In The Carrier Bag Theory of Fiction, visionary author Ursula K. Le Guin tells the story of human origin by redefining technology as a cultural carrier bag rather than a weapon of domination.

Square of Will in Square of Love gathers a selection of texts, notes and drawings by Alina Popa, edited by Florin Flueras. Most texts are more poetic and more personal than Alina’s previously published writing, “...a mixture of styles, subjects and mediums – theory, poetry, drawings, diary notes, it's unclassifiable, as she liked it.”
– Florin Flueras

The images in Ed Templeton: 87 Drawings cover a span of over thirty years, from 1990 to 2021, and deliver a remarkable retrospective of the artist’s intimate drawing style. Templeton examines the studied ennui of adolescents and young adults, capturing his subjects’ specific personalities while documenting the visual identity born of

Für Hannah war der Schulweg eine elternfreie Zeit, über die kein Erwachsener bestimmte. So konnte sie täglich auf ihrem Weg viele Abenteuer erleben. Es gab schwierige Stel- len und brenzlige Situationen zu meistern. Für Hannah war es selbstverständlich, zu jeder Jahreszeit

Between December 2022 and March 2023, Vivian Suter shared hundreds of photos, all taken with her mobile phone, with the designer and editor of this book. A selection of these snapshots, condensed, juxtaposed, complementing each other, now forms a kind of photographic journal. It offers insights into

This inspirational book includes an introduction to Karshan’s unique drawing practice and personal history by Jonathan Casciani, a transcript from the film

My Letter Friends is a limited edition graphic design book by Amsterdam-based designer/illustrator Annabel Keijzer. Years of sketching, experimenting and tweaking were merged into this debut.

The notebook of James William Lacelot Lowther brings together drawings, sketches, dreams, watercolours, and paintings that document the artistic work of the artist. William, who passed away at the age of 21, was a talented, passionate, and empathetic young artist.

NO-ISBN

12 individual sheets with prints of drawings.
12 einzelne Blätter mit Druckgrafiken.
Edition of 100

12 individual sheets with prints of drawings.
12 einzelne Blätter mit Druckgrafiken.
Edition of 100

Drawing became fashionable in the 18th century when it left the confines of the artist’s studio to enter a broader

Noa the Boa is a slave to fashion with the heart of an actor and an obsession with celebrity. He becomes luxurious leather accessories for illustrious clients - from Grace Kelly\ s pillow to the codpieces at the Folies Bergere.&Uumlber den Autor.

Walter Obholzer: 7.12.2000 – 21.1.2001 documents the exhibition of works by the Austrian artist Walter Obholzer during the period from December 7, 2000 to January 21, 2001.

a large presentation of works by Marcin Maciejowski (born 1974) – a painter and draughtsman, one of the most fascinating and renowned artists of the younger generation...

"The textual whole forms that empty space in which the eyes can both rest and open to see the unexpected."
With Martina Steckholzer painting is documentary, deconstructive and poetic. In large-format room images, she looks at exhibition architecture and

Spätestens mit ihren Auftritten auf der 50. Biennale Venedig und der Manifesta 5 hat sich die deutsche Künstlerin Amelie von Wulffen auf dem internationalen Kunstparkett einen Namen gemacht. In ihren Collagen, Zeichnungen und fotografischen Überblendungen beschäftigt sie sich mit biografischen Recherchen und Rekonstruktionen.

This collection of eerie figurative works by the young Polish painter Marcin Maciejowski, who has shown at Leo Koenig Gallery in New York and at the 2004 Art Basel fair as a "Statement" artist, features work from 2003 to 2007, as well as extensive background information.

A Female Gaze explores the paintings and drawings of contemporary artist Caroline Walker through the lens of Laura Knight, arguably Nottingham's most famous artist and the first woman to be elected a Royal Academian.

Lieselott Beschorner blickt auf gut 70 Jahre künstlerisches Schaffen und auf eine fast ebenso lange Mitgliedschaft in der Wiener Secession zurück, in die sie 1951 als eine der ersten Frauen aufgenommen wurde.

Georg Frauenschuh (geb. 1979) verbindet in seiner Malerei einen persönlichen Standpunkt mit einer diskursiven Herangehensweise. In seinem bis 2015 vorwiegend abstrakten Œuvre tauchen in jüngster Zeit vermehrt figurative Sujets auf.

This publication revisits Jennifer Tee’s tampan tulip series and the themes, motifs, and research that went into it.

Examines both the art-historical framework of Tomma Abts’s painting as well as its deep philosophical and psychological dimensions.

The catalogue is published on occasion of the exhibition ‘The Purloined Masterpiece. Images as Time Machines’ at the Paintings Gallery of the Academy of Fine Arts Vienna.

130 Propagandabilder, Werbe- und künstlerische Plakate von den 40er- bis Ende der 80er-J.

The publication “Jean-Frédéric Schnyder. Mappe A55” shows 17 female nudes from the “How To Paint (1973–75)” works series created according to the instructions of the DIY painting course of the same name by Walter T. Foster.

“Das phantomastische Malbuch” is a creepy, preposterous, and endearing adventure in painting produced by big artists for little ones, designed for persons of all ages.

FUKT Magazine, one of the world’s leading, engaging and inspiring drawing magazine returns for its 20th edition. This new anniversary release looks at the art of portraits in drawing.

“Modernism/Murderism”, translated by Vasvi Oza, brings together, for the first time in English, a forgotten debate on Modern Art that took place in the pages of the Gujarati-language periodical “Kumar” between 1959 and 1964.

Im Zuge der Recherchen für die neue Ausstellung stieß das kuratorische und wissenschaftliche Team in den Sammlungen des Staatlichen Museums Auschwitz-Birkenau auf Ansichtskarten mit österreichischen Sehenswürdigkeiten. Auf deren Rückseiten zeichnete der polnische Auschwitzüberlebende Jan Kupiec nach seiner Befreiung 1945 in Mauthausen/Ebensee Szenen aus den Konzentrations- und Vernichtungslagern Auschwitz und Birkenau.

FUKT Magazine, one of the world’s leading, engaging and inspiring drawing magazine returns for its 20th edition. This new anniversary release looks at the art of portraits in drawing.

Hy-phen, Paintings – Drawings – Objects, is the definitive study of the work of Derek Sprawson (born 1955). This book provides an overview of the diverse phases his paintings have traversed over forty years of practice.

The winter 2020 issue of Mizna is guest edited by Palestinian graphic novelist Leila Abdelrazaq and addresses prompt of A New World Order. These days, it seems as though revolutionary changes are happening daily.

Her most recent comic seemingly depicts Amelie von Wulffen’s own life. It stands in for a parody of the contemporary, female, mid-career artist.

Verena Dengler ist eine Meisterin pointierter Anspielungen. Sie fügt Bilder, Skulpturen, Textilien und Fundmaterialien zu einem poetischen Kosmos zusammen:

“Dengler’s oeuvre is also about trauma, both personal and collective, and although it offers no consolation whatsoever, another place where it investigates the meanderings of the human psyche is the shrink’s—pop or not—sofa.

Cet ouvrage est publié à l'occasion de l'exposition Amelie von Wulffen, à l'espace 315, Musée national d'art moderne du Centre Georges Pompidou, Paris, 2 mars-2 mai 2005.

Eine umfassende Monografie über Amelie von Wulffen, mit eine Vielzahl neuer Bilder und Skulpturen. Sie beschäftigen sich vor allem mit emotionalen und auch psychoanalytischen Fragestellungen. Dabei interessiert die Künstlerin das Verhältnis von Unbewusstem und Bewusstem, das Mittragen von Traumata oder Schuld, wie auch versteckte Sehnsüchte, Fantasien und die Offenlegung von Scham.

This is an anthology of the artist’s collected comics from 2011 to 2020, only allegedly a casual branch of her practice. It includes November (2011) and At the cool table (2013) as well as lesser known, shorter comics of the last few years.

The Dark Redacted published in April 2020 by the Small Walker Press in their Invisibility series, featuring ten of my drawings, prose by acclaimed writer Gary Barwin, publication design by Lauren Wickware, and printed by Andora Graphics.

First published in Italy in 1956, Bruno Munari's »In the Darkness of the Night« tells the tale of an interconnected, intimate yet expansive journey across three settings—in the darkness, through a meadow, and into a mysterious cave—through a spellbinding combination of paper stocks, transparencies, cutouts, and simple but lively characters. This timeless artist's book, available in a new English edition, is a must-have for Munari fans, designers, bibliophiles, and lovers of exceptional book design.

In addition to texts on the work of Alexander Wolff by Camila McHugh, Nikola Dietrich, Christian Egger, Kerstin Cmelka, Nora Schultz, Ariane Müller, Sabrina Soyer, also an essay by Marcelin Pleynet entitled "Painting and 'Reality’" from 1969 - translated from French into English for the first time.

On the occasion of Monumenta 2012, Éditions Dilecta published the previously unseen sketches of Daniel Buren. His plans, drawings and collages document the genesis of the project. From the abandoned initial ideas to the final work, we follow the creation of this extraordinary installation.

The research of Mariateresa Sartori revolves around three thematic fulcrums: empirical scientific method; behavioural dynamics, often in relation to neurosciences; music and sound in relation to language.

"of course blue affects my way of shitting” is a collection of prose and poetry by Petrit Halilaj written between 2007 and 2008. Many of the artist's titles for previous exhibitions and artworks have come from these texts, which have never been presented in their entirety until now.

“Erasure is a visual depiction of the modernist erasure of graffiti. It is authored by X, the artist, and I merely the conceptual constructor of what X had innocently, non-artistically performed.” – Eldon Garnet

Maximiliane Baumgartner’s Ich singe nicht für Bilder schöne Lieder (I Don’t Sing Beautiful Songs for Pictures) is the first comprehensive publication that contextualizes and traces her artistic practice of the last four years in relation to the fields of painting, action (space) pedagogy, and critical research on the subject of urban planning.

For the first time, this publication unites the English language work of Zampa di Leone with two sequences of comic strips and caricatures titled “Deep Europe” and “In the Arse of the Balkans”.

Lesen und Sehen (Reading and Watching) is Peter Nau’s fourth book of miniatures. “In reading a book, in watching and listening to films, we become the resonating body and screen for something outside ourselves. What it is about is the magic of regaining our participation in the totality of the world.

Vrach is Renaud Regnery's collection of all the sketches made for the painting of the same name: Vrach, 2019, plaster, acrylic paint and alkyd lacquer on wallpaper on canvas, 200 x 135 cm.

Francesco Clemente wie man ihn kennt: eine Bildsprache, die aus einer Vielzahl von Symbolen, Mythen, Kulturen und Philosophien schöpft. Aufgeladen von Erotik seine Frauenporträts, die er in Pastelltechnik auf Rives Papier schuf.

Coming Up for Air presents a body of photographic work that immerses the viewer in a dense, fluid visual environment where perception is deliberately unsettled.

Featuring a wealth of sketches, precision drawings, and computer-generated artwork, as well as a range of styles, concepts, languages, and alphabets, Free Hand illustrates the idiosyncratic creative processes behind the design of typefaces, logos, and word-images.

Das Katalogbuch umfasst von vorbereitenden Skizzen bis zu minuziös ausgeführten Studien die unterschiedlichsten Typen von Zeichnungen. Ebenso reich ist das Spektrum der eingesetzten Zeichentechniken, von Silberstift über Kreide und Federzeichnung bis zum Aquarell.

Each drawing in the Codification of intimacy is based on a chapter, a passage or a key word that Voigt has chosen to distill from Niklas Luhmann's Love as Passion (1982). Voigt began her drawings by first marking those passages in the text that triggered intuitive associations.

Der Schweizer Künstler Urs Graf (um 1485-1527/28) verdingte sich als Söldner und führte ein ziemlich abenteuerliches Leben. In Gerichtsakten fiel des Öfteren sein Name – im Zusammenhang mit Schlägereien, Körperverletzung und Ehebruch. So entfaltet sich auch im außergewöhnlichen Konvolut seiner Zeichnungen ein Bild seiner Zeit: Soldaten, Dirnen und Narren tummeln sich in seinen Werken.