Arrived Early is a compelling artist book by Laura Virág Szekeres, published in 2023.

KONKRET is an artist’s book by Erik Steinbrecher, published on the occasion of his exhibition Books & Prints at the Graphische Sammlung ETH Zürich.

An artist's book published in celebration of Peles Duo's twenty years of work.

Die unversöhnlichen Gegensätze der Ideologien in Österreich, die seit dem Justizpalastbrand 1927 eskalierten, schlugen sich in einer Flut von Propaganda- und Kampfschriften nieder.

„Atelier E.B: Passer-by“ – Eine interdisziplinäre Auseinandersetzung mit der Welt der Schaufensterpuppen.

Stemming from Matt Mullican's (born 1951) acclaimed retrospective held at Hangar Bicocca, Milan, in summer 2018, this publication follows Rubbings Catalogue 1984–2016 (2016).

Das Betrachten betrachten: In der neuen Publikation des Instituts für Buchkunst,

The Complete Papers is the definitive monograph on Thomas Demand, offering an unparalleled overview of his artistic journey spanning nearly three decades.

The Dailies collects snapshots of a world unmistakably our own yet equally strange. Made through Thomas Demand’s renowned practice of constructing, photographing,

A book of text and image, My Birth interweaves photographs of the artist Carmen Winant’s mother giving birth to her three children with found images of other, anonymous women undergoing

Mundo de Papel is an ambitious and innovative pop-up book that brings Thomas Demand’s sculptural imagination to life through the medium of paper.

Painting Photography Painting is the essential first collection of essays by critic and theorist Carol Armstrong, bringing together writings encompassing the many inflection points

The Big Picture is the first major monograph dedicated to Arthur Elgort, one of the most influential fashion photographers of the late 20th and early 21st centuries.

Drawn back to the landscapes of his youth, Michael Nagl photographs the seemingly untouched outskirts of Vienna—low brush, birch groves, open fields.

Under Thirty is an early artist’s publication by Elke Krystufek, presenting a dense collage of photographs, drawings, and handwritten notes.

"I Will Call It Home" examines why people leave their homelands in search of a future elsewhere.

First introduced to the public in September 1926 on a New York City street corner, the automatic photobooth quickly became both a popular amusement and a unique tool for self-representation.

Presented here in this visual anthology are the current boutique periodicals so cutting-edge, they will continue to flourish in print even as their mainstream contemporaries move to digital.

Olaf Breuning: Ugly is a monograph published by Hatje Cantz in 2002, offering a vibrant insight into the playful and provocative work of Swiss artist Olaf Breuning.

Das Heft untersucht, wie Fotos sich heute online verbreiten und wem sie gehören. Drei prägnante Aufsätze erklären –

Ingeborg Strobl (1949 – 2017) vereinte Grafik, Aquarell, Fotografie, Collage, Objekt und Text zu dichten Bild‑Gefügen, in denen Fundstücke aus Natur und Alltag ein neues poetisches Eigenleben erhielten.

William Eggleston: The Outlands – Selected Works presents a captivating collection of photographs from the pioneering color photographer, created during the 1960s and 1970s.

Cornelia Schleime ist eine der markantesten Stimmen der deutschen Kunstszene – und eine Chronistin des Widerstands in der Spätphase der DDR.

Tiergarten is a striking artist’s book that explores the boundaries between documentary photography, print aesthetics, and visual abstraction.

The American artist Thomas Stearns (1936-2006) collaborated with the Venini glassworks as guest designer between 1960 and 1962.

A few years after the "digital turn". the change from analog to digital production and storage of images. asks the Fotomuseum Winterthur in the exhibition Status - 24 documents

Dialect by Felipe Romero Beltra?n is a photographic series that follows a group of immigrants who have recently crossed the strait (the maritime border between Morocco and Spain) to avoid border controls.

Chris Moore is the undisputed king of catwalk photography. His six-decade career includes images of all the iconic catwalk shows because he was at them all. This is the ultimate and only edit of Moore's work throughout his career and covering the changing face of the catwalk. Covering each of the decades images

„Austrian-born photographer Leo Kandl worked for twelve years on this project. He began with a Nikon F camera and later switched to a Rolleiflex. He developed and printed all the images himself. After fruitlessly searching for a publisher for fifteen years, his work was introduced to swiss publisher Stemmle by author and curator Peter Weiermair. Stemmle published the book in 1999.“

The image of the Caribbean is as much a creation of the West as it is the result of its population's incredibly complex identity.

Michel Butor’s Description of San Marco (1963) is an unusual book; an unorthodox intermingling of overheard dialogue from the iconic Venetian square in question, thick descriptions of persons and buildings, along with sober historical information. In the original,

Concurrent with the exhibition Autofictions in Stone, a publication features six sixteen-page sheets designed by Aglaia Konrad:

Territory is the second part of his editorial project on Ukraine. Through this book Rafael assumes to distance himself from the documentary to dive elsewhere. By choosing the negative, the rift it opens is spatiotemporal. Electric cables cut shards of carbon sky. Planted in dark snow or white mud : bare poles, destroyed huts, statues of Lenin...

The artist’s works are mounted on panels, sitting on large pieces of veneered furniture placed around the edges of the rooms. The height of the furniture relates to the height of the plinths and columnar divisions of the wall decoration, and the pieces are very large so as to appear fixed and integral to the space of the room. The vivid colours and glossy surfaces of the works are held in the room by the rich dark tones of their plinths.

In my Father's house are many rooms; if it were not so, I would have told you. I am going there to prepare a place for you. And if I go and prepare a place for you, I will come back and take you to be with me that you also may be where l am. You know the way to the place where I am going." John 14:1-4

Elke Krystufek (* 1970 in Wien) ist eine vielfach ausgezeichnete bildende Künstlerin, Fotografin, Installationskünstlerin und Autorin, die sowohl in Wien als auch in Berlin lebt und arbeitet. Ihre Werke zeichnen sich durch eine innovative und oft provokante Auseinandersetzung mit sozialen, kulturellen und persönlichen Themen

Stretchy is an Art Magazine that is made purely of art works, it includes fiction, poetry, drawings, and Photography. Participants of the first issue - Merit Trapp, Keren Cytter, Pascal Leyer, Laris Maas, Minhae Kim, Anton Schmutzler, Mira Hyein Sung, Jonathan Hinz, Jana Nestler, Lim Kim, Birthe Langner, Rosa Glaser, Amarin Lawton, Chiaki Nakaune, Kenske Miyano, Alla Zhyvotova

In 1978 Grey Crawford created a body of colour photographic work that was so radical in its aesthetic and technique that few people to this day understand how it was made. Chroma documents late 70s Los Angeles in a period of radical urban transformation. Scenes of vernacular architecture, demolition sites and

THE LINE - Atlas of Remoteness documents the exploration of contemporary landscapes by walking along a straight line around the Earth. The present volume focuses on a series of walks in the American Midwest, from Wisconsin to Nebraska and across the Mississippi River. Atlas of Remoteness is a project by the Institute for Linear Research published by the Infinite Publication Series.

In 1954, the French writer, politician, and publisher Andre Malraux posed at home for a photographer from the magazine Paris Match, surrounded by pages from his forthcoming book, Le musee imaginaire de la sculpture mondiale. The enchanting metaphor of the musee imaginaire (imaginary museum) was built upon that

Another Country offers a vital rethinking of British documentary photography over the last seven decades. This collection includes a diverse range of photographers working in an exciting array of photographic and artistic modes, encompassing images from iconic reportage to photo-text pieces, from self-portraits to political photo-collages.

From 1998 to 2005, photographer Ivan Sigal worked, lived and travelled in Central Asia, traversing Russia, Kazakhstan, Uzbekistan, Tajikistan, Kyrgyzstan and Afghanistan. He roamed with a dual identity: on the one hand designing media projects with local communities; on the other, an itinerant documentarian. The images from his multi-year odyssey reveal

David Schalko, known as the director and writer of series such as Altes Geld and Braunschlag, is releasing his first photo book, Geister. It is the collection of an obsession: Schalko’s creatures, which he continuously and everywhere discovers, are stains and marks on streets, in backyards, and most prominently on house walls and in stairwells.

Die Sahara ist die größte Wüste der Welt, gefüllt mit Sandmeeren, Kiesebenen, die sich bis zum Horizont erstrecken, Sandsteinbergen und Vulkanen, die bis zu 3.000 Meter hoch sind. Im Dezember 2022 und Januar 2023 unternahm die Fotografin Barbara Seyr zusammen mit dem Schriftsteller Raoul Schrott und seinem Team eine Reise dorthin. Von Algier nach Tamanrasset, vom Mittelmeer i

Derived from the short film 'Lost in Translation' (2024) by Sean Peleman and Tamara Sam, One-time edition of 100

This concertina opens in vibrant color to reveal in progressive spreads of two, four and six pages a rich sensory exploration of Edward James’ surreal jungle garden Las Posaz, in Mexico. Lush vegetation intertwines with the constructed buildings and staircases of James’ imagination and with Douglas’ own, in experiencing this garden and the rich culture of Mexico.

"body to book” is an upcycling project that explores the relationship between the human body and books. It comprises six sculptures assembled from coat fragments and books, each covering a naked body. This arrangement invites explorations of sensuality and intimacy and encourages direct interaction with the subject. Through calling us to examine the subtle interactions between the body and the books, it offers new perspectives for artistic, philosophical and personal reflection on matter, media and the human condition.

*Special edition with a silkscreened textile cover, signed and numbered by the artist. Limited edition of 100 copies.
Bernhard Cella’s sweeping pictorial documentary of convalescent men present us with an iconography of a century of medical progress and, by the same token,

The Secret Agent is Douglas’s adaption of the 1907 political novel of the same title by Joseph Conrad. Set in London in 1886, the book recounts an anarchist’s failed plot to bomb the Greenwich Observatory and is considered

The exhibition is accompanied by a richly illustrated publication with two conversations between the artist and the journalist Adiaratou Diarrassouba and Thomas Lax, curator at MoMA in New York, in which she discusses the new photo series Achievement, her work with AI image programs, and the role she ascribes to them in the creation of new archives.

“WHAT HAPPENS,” ASKS LUIS FELIPE FABRE, “TO THE BODY DRESSED IN SÁNCHEZ-KANE?” ITS LIMBS MUTATE. ITS ORGANS SWELL. IT SPROUTS AN EAR WHERE ONCE WAS AN ARM. THE BODY BECOMES MONSTROUS, VAMPIRIC. ITS IDENTITY IS SLURRED. ITS IMAGE STRIPPED. IT DISAPPEARS. NEW LEXICONS FOR EMBODIMENT CELEBRATES BÁRBARA SÁNCHEZ-KANE’S (1987, MÉRIDA, MEXICO) EPONYMOUS SARTORIO-SCULPTURAL EXHIBITION AT KURIMANZUTTO, NEW YORK, FROM SEPT. 14 THROUGH OCT. 21, 2023.

FACES OF ATHENS sheds light on the consequences of the collapse of the social and healthcare system in Greece following the implementation of the austerity measures imposed by the EU finance ministers.

The first book to showcase and critically explore the groundbreaking photography of fashion magazines over the last century.

All the cannons and artillery included in this survey are actual, historic weapons, located in Greater London and freely accessible to the public.

Entirely realized by the artists, and rich of more than 540 colour illustrations, this book is like a wide and coloured family album, illustrating almost all works created by Pierre et Gilles between 1976 and 2002.

These photos were either lost, forgotten or thrown away. The images now are nameless, without connection to the people they show, or the photographer who took them. "My Queer History " wants to be the home for lost photos – a resting place for the nameless and lost.

'Queer' is an inclusive term, encompassing the complex experiences of sexuality and gender diversity across history. In the past, 'queer' has been used as a term of derision, but many today have reclaimed the term to capture the complexity of gender and sexuality.

The publication of The Against, the book that documents the process, development and results of the homonymous exhibitions that simultaneously took place last Spring at multiple sites in New York.
The book not only displays the uncontrollable compulsion of graffiti bombing by 21 artists from different parts of the US, Canada and Mexico. This remarkable book focuses on those who are the exceptional graffiti bombers in the last decade.

"Polaroid Portraits" is published following "Performing Light, a retrospective exhibition of Ulay that was on view from September 9 to October 22, 2000 in De Appel Foundation.

The Dutch photobook is internationally acclaimed for its close collaboration between photographer, printer, and designer. The current photobook boom in the Netherlands stems from a tradition of excellence that predates World War II.

Daily Weeding depicts Kuba Ryniewicz's everyday life in Newcastle. The British photographer of Polish origins gives us a glimpse into a number of intimate and public moments spent with his husband and closest friends, set against the familiar backdrop of his home and surrounding fields, sharing them with both poetry and humor. His photos are enhanced by a moving work of literary fiction written by playwright and novelist Yelena Moskovich and a postscript written by James Tait Black Memorial Prize winner Olivia Laing.