Vanilla. Ein Lokal und seine Zeit traces the history of a Viennese venue where gastronomy, art, music, fashion, and urban culture intersected.

Michael Janiszewski. Fotoarbeiten 1990–1999 / Photography 1990–1999 brings together photographic works from a decade in which Janiszewski used staging, disguise, and role-play as central means of image-making.

Taking New York City lives as starting points, the artists’ book develops their shared interest in mapping urban life by charting the city’s anonymous signs and personal signatures.

In his artistic practice Steve Bishop explores how mental states can be materialized and conveyed in space, through installations often involving personal belongings and mementos.

Peter Land belongs to a generation of artists who, in the 1990s, reimagined the interplay between video, performance, installation, and drawing.

Rita McBride’s Secession Tower takes as its point of departure one of the most symbolically charged buildings of Viennese modernism: the Vienna Secession.

Willmann is one of the key figures in Austrian photography. As an artist and as co-founder and long-time editor of Camera Austria, he played an important role in shaping the discourse around contemporary photography in Austria.

The book is connected to Abu Hamdan’s installation Earwitness Inventory, an ongoing work consisting of sourced and custom-designed objects used to reconstruct, describe, or evoke remembered sounds.

The artist’s book presents a selection of source images and visual materials that relate to Hila’s painting practice and to his sustained engagement with architecture, public space, and the social transformations of Albania and post-socialist Europe.

Michael E. Smith. 2020 was published by the Secession on the occasion of the artist’s solo exhibition in Vienna. For the project, Smith produced 692 unique cat calendars, each based on a photographic archive originally used for the development of software and algorithms in the field of computer vision.

The publication accompanies Strafer’s film of the same title and offers insight into its development.

A new book on an artist at the height of his powers, covering the last decade and a half of his extraordinary career and designed by the artist himself Since the early 1990s Wolfgang Tillmans has established himself as one of the most exciting and innovative artists working today.

The self-published photo volume Wet City / Islak Kent is Murat Yusuf Sen’s contribution to the visual reflection on urban change in Istanbul.

Highways are the lifelines of Europe. They carry the goods we need every day to supermarket shelves, hauled by thousands of trucks driven by hardworking drivers.

In terms of both form and content, Breath Holding Spell draws directly on Bruce Nauman’s artist’s book LA AIR, published in 1970,

Christian Boltanski, einer der wichtigsten Gegenwartskünstler, ist ein Meister der Inszenierung von Situationen und Räumen.

This artist’s book brings together two technological extremes: one of the earliest photographic processes, the daguerreotype, and one of the most advanced contemporary imaging techniques, scanning electron microscopy.

Haunts can be seen as part two of a trilogy which began with Trying to Dance, JH Engström’s artist’s book project which was short-listed f

Twenty years after Modern Lovers, a body of work on androgyny and transgender created when AIDS was at its peak, Bettina Rheims now presents Gender Studies

For more than a year Juergen Teller wrote a weekly column for ZEITmagazin. Each week he selected one of his photographs and

Der Schweizer Fotograf Kurt Blum (1922–2005) ist vor allem für seine Porträts von Künstlerinnen und Künstlern bekannt.

Stump offers a radical, up-close look at the political spectacle in the United States, at a time marked by unprecedented partisanship,

Ob ein Photo zur Ikone wird, hängt vom historischen Moment, von der Geistesgegenwart des Photographen und einer ganzen Reihe von Zufällen ab.

"The winter in L.A. that year was kind of a 'grey July.' Diana and I lived at 234 Entrada Drive in January and February of 2001.

Eine exklusive Sammlung von Fotografien aus einer bemerkenswerten Zeit – Andy Warhols Factory gesehen durch die Linse eines der meist bewunderten Fotografen der Welt,

Der Band versammelt filmkritische Texte von Frieda Grafe zu drei bedeutenden Regisseuren des frühen deutschen Kinos:

Rainer Werner Fassbinder (1945-1982), Autor, Regisseur, Theatermann und Filmemacher, hat sich nie versteckt.

Die Ausgabe behandelt eine Reihe zeitgenössischer Themen aus Kultur, Politik und Medienkritik. Beiträge befassen sich unter anderem mit der politischen Bedeutung neuer Technologien wie Kryptowährungen,

My passion for fire hydrants came over me suddenly; it was never just a passing fancy. It has become an integral part of my life.

Post-Menopause brings together a group of works by Rosemarie Trockel that continue her long standing investigation of cultural codes, gender constructions and systems of representation.

Between 1993 and 1998, initiated by Chris Dercon, Witte de With and Richter Verlag, Düsseldorf, published a series of in total seven Cahiers.

Straßen, Plätze und Gebäude geben dem öffentlichen Leben eine Form. Aber was sind Straßen, Plätze und Gebäude, auf oder in denen kein öffentliches Leben stattfindet? Öde Orte, trostlose Areale, unwirtliches Terrain.

Narcolepsy presents a sequence of photographs by Australian photographer Max Pam that reflect his long-standing engagement with travel, memory, and the subjective experience of place.

Die Publikation Le Corbusier und die Macht der Fotografie untersucht die zentrale Rolle der Fotografie bei der Verbreitung und Wahrnehmung von Le Corbusiers Architektur.

One Minute Sculptures documents one of the central conceptual bodies of work by Austrian artist Erwin Wurm.

When he went to Algeria in the 1950s Dirk Alvermann was only eighteen, a rebellious West German teenager thrilled by the struggle for freedom by the Algerian people against French colonial rule.

Valérie Jouve: Resonances presents a selection of photographic works by the French artist and filmmaker Valérie Jouve.

The Vanities: Hollywood Parties 2000–2009 presents a decade of photographs by American photographer Larry Fink documenting the legendary Vanity Fair Oscar parties.

Anna Daučíková’s work investigates the perception and construction of the body, identity, and subjectivity. Since the 1980s she has developed an artistic practice that combines film, photography, installation, and text.

Mit der Serie Vasen–Extasen setzen Anna und Bernhard Blume ihre fotografischen Untersuchungen zum Verhältnis von Subjekt und Objekt fort.

In mid-nineteenth-century Turin, legend has it that, among the forms of discourtesy reserved by the people for the executioner, bakers would hand him the bread upside down as a form of contempt and evil eye

The publication Out of Syria, Inside Facebook by Dona Abboud addresses the representation of war, displacement, and personal experience within digital media environments.

Michael Mauracher has produced a wonderful book, conceived together with Janine Thaler, who is also responsible for the design.

Long Haired and Freaky documents an early phase in the work of Norwegian artist Gardar Eide Einarsson.

Last year we traveled to China to begin filming a remake of Metropolis.

TL CS PP DS was published on the occasion of Sophie Thun’s exhibition at the Secession in 2020.

Kresiah Mukwazhi: Secession, Wien is the first monograph by Zimbabwean artist Kresiah Mukwazhi, published on the occasion of her 2023 exhibition at the Secession in Vienna.

Korakrit Arunanondchai’s publication operates as an extension of his practice, in which painting, moving image, performance, and installation are conceived as interdependent narrative systems.

This publication originates from a collaboration with David Aerne, a color scientist and long-term creative partner. Together, we explored generative gradients and examined what happens when color becomes the primary structural parameter of an artwork.

Mark Seliger Photographs is a comprehensive retrospective of the work of Mark Seliger, spanning more than three decades of portrait and editorial photography.

Culturefield documents a body of work by Ryan Gander that examines systems of value, cultural production, and institutional framing.

This anthology examines the psychological dimensions of space and the emotional responses it provokes, including agoraphobia, vertigo, and claustrophobia.

When Oswald Wiener and his wife Ingrid moved to Canada in 1984, it was not only an act of intellectual inquiry but also a deliberate decision by the writer to leave art behind.

Like no other city in the world, Los Angeles encourages the observer to play with illusions―and to be played with in turn.

The portrait constitutes a fundamental component of Fazal Sheikh’s oeuvre.

Salt’n Vinegar presents a series of photographs created by A-chan in her New York home and during travels between 2011 and 2013.

About two decades ago, Hendrik Kerstens decided to fully and exclusively devote himself to photography. Paula, his daughter, quickly became his favourite subject.

Warum sind Pizzas rund und Fischstäbchen rechteckig? Warum zerschneiden wir eine Torte anders als ein Brot?

Home assembles staged photographic works and related installations that examine identity, cultural stereotyping and the construction of authenticity within global image culture.

At the center of this work is a critical engagement with the military training area of Allensteig in Lower Austria, a site marked by forced displace