“… was here” was published for Huo Rf’s solo show, curated by Merve Elveren, that took place on September, 2018.

This artist’s book, conceived and designed entirely by Kai Althoff, brings together drawings, photographs, and installation views from his exhibitions “Aus Dir”

Stories offers a comprehensive insight into the multifaceted practice of Ghanaian photographer James Barnor, spanning four decades of profound political and cultural change.

The autochrome process, developed in 1904 by Auguste and Louis Lumière, represents the first industrially produced method of colour photography.

Best known for her penetrating images exploring what it means to be human, Diane Arbus is a pivotal and singular figure in American postwar photography.

Seit fast zwanzig Jahren dokumentiert der britische Fotograf Simon Phipps den Wiederaufbau Großbritanniens nach dem Zweiten Weltkrieg anhand der Arbeit von Architekten.

The issue of Mousse explores language, resistance, memory, and institutional critique across diverse registers—from scholarly essays to fiction and visual interventions.

This first issue of II Magazine explores how publishing can become a performative act.

An extension of the non-profit gallery and cultural platform of the same name based in Amsterdam, Motormond is dedicated to centring Black queer artists and "circulating pan-diasporic culture."

In his series Beyond The Sky And The Sea, photographer Eric Asamoah presents portraits and landscapes that evoke a quiet, contemplative atmosphere.

Sophie Thun acts in a multi-layered manner in the fields of action of photography.

This volume provides a comprehensive insight into the singular oeuvre of Bas Jan Ader, a conceptual artist whose work—marked by a compelling synthesis of vulnerability, romanticism, and existential inquiry—has profoundly influenced generations of artists.

In January 2011, Jean Paul Gaultier’s haute couture runway show ended with the image of a willowy blonde bride in a diaphanous gown.

Herbert List’s working approach is characterized by a deeply intuitive and self‑reflexive engagement with photography.

Celebrated for his fusion of performance, video, and sculpture, Matthew Barney has long been known for constructing dense, mythic narratives that unfold across entire bodies of work.

Walking / Endnotes. She writes. He takes photographs.

Freshers is the first project of Sigune Hamann’s residency working with perception and attention in Experimental Psychology, Oxford University in collaboration with neuroscientist Prof Kia Nobre and her students.

Jeremy Shaw’s artistic practice revolves around altered states of consciousness, belief systems, and the aesthetics of transformation.

Arrived Early is a compelling artist book by Laura Virág Szekeres, published in 2023.

KONKRET is an artist’s book by Erik Steinbrecher, published on the occasion of his exhibition Books & Prints at the Graphische Sammlung ETH Zürich.

An artist's book published in celebration of Peles Duo's twenty years of work.

Die unversöhnlichen Gegensätze der Ideologien in Österreich, die seit dem Justizpalastbrand 1927 eskalierten, schlugen sich in einer Flut von Propaganda- und Kampfschriften nieder.

„Atelier E.B: Passer-by“ – Eine interdisziplinäre Auseinandersetzung mit der Welt der Schaufensterpuppen.

Stemming from Matt Mullican's (born 1951) acclaimed retrospective held at Hangar Bicocca, Milan, in summer 2018, this publication follows Rubbings Catalogue 1984–2016 (2016).

Das Betrachten betrachten: In der neuen Publikation des Instituts für Buchkunst,

The Complete Papers is the definitive monograph on Thomas Demand, offering an unparalleled overview of his artistic journey spanning nearly three decades.

The Dailies collects snapshots of a world unmistakably our own yet equally strange. Made through Thomas Demand’s renowned practice of constructing, photographing,

A book of text and image, My Birth interweaves photographs of the artist Carmen Winant’s mother giving birth to her three children with found images of other, anonymous women undergoing

Mundo de Papel is an ambitious and innovative pop-up book that brings Thomas Demand’s sculptural imagination to life through the medium of paper.

Painting Photography Painting is the essential first collection of essays by critic and theorist Carol Armstrong, bringing together writings encompassing the many inflection points

The Big Picture is the first major monograph dedicated to Arthur Elgort, one of the most influential fashion photographers of the late 20th and early 21st centuries.

Drawn back to the landscapes of his youth, Michael Nagl photographs the seemingly untouched outskirts of Vienna—low brush, birch groves, open fields.

Under Thirty is an early artist’s publication by Elke Krystufek, presenting a dense collage of photographs, drawings, and handwritten notes.

"I Will Call It Home" examines why people leave their homelands in search of a future elsewhere.

First introduced to the public in September 1926 on a New York City street corner, the automatic photobooth quickly became both a popular amusement and a unique tool for self-representation.

Presented here in this visual anthology are the current boutique periodicals so cutting-edge, they will continue to flourish in print even as their mainstream contemporaries move to digital.

Olaf Breuning: Ugly is a monograph published by Hatje Cantz in 2002, offering a vibrant insight into the playful and provocative work of Swiss artist Olaf Breuning.

Das Heft untersucht, wie Fotos sich heute online verbreiten und wem sie gehören. Drei prägnante Aufsätze erklären –

Ingeborg Strobl (1949 – 2017) vereinte Grafik, Aquarell, Fotografie, Collage, Objekt und Text zu dichten Bild‑Gefügen, in denen Fundstücke aus Natur und Alltag ein neues poetisches Eigenleben erhielten.

William Eggleston: The Outlands – Selected Works presents a captivating collection of photographs from the pioneering color photographer, created during the 1960s and 1970s.

Cornelia Schleime ist eine der markantesten Stimmen der deutschen Kunstszene – und eine Chronistin des Widerstands in der Spätphase der DDR.

Tiergarten is a striking artist’s book that explores the boundaries between documentary photography, print aesthetics, and visual abstraction.

The American artist Thomas Stearns (1936-2006) collaborated with the Venini glassworks as guest designer between 1960 and 1962.

A few years after the "digital turn". the change from analog to digital production and storage of images. asks the Fotomuseum Winterthur in the exhibition Status - 24 documents

Dialect by Felipe Romero Beltra?n is a photographic series that follows a group of immigrants who have recently crossed the strait (the maritime border between Morocco and Spain) to avoid border controls.

Chris Moore is the undisputed king of catwalk photography. His six-decade career includes images of all the iconic catwalk shows because he was at them all. This is the ultimate and only edit of Moore's work throughout his career and covering the changing face of the catwalk. Covering each of the decades images

„Austrian-born photographer Leo Kandl worked for twelve years on this project. He began with a Nikon F camera and later switched to a Rolleiflex. He developed and printed all the images himself. After fruitlessly searching for a publisher for fifteen years, his work was introduced to swiss publisher Stemmle by author and curator Peter Weiermair. Stemmle published the book in 1999.“

The image of the Caribbean is as much a creation of the West as it is the result of its population's incredibly complex identity.

Michel Butor’s Description of San Marco (1963) is an unusual book; an unorthodox intermingling of overheard dialogue from the iconic Venetian square in question, thick descriptions of persons and buildings, along with sober historical information. In the original,

Concurrent with the exhibition Autofictions in Stone, a publication features six sixteen-page sheets designed by Aglaia Konrad:

Territory is the second part of his editorial project on Ukraine. Through this book Rafael assumes to distance himself from the documentary to dive elsewhere. By choosing the negative, the rift it opens is spatiotemporal. Electric cables cut shards of carbon sky. Planted in dark snow or white mud : bare poles, destroyed huts, statues of Lenin...

The artist’s works are mounted on panels, sitting on large pieces of veneered furniture placed around the edges of the rooms. The height of the furniture relates to the height of the plinths and columnar divisions of the wall decoration, and the pieces are very large so as to appear fixed and integral to the space of the room. The vivid colours and glossy surfaces of the works are held in the room by the rich dark tones of their plinths.

In my Father's house are many rooms; if it were not so, I would have told you. I am going there to prepare a place for you. And if I go and prepare a place for you, I will come back and take you to be with me that you also may be where l am. You know the way to the place where I am going." John 14:1-4

Elke Krystufek (* 1970 in Wien) ist eine vielfach ausgezeichnete bildende Künstlerin, Fotografin, Installationskünstlerin und Autorin, die sowohl in Wien als auch in Berlin lebt und arbeitet. Ihre Werke zeichnen sich durch eine innovative und oft provokante Auseinandersetzung mit sozialen, kulturellen und persönlichen Themen

Stretchy is an Art Magazine that is made purely of art works, it includes fiction, poetry, drawings, and Photography. Participants of the first issue - Merit Trapp, Keren Cytter, Pascal Leyer, Laris Maas, Minhae Kim, Anton Schmutzler, Mira Hyein Sung, Jonathan Hinz, Jana Nestler, Lim Kim, Birthe Langner, Rosa Glaser, Amarin Lawton, Chiaki Nakaune, Kenske Miyano, Alla Zhyvotova

In 1978 Grey Crawford created a body of colour photographic work that was so radical in its aesthetic and technique that few people to this day understand how it was made. Chroma documents late 70s Los Angeles in a period of radical urban transformation. Scenes of vernacular architecture, demolition sites and

THE LINE - Atlas of Remoteness documents the exploration of contemporary landscapes by walking along a straight line around the Earth. The present volume focuses on a series of walks in the American Midwest, from Wisconsin to Nebraska and across the Mississippi River. Atlas of Remoteness is a project by the Institute for Linear Research published by the Infinite Publication Series.

In 1954, the French writer, politician, and publisher Andre Malraux posed at home for a photographer from the magazine Paris Match, surrounded by pages from his forthcoming book, Le musee imaginaire de la sculpture mondiale. The enchanting metaphor of the musee imaginaire (imaginary museum) was built upon that

Another Country offers a vital rethinking of British documentary photography over the last seven decades. This collection includes a diverse range of photographers working in an exciting array of photographic and artistic modes, encompassing images from iconic reportage to photo-text pieces, from self-portraits to political photo-collages.

From 1998 to 2005, photographer Ivan Sigal worked, lived and travelled in Central Asia, traversing Russia, Kazakhstan, Uzbekistan, Tajikistan, Kyrgyzstan and Afghanistan. He roamed with a dual identity: on the one hand designing media projects with local communities; on the other, an itinerant documentarian. The images from his multi-year odyssey reveal