This small publication is an edited reprint of the essay ‘The Book in Intermediary Form’ written by Kasper Andreasen. It was originally published in 2011 by Wintertuin, Nijmegen as part of a compilation about the future of the book. The essay argues for a possible scenario leading up to a hypothesis about an audio­visual book. How can artists’ books be audio­visual objects?

Rab-Rab Press announces the publication of Free Jazz Communism, a new book actualising Archie Shepp–Bill Dixon Quartet at the 8th World Festival of Youth and Students in Helsinki 1962.

Sandra Peters: Leporello [Spatial Thinking] is a compact artist’s book that explores the sculptural practice of Sandra Peters through the format of a folded leporello.

In With Ease Through Heaviness lotet Robert Pfaller die Grenzlinien zwischen philosophischer Reflexion und künstlerischer Praxis aus.

Anfang der 1980er Jahre wurde Taaffe als wichtiger Vertreter der Appropriation Art international bekannt. Sein Interesse an Ornamenten unterschiedlicher Kulturen und historische Naturdarstellungen, die er als Fragmente in leuchtenden Farben auf die Leinwand bringt, prägen seine Bilder.

The first comprehensive study of Knoll's innovative textile designs and the company's role within the history of interior design In 1940, Hans Knoll founded a company in New York that soon earned a reputation for its progressive line of furniture. Florence Schust joined the firm and helped establish its interior design division, the Knoll Planning Unit. In 1947, the year after their marriage, Hans and Florence Knoll

"Spaces of Commoning: Artistic Research and the Utopia of the Everyday'' is the outcome of a research project pursued by a group of artists, architects and social theorists, who in the face of exhilarating politics of accumulation and dispossession explore commoning as the subject as well as the means of their collective study.

Ce livre - un projet porté par l’association Atelier d’Architecture Pierre Hebbelinck & Pierre de Wit et Atelier d'Architecture Hart Berteloot -

The latest issue in the publications’ 20-year history looks at the innately human desire to create systems and how artists across the world interpret this subject. As it’s inevitable that we’ll deal with different types of systems throughout our lives, issue number 18 focuses on precisely this. Many artists create their own systems and methods; setting up rules for creating their art, sorting their materials, following specific schedules, creating new worlds. In a way, such structures provide us with a framework for stretching the possibilities of our creative freedom.

The fruit of a lengthy research, this book shows for the first time a significant selection of René Heyvaert's mail art. The latter is linked to the Belgian artist’s multiform oeuvre—which retains, given that René Heyvaert (1928–1984) was originally an architect, an overt material and spatial relation to its environment—as well as to his personal life: his gradually deteriorating health, and the loneliness that fed his epistolary vocation.

A corporate report as conceptual intervention

In diesem Ausstellungskatalog werden zum ersten Mal die drei Künstlerpositionen Wade Guyton, Guyton\Walker und Kelley Walker gemeinsam vorgestellt. Die Präsentation erlaubt die parallele Betrachtung und Auseinandersetzung mit beiden Einzelpositionen sowie mit dem 2004 gegründeten Künstlerduo.

Don't Trust Anyone Over Thirty charts the career of twenty-four-year-old rock singer Neil Sky, who is elected President of the United States after instigating teenage riots to change the voting age to fourteen and putting LSD in the drinking water of the Congress. But once President Sky retires the over-thirty population in LSD re-conditioning camps, he faces his own unique demise. 

Eine Schlüsselfunktion hat dabei das Artists-and-Architects-in-Residence-Programm: Es setzt diese Ideen um, indem es internationale KünstlerInnen und ArchitektInnen am Anfang ihrer Karriere nach Los Angeles bringt. Um den kulturellen Austausch als zentrales Anliegen des Stipendienprogramms zu intensivieren, haben das Österreichische Bundesministerium für Unterricht,

mit Beiträgen von Cerith Wyn Evans, Florian Hecker, Liam Gillick, Carsten Höller, Robin Mackay, Jeannie Moser, Molly Nesbit, Olaf Nicolai, Martin Prinzhorn, Maria Spiropulu, Eva Wilson and Daniela Zyman (Englisch)

Marcel Duchamps druckgrafische Arbeiten sind ein bedeutendes Instrument seiner konzeptuellen Praxis und reflektieren seine kritische Auseinandersetzung mit Originalität, Autorschaft und Reproduzierbarkeit.

Negotium ist ein Künstlerbuch und gleichzeitig ein "Verkaufskatalog" von drei Werken von Franz West, Nummer 23, 47 und 48.

Franz Graf hat für die vier Flächen in der Passage Hauptbahnhof/U1 Südtiroler Platz unterschiedlichste Bildmotive aus seinem künstlerischen Archiv zu komplexen Kompositionen zusammengefügt. Die Sujets sind an Himmelskarten und Verbindungslinien angelehnt, die im weitesten Sinn Beziehungen zwischen Worten und Gedanken Reisender reflektieren. Filmsequenzen oder Traumbildern vergleichbar fügen sich die Elemente aus geometrischen Symbolen, reduzierten Textfragmenten und Schriftbildern,

Der Katalog vermittelt einen umfassenden Einblick in das Werk des großen Minimalisten Carl Andre.

Gespräch zwischen Jutta Koether und Diedrich Diederichsen.

Following From Berkeley to Berkeley: Objectif Exhibitions, 2008–2010, this publication is the second in a two-part series of interviews with artists who exhibited at Objectif Exhibitions, Antwerp, between 2010 and 2011. (engl.)

Von 1999 bis 2003 nutzte der Zürcher Kunsthistoriker Peter Stohler seine 40 Quadratmeter grosse Wohnung an der Röntgenstrasse in Zürich als Projektraum.

Jonathan Monk (born 1969 in Leicester, UK) is a conceptual artist whose practice centers on appropriation, repetition, and displacement.

Riso print, 68 pages, no illustrations

San Rocco was the product of the collaboration of two young architects. San Rocco did not contribute to the later fame of its two designers. It is neither “standard Grassi” nor “standard Rossi”.
(Engl.)

The publication includes a series of interviews with artists who exhibited at Objectif Exhibitions, Antwerp, over a two-year period, along with a collection of secondary and parallel material produced in collaboration with each artist.

Trotz seiner Kürze verfolgt der Aufsatz in dieser Edition ein dreifaches Anliegen:

Vierzehn internationale Künstler – u. a. Hilton Als, Ida Ekblad, Glenn Ligon und Thomas Hirschhorn – schlüpfen in Rollen aus Film, TV, Literatur und Kunst, um William Blake (1757–1827) neu zu befragen.

With “Markings”, the KW Institute for Contemporary Art and Spector Books are initiating a series of small-format, polymorph publications. They will be produced together with artists who have exhibited, intervened, or performed at the Kunst-Werke.

A “politics of listening” is an intervention into and a reorganization of forms that listening takes rather than a call for free speech or for a platform for voices to be heard.

Godville is a two-channel video edited from interviews with several eighteenth-century character interpreters in Colonial Williamsburg, a living-history museum in Virginia. The museum is actually part of the historical town it recreates, occupying and preserving the town’s buildings and grounds, while training and paying its residents to act out colonial American life.

Jochen Lempert macht sich einen Spaß mit dem menschlichen Hang, die Phänomene der Welt als Zeichen zu deuten.

FOOTNOTES TO ONE'S OWN PRODUCTION --- In Liner Notes we introduce a number of books produced in recent years by book designers who had studied at the Leipzig Academy of Visual Arts.

How to disappear in America without a trace. “There are many good reasons to disappear from society.

"Cabaret Crusades - Drawings" is a limited-edition pop-up book by Egyptian artist Wael Shawky, published by Kunsthaus Bregenz as part of an exhibition about the work of Wael Shawky.

Die Publikation von Ka Moser schliesst eine Lücke: Erstmals ist das vielschichtige Werk der Berner Künstlerin – die sich seit Jahrzehnten zwischen Musik ; musikalischer Performance und Malerei gewandt bewegt – im Band «Das Farbengedicht» als Einheit dargestellt.

Erscheint anlässlich der Ausstellung "Nach Kippenberger" im Museum Moderner Kunst Stiftung Ludwig Wien (11. Juni - 31. August 2003) und im Van Abbemuseum Eindhoven (22. November 2003 - 1. Februar 2004)

The exhibition “The Promise of Total Automation” investigated our relationship to a world of machines, technological objects, and electronic devices.

Alcohol Makes You Invincible by dddddddumar Fukunovo takes place where many twenty-first century death cult stories take place, the post-apocalyptic now.

The publication accompanies the exhibition "Alexander Kluge: Gardens of Cooperation" in the Württembergischer Kunstverein Stuttgart: a comprehensive solo exhibition by the writer, filmmaker, and theorist Alexander Kluge, based on the show of the same name at the La Virreina Art Center in Barcelona.

Wir berichten vom Anfangen. Von Ritualen und Methoden des Anfangens, von zufälligen Fängen. Von Beginnlosigkeit. Vom Stellenwert des Anfangs und von möglichen Definitionen.

An incomplete guide for life. Each person written about is represented by a letter, and when an object turns into a subject it is marked in bold.

In 1831 Honoré de Balzac wrote a short story, “The Unknown Masterpiece,” in which he invented the abstract painting.

The symposium reflects on historical and actual models of art institutions and organisations that deal with production and circulation of art and ideas in an experimental and flexible way.

"After the Act" basiert auf der gleichnamigen Vortragsreihe und Ausstellung im MUMOK Wien 2005. After the Act setzt sich mit der Beziehung der Performancekunst zu ihren Dokumentationsformen und ihrer Rezeptionsgeschichte vom einmaligen Ereignis zur 'cultural commodity' (kulturellen Ware) auseinander.

"With a multitude of stylistic approaches, the volume is an ideal synopsis of Benning's exceptional career, which itself stands tall as a structuralist representation of the United States of America, and the American landscape in particular. From fellow traveller Sharon Lockhart's

This publication is a record of Klütterkammer - An exhibition by John Bock at the Institute of contemporary Arts, London.

Florian Hecker works with synthetic sound, which is made by processes of digital and electroacoustic signal processing.

Why, when we are desperately in love, do we continuously block union with our love object?

If it was once God who pervaded and determined every last corner of human existence, it is now porn, the sibling of sex.

Taken at the height of the Assad days, the images of the photographer Giovanna Silva overlap in this publication with Syrian tourist guides’ images and texts, creating a net of intended and unintended relationships and time interconnections.

Ulay is one of the pioneers of performance art. His practice is not about human alienation, but rather the kind of alienation that captures art and then forms its own identity.

In Joan Jonas's 1976 video work I Want to Live in the Country (And Other Romances) the artist investigates a geography of displacement and irrefutable desires.

Fragt man nach einem verlässlichen Seismografen und obsessiven Forensiker unserer tiefsten menschlichen Abgründe, so führt an Gottfried Helnwein kein Weg vorbei. Wie kein Zweiter führt er uns in seinen Bildern seit mittlerweile fünf Jahrzehnten medienwirksam die Auswüchse menschlicher Gewalt vor Augen und konfrontiert uns mit unseren Trieben und Ängsten.

Martin Herbert’s The Uncertainty Principle is a collection of essays that reveals layers of unknowing and open-endedness within a diversity of contemporary art practices since the 1970s.

The Age of Experience: Hong Kong, Vienna: Exhibition Strategy & Reflection : School of Creative Media, City University of Hong Kong, in cooperation with AIL Angewandte Innovation Lab, University of Applied Arts, Vienna.

Herbert Fuchs’ künstlerisches Schaffen ist untrennbar mit dem Medium Buch und dem Text verbunden. Er arbeitet seit den 1980er-Jahren

This volume is a collection of drawings and captions for “unshowable” photographs taken in Palestine in 1947–50,

To him, a city is like a mountain range, but with one essential difference: there are always new skyscrapers under construction. Known as “the French Spider-Man”, Alain Robert is famous for his free solo climbing, scaling skyscrapers using no equipment except for a small bag of chalk and a pair of climbing shoes.

"'Academy' is an international series of exhibtions and projects initiated by Siemens Art Program and realized in cooperations with teh Kunsteverein in Hamburg, the Department of Visual Cultures at Goldsmiths College in London, zhe Museum van Hedemdaagse Kunst Antwerpen, MuHKA, and the Van Abbemuseum in Endhoven."