Celebrated for his fusion of performance, video, and sculpture, Matthew Barney has long been known for constructing dense, mythic narratives that unfold across entire bodies of work.

Spielerisch leicht und humorvoll setzt sich Claus Richter mit der Bildwelt des Science-Fiction-Films auseinander.

“Throughout history and noticeably during the COVID-19 pandemic, many of us in the Asian diaspora have become targets of violence in public spaces. I wanted to create this work with performers of Asian descent to employ movement as a form of solidarity and resistance,” says Chong. Commissioned with the invitation of

Matthias Wermke is teaching a seminar (Zweckfreie Räume - Intervention und Performance) with four students at ETH Zurich (Department of Architecture and Art, Prof. Karin Sander) on the topic of "appropriation and theft in art". Later, this very technical title is changed to "Absenz – das Abwesendsein von einem Ort" (absence - being absent from a place ).

To Perform a Ferry is a book that holds eight performance scripts and other material to be spoken. Inspired by the figure of the renegade who leaves land behind and crosses the sea or leaves civilization to take refuge in the vast desert, the eight scripts embody the state of migrating, through space but also through languages, bodies, and writing genres. Written in English by Mohamed Abdelkarim.

From one of the most lauded artists of his generation comes a purging soliloquy: a profound nowt delivered in some spent afterwards.

Die Wiener Gruppe – Friedrich Achleitner, H. C. Artmann, Konrad Bayer, Gerhard Rühm, Oswald Wiener – entstand zwischen 1952 und 1955 aus einem Kreis avantgardistischer Künstler, die dem Wiener „Art-Club“ verbunden waren. Bei aller Verschiedenartigkeit

Ulrike Rosenbach war eine der ersten in Europa, die in den 1970er-Jahren mit Performance und Video zur arbeiten begann. Ein innovativer und experimenteller Gebrauch der Medien zeichnet sowohl ihre frühen Video-Live-Aktionen aus, wie auch ihre aktuellen Videoskulpturen und Medieninstallationen.

Seit 2008 realisiert ein Team von KünstlerInnen und TheoretikerInnen – Markus Hanakam, Claudia Larcher, Liddy Scheffknecht, Roswitha Schuller, Armin B. Wagner – Ausstellungen unter dem Namen Plinque. Plinque oszilliert zwischen Off Space und KünstlerInnen-kollektiv.

“Resonant Bodies, Voices, Memories” evolves around memory, voice and the body – more specifically around instances where our habitual abilities to sense, remember, and speak are somehow disrupted or suspended. Such shifts and ruptures may occur through experiences such as living under an oppressive regime, migration, trying to make oneself understood in a foreign language, or through physical inhibitions like aphasia or stuttering.

His immediate response to the city was to imagine an outdoor performance of Samuel Beckett's legendary play, Waiting for Godot – the 20th century's most emblamatic story of waiting.

Die Publikation dokumentiert die Projekte «Affection riposte», «Internment Area» und das Performance- und Filmprojekt «Capitulation Project» von 2003, das auf dem Stück «Commune» der New Yorker «Performance Group» basiert, die 1971 auf das Massaker von My Lai Bezug genommen hatten. (D / Engl. / Frz.)

Three years four phases ist die Dokumentation eines strategischen Vorgehens im alltäglichen Umgang mit den Gegebenheiten einer kapitalistischen Gesellschaftsform.

A collection of essays (richly illustrated) to understand how the transmission of avant-garde forms of expression throughout the world has been achieved through the prism of body language (essentially in dance and performance), understood here as the vehicle of inalienable cultural and historical signs.

Ein Künstlerbuch über beiläufige Gesten und subversive Genauigkeit.

Comics were Van de Moortel’s first love: his first drawings, his first stories; a dwelling of fantasies and a lack of reality: he devored them as a child.

Joris Van de Moortel had the idea of working with the structure of a comic book a long time ago; he experimented with a few things but nothing worked so far

Das Buch gibt einen Überblick über die Informationstransformation, Skulpturen und Raumistallationen aus den Jahren 2003 bis 2017.

Die Ausstellung "when home won't let you stay" setzt ihren Schwerpunkt auf die erstaunlich verschiedenen Schattierungen von Menschlichkeit und untersucht die Bedeutung von Humanität im frühen 21. Jahrhundert.

Christina Goestl: Body Code Electro Ocean. Dieser Band erscheint gemeinsam mit Coco MattRosa Multiverse, Zeichnungen.