'The Significance and Relevance of Early Modern Indian Painters to the Contemporary Indian Art', written in 1971,

Cornelia Schleime ist eine der markantesten Stimmen der deutschen Kunstszene – und eine Chronistin des Widerstands in der Spätphase der DDR.

Dieses Buch versammelt erstmals zwei künstlerische Positionen, die über Zeit und Raum hinweg durch eine gemeinsame Haltung verbunden sind: Honoré Daumier und Raymond Pettibon.

Books Do Furnish a Painting is a beautifully illustrated exploration of how books have been depicted in Western art over the past five centuries.

Marcel Odenbach's work is a rich and multifaceted exploration of contemporary art, spanning over four decades of artistic practice.

The publication dedicated to Günter Brus’ final works focuses on a series of watercolors created between 2020 and 2023, during the COVID-19 lockdowns, which marked a particularly intense and profound expression of his artistic practice.

Amoako Boafo zählt zu den prägendsten Stimmen einer neuen Generation Schwarzer Künstler*innen.

Im 19. Jahrhundert erlebte die Tapetenkunst eine Blütezeit – prachtvolle Farben, filigrane Muster und ein neuer Anspruch an die Gestaltung bürgerlicher Wohnräume bestimmten das ästhetische Ideal.

Peter Buschs künstlerische Praxis kreist um eine subtile, atmosphärisch dichte Malerei, die sich durch Zurückhaltung und emotionale Tiefe auszeichnet.

Yves Klein’s radical approach to art in the late 1950s culminated in an exhibition that defied the expectations of both viewers and institutions.

Bastian Muhrs Fokus liegt auf der Beschäftigung mit Zeichnung und Malerei. Regelmäßig realisiert er in Zusammenarbeit mit Kunstinstitutionen große, temporäre ortsspezifische Arbeiten.

„Alaska Chicago Los Angeles New York“ shows a selection of works that came to live in 2023 during a scholarship in the United States.

Erwin Bohatsch's work is characterized by constant oscillation between representationalism and abstraction, between color and non-color, between line and surface.

GIRL ON CANVAS is an artbook project by Pola Dwurnik about painting and its reception. It explores an aspect of her paintings that is completely beyond the artist's control, the life of her works in the minds of viewers willing to actively engage with them. Over thirty different contributors have written about their intellectual and

In 1978 Grey Crawford created a body of colour photographic work that was so radical in its aesthetic and technique that few people to this day understand how it was made. Chroma documents late 70s Los Angeles in a period of radical urban transformation. Scenes of vernacular architecture, demolition sites and

Zeichnungen / drawings 1980-1988: Martin Disler, 126 Bilder / images, multimedia, Printed in Switzerland, 1989 Martin Disler, Elisabeth Kaufmann

The authors, written by Daniël de Jongh, Lene ter Haar together with Robert Kaltenhäuser, Javier Abarca, Stephen Burke, Raenys Martis, Ana Maria Hernandez and Robin Vermeulen, of Scratching the Surface all share their professional and personal experiences with graffiti and street art, offering a range of perspectives on these art forms as well as showcasing their potential.

This publication is released on the occasion of Zhou Siwei’s exhibition I Sold What I Grow at the Vienna Secession, June 21–September 8, 2024. It includes an in-depth essay by the Beijing-based curator and arts writer Fiona He as well as an interview between the artist and Damian Lentini that probes the manifold influences that have informed his painting practice across the years.

Jasper Johns (b. 1930) is arguably the most influential artist living today. Over the past 65 years, he has produced a radical and varied body of work marked by constant reinvention. Inspired by the artist&;s long-standing fascination with mirroring and doubles, this book provides an original and exciting perspective on Johns&;s work and its continued relevance.

Midnight Deer Abstractions is a collaboration between artist Geoff Farnsworth and poet Erin Knight to produce limitless in-betweens and vast spaces where slight variations contain all the precisions of colour and diction, rendered immediately nebulous. Creating spectral selves, they invite us to look “between foreground and background” for the traces and sketches of identities, whose edits are vague, always disappearing to be retraced, resketched.

Latitudes is a collage whose only constraint is to use fragments of existing texts and images and whose objective is to briefly suggest the outline of an imaginary novel.

Once considered an outsider artist, after her show at the Guggenheim Museum was seen by more than half a million visitors, Hilma af Klint firmly established her place in art history. She has also been the subject of documentary films and biographies. In 2013, Iris Müller-Westermann organized the first retrospective exhibition of af Klint s work.

The perfect gift for Hockney fans and dog lovers everywhere, "David Hockney's Dog Days", now in a gift edition, is an album devoted to two of the artist's closest friends, his dachshunds Stanley and Boodgie. This beautiful and engaging book includes almost all of Hockney's paintings and drawings of his two companions, dozens of new illustrations created specially for this book, and a text by the artist himself.
Críticas: 'Lovely ... sure to delight both dog lovers and David Hockney fans. 10/10' - Your Dog 'Hockney's usual brilliant eye for colour is ever present' - The Times „Über diesen Titel“ kann sich auf eine andere Ausgabe dieses Titels beziehen.

In seiner neuen Publikation Signal variiert Christian Hutzinger drei „Formcontainer“, die aus seinen früheren visuellen Experimenten abgeleitet zu sein scheinen, mit Farben aus jeweils drei Paletten und ergänzt diese mit der Abbildung einer Wandarbeit aus der gleichnamigen Ausstellung in der

Fernando Botero's distinctive exaggerated forms perfectly complement the exaggerated atmosphere of the circus. The esteemed artist uses bright colors and unexpected movement to artfully manifest the poetry of the circus, inviting the viewer to participate in a circus with Botero as the artful ringmaster.

Maja Vukoje ist eine der wesentlichen in Österreich le- benden Kunstschaffenden, denen im Bereich der Malerei eine herausragende Position zukommt. Der Katalog gibt einen Überblick über die Produktion der letzten fünf Jahre, die zunehmend eine genuine Sprache der Malerei erkennen lässt.

The eleventh issue of the series Pleased to Meet You is devoted to Derek Jarman (1942-1994), a major figure in British cinema during the 1970s and 80s as well as a highly versatile artist, painter, draughtsman, costume and set designer, author and gardener. Before his premature death in 1994 of an AIDS-related illness,

Sean Scully is recognized as one of the most important abstract artists of our age. For half a century, he has explored with unwavering determination and vision the possibilities of the stripe, band, and block as abstract forms. In doing so, he reconciled the aesthetic of pure Minimalism with a more human and expressive approach that reinvented abstraction as physical, sensual, and endowed with powerful emotion.

BLINDER RAUM is the first major monograph of FRANZ VANA, an artist based in the south of Burgenland. The book offers

Die Grenzen der Medien überwindet Ashley Hans Scheirl so mühelos wie die Beschränkungen durch geschlechtliche und kulturelle Normen. Die als Angela Scheirl geborene Künstler*in erlangte Ende der 1980er-Jahre durch ihre experimentellen Film- und

Seit Beginn ihrer künstlerischen Laufbahn thematisiert Christina Zurfluh die abstrakte Malerei. Ihre Abstraktionen gründen dabei nicht auf der Reduktion von Gegenständlichkeit, sondern entstehen in einer Symbiose aus Kalkül und Intuition.

My Body is a Battlefield bietet einen umfassenden Einblick in das Werk der 1988 auf der Krim geborenen ukrainischen Künstlerin Maria Kulikovska. Bereits in frühen Arbeiten setzt sie sich mit patriarchalen Strukturen und der Abwesenheit weiblicher Subjektivität in der ukrainischen Kunst auseinander. Mit der Annexion

Artist’s book with twenty-one colour illustrations of German artist Maximilian Kirmse’s paintings, as well as several drawings. The book includes a prose poem by Jan Koslowski, and an essay by Fid. Fischer which situates Kirmse’s work within contemporary painting.

The images in Ed Templeton: 87 Drawings cover a span of over thirty years, from 1990 to 2021, and deliver a remarkable retrospective of the artist’s intimate drawing style. Templeton examines the studied ennui of adolescents and young adults, capturing his subjects’ specific personalities while documenting the visual identity born of

Between December 2022 and March 2023, Vivian Suter shared hundreds of photos, all taken with her mobile phone, with the designer and editor of this book. A selection of these snapshots, condensed, juxtaposed, complementing each other, now forms a kind of photographic journal. It offers insights into

The notebook of James William Lacelot Lowther brings together drawings, sketches, dreams, watercolours, and paintings that document the artistic work of the artist. William, who passed away at the age of 21, was a talented, passionate, and empathetic young artist.

Drawing became fashionable in the 18th century when it left the confines of
the artist’s studio to enter a broader field of discourse, culture, politics, and
social life. This transformation was most evident in France, where drawing
was significantly and influentially repositioned and

a large presentation of works by Marcin Maciejowski (born 1974) – a painter and draughtsman, one of the most fascinating and renowned artists of the younger generation...

"The textual whole forms that empty space in which the eyes can both rest and open to see the unexpected."
With Martina Steckholzer painting is documentary, deconstructive and poetic. In large-format room images, she looks at exhibition architecture and

Spätestens mit ihren Auftritten auf der 50. Biennale Venedig und der Manifesta 5 hat sich die deutsche Künstlerin Amelie von Wulffen auf dem internationalen Kunstparkett einen Namen gemacht. In ihren Collagen, Zeichnungen und fotografischen Überblendungen beschäftigt sie sich mit biografischen Recherchen und Rekonstruktionen.

This collection of eerie figurative works by the young Polish painter Marcin Maciejowski, who has shown at Leo Koenig Gallery in New York and at the 2004 Art Basel fair as a "Statement" artist, features work from 2003 to 2007, as well as extensive background information.

A Female Gaze explores the paintings and drawings of contemporary artist Caroline Walker through the lens of Laura Knight, arguably Nottingham's most famous artist and the first woman to be elected a Royal Academian.

Georg Frauenschuh (geb. 1979) verbindet in seiner Malerei einen persönlichen Standpunkt mit einer diskursiven Herangehensweise. In seinem bis 2015 vorwiegend abstrakten Œuvre tauchen in jüngster Zeit vermehrt figurative Sujets auf.

This publication revisits Jennifer Tee’s tampan tulip series and the themes, motifs, and research that went into it.

Examines both the art-historical framework of Tomma Abts’s painting as well as its deep philosophical and psychological dimensions.

The catalogue is published on occasion of the exhibition ‘The Purloined Masterpiece. Images as Time Machines’ at the Paintings Gallery of the Academy of Fine Arts Vienna.

The publication “Jean-Frédéric Schnyder. Mappe A55” shows 17 female nudes from the “How To Paint (1973–75)” works series created according to the instructions of the DIY painting course of the same name by Walter T. Foster.

“Modernism/Murderism”, translated by Vasvi Oza, brings together, for the first time in English, a forgotten debate on Modern Art that took place in the pages of the Gujarati-language periodical “Kumar” between 1959 and 1964.

Hy-phen, Paintings – Drawings – Objects, is the definitive study of the work of Derek Sprawson (born 1955). This book provides an overview of the diverse phases his paintings have traversed over forty years of practice.

Verena Dengler ist eine Meisterin pointierter Anspielungen. Sie fügt Bilder, Skulpturen, Textilien und Fundmaterialien zu einem poetischen Kosmos zusammen:

“Dengler’s oeuvre is also about trauma, both personal and collective, and although it offers no consolation whatsoever, another place where it investigates the meanderings of the human psyche is the shrink’s—pop or not—sofa.

Cet ouvrage est publié à l'occasion de l'exposition Amelie von Wulffen, à l'espace 315, Musée national d'art moderne du Centre Georges Pompidou, Paris, 2 mars-2 mai 2005.

Eine umfassende Monografie über Amelie von Wulffen, mit eine Vielzahl neuer Bilder und Skulpturen. Sie beschäftigen sich vor allem mit emotionalen und auch psychoanalytischen Fragestellungen. Dabei interessiert die Künstlerin das Verhältnis von Unbewusstem und Bewusstem, das Mittragen von Traumata oder Schuld, wie auch versteckte Sehnsüchte, Fantasien und die Offenlegung von Scham.

In addition to texts on the work of Alexander Wolff by Camila McHugh, Nikola Dietrich, Christian Egger, Kerstin Cmelka, Nora Schultz, Ariane Müller, Sabrina Soyer, also an essay by Marcelin Pleynet entitled "Painting and 'Reality’" from 1969 - translated from French into English for the first time.

"of course blue affects my way of shitting” is a collection of prose and poetry by Petrit Halilaj written between 2007 and 2008. Many of the artist's titles for previous exhibitions and artworks have come from these texts, which have never been presented in their entirety until now.