of “Free Jazz Communism“, a new book actualising Archie Shepp–Bill Dixon Quartet at the 8th World Festival of Youth and Students in Helsinki 1962.

This new study critically assesses the work of one of the art world's most creative and controversial duos. It includes a rare specially commissioned interview with Jake Chapman and features essays from leading international art scholars and commentators. Brothers Jake and Dinos Chapman enrage some with their art and reduce others to hysterics, but no one is neutral about two of Britain's most outstanding artistic provocateurs.

In 2018, the Museum Villa Stuck presented a comprehensive retrospective with works by the goldsmith and silversmith Rudolf Bott. The book accompanying the exhibition is a 672-page monumental work. Far from a usual catalog with colorful illustrations, it is "thought in black and white" like the entire exhibition. With a 340-page photo report by Jörg Koopmann and Lene Harbo Pedersen, who photographed the objects across Europe at the lenders and in Bott's studio.

Die großen, grotesken Fotoserien von Anna und Bernhard Blume sind heute wohlbekannt. In ihnen inszenieren die Künstler im dokumentarischen Gestus paranormale Situationen, die sich im Inneren einer „kleinbürgerlichen“ Welt oder in symbolisch besetzten Regionen deutscher Kunst (wie dem Schwarzwald) abspielen.

Lewis Carroll began photographing children in the mid-nineteenth century, at a time when the young medium of photography was opening up new possibilities for visual representation and the notion of childhood itself was in transition. In this lavishly illustrated book, Diane Waggoner offers

Between December 2022 and March 2023, Vivian Suter shared hundreds of photos, all taken with her mobile phone, with the designer and editor of this book. A selection of these snapshots, condensed, juxtaposed, complementing each other, now forms a kind of photographic journal. It offers insights into

C21ST RECENT HISTORY: Handmade in an edition of 100, B&W digital and four-colour riso plates on Munken Pure smooth 120gsm paper, Stardream Metallic SILVER 120gsm, Xerox Bright White coated 170gsm with matt black foil debossed Fedrigoni Ultra Black 185gsm boards; pearl Plastikoils binding;

Ein Ausnahmekünstler gibt sich die Ehre: Der großartige Jannis Kounellis stellt aus, und der Rahmen könnte angemessener nicht sein. In der Monnaie de Paris, der alten Börse von Paris, ist in einem furiosen Streich ein begehbares Gesamtkunstwerk in situ' entstanden, das den Pionier der Arte povera angemessen würdigt.

Exhibition catalogue published in conjunction with the Austrian pavilion of the 45th Biennale of Venice held in 1993 featuring Andrea Fraser, Christian Philipp Müller and Gerwald Rockenschaub. Texts by Helmut Draxler, Chantal Mouffe, Albert Müller, Michael Müller, Felicia Riess, Otto E. Rössler, Peter Weibel and Slavoj Žižek. Includes biographies and a checklist of the exhibition. Text in English, German and Italian.

a large presentation of works by Marcin Maciejowski (born 1974) – a painter and draughtsman, one of the most fascinating and renowned artists of the younger generation...

Peter Friedl is a conceptual artist whose practice is characterized by a critical examination of social, political, and cultural narratives. Working across various media such as photography, video, drawing, installation, and text, Friedl challenges established power structures, historical representations, and systems of perception by creating alternative perspectives and narrative strategies.

Spätestens mit ihren Auftritten auf der 50. Biennale Venedig und der Manifesta 5 hat sich die deutsche Künstlerin Amelie von Wulffen auf dem internationalen Kunstparkett einen Namen gemacht. In ihren Collagen, Zeichnungen und fotografischen Überblendungen beschäftigt sie sich mit biografischen Recherchen und Rekonstruktionen.

This collection of eerie figurative works by the young Polish painter Marcin Maciejowski, who has shown at Leo Koenig Gallery in New York and at the 2004 Art Basel fair as a "Statement" artist, features work from 2003 to 2007, as well as extensive background information.

The starting point here is the relation between writing and time, object and text, hence the title “Schreibtischuhr” (writing desk clock).

With contributions by Richard Artschwager, Jo Baer, Stanley Brown, Jenny Holzer, On Kawara, Sherrie Levine, Ad Reinhardt, Gerhard Richter, Robert Ryman, Rosemarie Trockel and Andy Warhol which were shown in this context once again made it overly clear how radically the definition of the concept 'picture' has changed in this century. Erschienen anlässlich der Ausstellung - Das Bild nach dem letzten Bild in der Galerie Metropol, Wien. Mit Beiträgen folgender Künstler / innen: Jean Christophe Ammann, Hubert Damisch, Jenny Holzer, On Kawarar, Gerhard Richter, Rosemarie Trockel und Andy Warhol u.a. Texte in Deutsch und Englisch.

Der Medienkünstler, Schauspieler, Theoretiker, Musiker und Museumsleiter Peter Weibel der in den 1960er- und 1970er-Jahren zu den österreichischen „Rebellen“ zählte, wurde in diesem Jahr für sein künstlerisches Gesamtwerk mit dem Oskar-Kokoschka-Preis 2014 ausgezeichnet.

World Trade Center, New York, USA, "And then the surgical intervention in the World Trade Center in New York City. Everything top secret and illegal of course. In days of conspiratorial work, somewhere on the 148th floor and

“Yves Klein by himself” is the intellectual biography of one of the most influential artists of the second half of the twentieth century.

Die Werke des chinesischen Künstlers Ai Weiwei sind Ausdruck seiner kritischen Auseinandersetzung mit Geschichte, Kultur und Politik seiner Heimat und reflektieren auf mehr oder weniger subtile Weise seine eigene Biografie.

This publication revisits Jennifer Tee’s tampan tulip series and the themes, motifs, and research that went into it.

Created in Berlin around 15 years ago, this large-format collage book by Isa Genzken is both a personal diary and artistic manifesto. In it are portraits of the artist and her friends;

A groundbreaking new insight into a rich spectrum of early Soviet art and design and its spaces of display. Published on the centenary of the Russian Revolution, this landmark book gathers information from the forefront of current research in early Soviet art,

Aldo and Hannie van Eyck met as students of architecture and married in 1942. They worked

Lucy R. Lippard's famous book, itself resembling an exhibition, is now brought full circle in an exhibition (and catalog) resembling her book. "Conceptual art, for me, means work in which the idea is paramount and the material form is secondary, lightweight, ephemeral, cheap, unpretentious and/or 'dematerialized.'" -Lucy R. Lippard,

Dame of the British Empire Vivienne Westwood is best known for her provocative SEX/Seditionaries boutique on Kings Road, and then perhaps her runway shows.

This book is not a proper catalogue raisonné, but rather an invitation to browse the library of an amateur. It allows us to consider an important aspect of Richard Prince’s work,

FUKT Magazine, one of the world’s leading, engaging and inspiring drawing magazine returns for its 20th edition. This new anniversary release looks at the art of portraits in drawing.

An extensive monograph/exhibition catalog on Stephane Couturier, who is undeniably one of the most important French contemporary photographers, an influential presence on the international exhibition scene since the mid-1990s with his large-format, brilliantly elaborated photographic tableaux.

This book is dedicated to the work of Roberto Sironi, as part of a series of monographs on the thought and work of young contemporary designers. The activity of the Italian designer unfolds through highly symbolic projects, based on his personal interest in anthropology and ethnology.

"This book results from my interest in the graphic interplay between two- and three-dimensional structures. The 11 possible ways to unfold a cube are laid out on white paper, whereas the seven cuts that make it possible to unfold a cube

This publication documents the 2016 exhibition “One, No One and One Hundred Thousand,” which took place at Kunsthalle Wien, Karlsplatz. Curated by Luca Lo Pinto, the show took its inspiration from Oulipo, a literary strategy whose objective was to propose new “structures” for writing that were mathematical in nature.

Bernhard Cellas Panoptikum an rekonvaleszenten Männern - quer durch ein Jahrhundert - demonstriert eine Ikonografie des medizinischen Fortschritts und die Typologie der mise en scène, der bald wieder in den Alltag Zurückkehrenden.

Bei dieser Publikation handelt es sich um ein Künstlerbuch das anlässlich der Ausstellung "Mathias Poledna. Actualité", welche im Grazer Kunstverein stattfand, erschien.

This publication explores how Heimo Zobernig (Mauthen, Austria, 1958) has become one of the most relevant artists in the current European landscape.

This is an anthology of the artist’s collected comics from 2011 to 2020, only allegedly a casual branch of her practice. It includes November (2011) and At the cool table (2013) as well as lesser known, shorter comics of the last few years.

Die Fotografien, die Annette Kelm innerhalb einer großen Bandbreite von Erscheinungsformen im Laufe der letzten fünfzehn Jahre geschaffen hat, gehören zu den faszinierendsten und bedeutendsten Beiträgen der jüngsten zeitgenössischen Kunst.

An iconographic taxonomy—researched, conceived, and ideated by Wolfgang Scheppe, also author of the book’s final essay—that traces the state and police visual control through almost 500 images from the May 1968 police archives in Paris.

Including essays about Barbara Hammer, Agnès Varda, Camille Billops, Jane Arden, Penny Slinger, Ana Mendieta, Hito Steyerl, Mati Diop, Catherine Breillat, Carol Morley, Ulrike Ottinger, Charlotte Prodger, Charlotte Pryce, Rosalind Nashashibi & Lucy Skaer, Gloria Camiruaga, Margarethe von Trotta, Astra Taylor, Lina Wertmüller. Interviews with Akosua Adoma Owusu, Astra Taylor, Ericka Beckman, Carolee Schneemann, Barbara Hammer

Con esta exposición se podrá ver por primera vez en España una amplia selección de obras de la artista checa Hanzlová Jitka (Nachod, 1958). Sus fotografías, que buscan penetrar en la esencia de las cosas y los personajes representados, crean imágenes directas que evidencian la relación entre el hombre y su contexto. Además

“I wanted a newspaper, the picture in my head was of someone slapping a fat stack of paper on the table in front of you, in your face, saying: Right, now it’s happened.” (Siggi Hofer)
The versatility that distinguishes Siggi Hofer’s exhibitions is also evident in a publication accompanying his current

'The spirit of Gemini is best captured by the word 'collaboration.' It's about artists and printers working hand in hand to create works of art. This same spirit prevails when I take photos. There's a trust extended by the artists, allowing me to share so many special moments with them.' -Sidney Felsen

Started as a xerox zine, a saturated compilation of drawings done by amateurs, musicians or comics authors, Nazi Knife explored, in its more recent issues, some more singular editorial approaches: the publication seen as a library, as a collection of motley elements, where raw materials, symbolic references or cultural products could be combined, or as the visual repetition of few fetishistic obsessions, modulated by an architecture of filters, quite opaque to say the least.

In Noir – A Serendipitous Encyclopedia Inspired by 1001 Names for the Color Black graphic designer Sandra Praun takes on the color black and the language that charges it with a variety of characteristics. The book consists of three parts:

Written in the 1950s and ’60s, the “action poems” comprising a A User’s Manual were published in their complete form in 1969 when they were paired with the 52 collages of Weekly 1967, the first of Kolář’s celebrated series in which he commented visually on a major event for each week of the year. Taking the form of directives,

On the occasion of the exhibition Die fünfte Säule [The fifth column], curated by Moritz Küng, Joëlle Tuerlinckx presents the lecture-performance Les moments d?espace ? lecture for YouTube in 591 panels (version 17.11.11) and the publication Moments d?espace.
On 591 PowerPoint pages the artist describes her subjective and partially autobiographical thoughts concerning the paradox of space in the form of ?textimages? in French with English subtitles. While these are projected uncommented, Tuerlinckx improvises a musicalpiece on a first-generation Casio synthesizer.

A digest of magazines around the world edited by Maurizio Cattelan and Paola Manfrin, Permanent Food is a cannibal magazine. Bound together in each issue of this periodical of pilfering from Maurizio Cattelan and Paola Manfrin is a thoroughly bewildering, amusing, grotesque, and blasé selection of images culled from anywhere, everywhere, and nowhere.

Joachim Brohm (Jahrgang 1955) unternimmt ein foto-urbanistisches Projekt mit Langzeitbeoachtung. Von 1992 bis 2002 fotografiert er auf ein und demselben Areal, das - am Rande einer deutschen Großstadt gelegen

Dedicated to his friend and mentor Peter Hujar, Salters Cottages is an artist’s book of stills from a short film Schneider made in 1981 at Salters Cottages, a summer seaside cottage community on Long Island, New York.

Dangerous Bodies brings together artist Barbara Kapusta’s recent writing. Designed by Sabo Day Font: Silom, Dangerous Bodies