Requiem brings together photographic works by Michael Hagen that explore transience, loss and transformation.

In VITA, Michael Hagen explores the relationship between external perception and inner experience.

What does “family” mean today?

Outer space appears in Thomas Ruff’s work not as a romantic distance, but as a technically produced image.

Peter Piller’s Von Erde schöner is based on an archive of aerial photographs of German single-family houses.

Boris Mikhailov’s work as a bookmaker is defined by sequences, series, gaps, cuts, and forms of montage.

Historical image traditions are examined here as material of the present.

History appears in Thomas Demand’s work as an unstable image: familiar, mediated, reconstructed, and never entirely reliable.

Science and technology have always played a crucial role in advancing medical treatment.

Thomas Struth’s Unconscious Places examines urban spaces beyond representative images of the city.

Food production is examined here as an industrial, cultural, and political field.

The Düsseldorf School marks one of the most influential developments in late twentieth-century photography.

Am 14. Oktober 1959 erschien die erste Ausgabe des Schweizer Boulevardblatts BLICK.

Photography is approached here as a form of social observation, political attention, and critical image-making.

Buenos Aires is seen through façades, shopfronts, signs, interiors, and fragments of everyday urban life.

Industrial photography appears here as a broad visual field in which labour, technology, architecture, production, and social organization become visible.

Industrial photography is presented here as a field in transition:

The publication explores labour, industry, and social change through photography.

German photographer Thomas Demand (b. 1964) is one of the most highly acclaimed artists of his generation.

In her films, photographs, and sound works, Tacita Dean uses silence, time, and entropy to explore particular human sensibilities.

Cindy Sherman, an iconic figure in art history since the 1980s, already questioned the boundary between authentic self-portraiture and staged self-enactment in her first major series, Untitled Film Stills (1977–1980).

Trees are commas, is a short research-creation text in which the author observes six landscape photographs by Josh Müller.

For decades, Berlin has been a place shrouded in myth as a haven of sexual freedom, particularly for the LGBTQ+ communities.

Luigi Ghirri’s Kodachrome, first self-published in 1978, is both an avant-garde manifesto for photography and a key work within his oeuvre.

Peter Kogler is regarded as one of the most important Austrian artists to have consistently integrated digital technologies into his artistic practice.

Rosemarie Trockel: Anima is the catalogue published on the occasion of the exhibition at the MAK Gallery, Austrian Museum of Applied Arts, Vienna, in 1994.

Americans is the second book in a series on America by Christopher Morris.

POSTER BOY is a magazine made up of posters

Bernhard Cella’s sweeping pictorial documentary of convalescent men present us with an iconography of a century of medical progress and, by the same token, with a typology of the mise en scenes of soon-to-be homecoming patients.

The gift certificate can be redeemed for artists’ books, limited editions, publications, and special finds at Salon für Kunstbuch. Its value will be deducted from the purchase price at the time of purchase.

The gift certificate can be redeemed for artists’ books, limited editions, publications, and special finds at Salon für Kunstbuch. Its value will be deducted from the purchase price at the time of purchase.

My friend Thomas Erdbrink lives in Iran and subscribes to NRC Handelsblad. By the time the sealed newspaper lands on his doormat in Tehran, the Iranian authorities have already secretly inspected its contents.

From the first series, Unconscious Places (1987), to recent works addressing research and globalization, Struth’s sustained engagement with the universal themes of our time becomes clear:

Vanilla. Ein Lokal und seine Zeit traces the history of a Viennese venue where gastronomy, art, music, fashion, and urban culture intersected.

Michael Janiszewski. Fotoarbeiten 1990–1999 / Photography 1990–1999 brings together photographic works from a decade in which Janiszewski used staging, disguise, and role-play as central means of image-making.

Taking New York City lives as starting points, the artists’ book develops their shared interest in mapping urban life by charting the city’s anonymous signs and personal signatures.

In his artistic practice Steve Bishop explores how mental states can be materialized and conveyed in space, through installations often involving personal belongings and mementos.

Peter Land belongs to a generation of artists who, in the 1990s, reimagined the interplay between video, performance, installation, and drawing.

Rita McBride’s Secession Tower takes as its point of departure one of the most symbolically charged buildings of Viennese modernism: the Vienna Secession.

Willmann is one of the key figures in Austrian photography. As an artist and as co-founder and long-time editor of Camera Austria, he played an important role in shaping the discourse around contemporary photography in Austria.

The book is connected to Abu Hamdan’s installation Earwitness Inventory, an ongoing work consisting of sourced and custom-designed objects used to reconstruct, describe, or evoke remembered sounds.

The artist’s book presents a selection of source images and visual materials that relate to Hila’s painting practice and to his sustained engagement with architecture, public space, and the social transformations of Albania and post-socialist Europe.

Michael E. Smith. 2020 was published by the Secession on the occasion of the artist’s solo exhibition in Vienna. For the project, Smith produced 692 unique cat calendars, each based on a photographic archive originally used for the development of software and algorithms in the field of computer vision.

The publication accompanies Strafer’s film of the same title and offers insight into its development.

A new book on an artist at the height of his powers, covering the last decade and a half of his extraordinary career and designed by the artist himself Since the early 1990s Wolfgang Tillmans has established himself as one of the most exciting and innovative artists working today.

The self-published photo volume Wet City / Islak Kent is Murat Yusuf Sen’s contribution to the visual reflection on urban change in Istanbul.

Highways are the lifelines of Europe. They carry the goods we need every day to supermarket shelves, hauled by thousands of trucks driven by hardworking drivers.

In terms of both form and content, Breath Holding Spell draws directly on Bruce Nauman’s artist’s book LA AIR, published in 1970,

Christian Boltanski, einer der wichtigsten Gegenwartskünstler, ist ein Meister der Inszenierung von Situationen und Räumen.

This artist’s book brings together two technological extremes: one of the earliest photographic processes, the daguerreotype, and one of the most advanced contemporary imaging techniques, scanning electron microscopy.

Haunts can be seen as part two of a trilogy which began with Trying to Dance, JH Engström’s artist’s book project which was short-listed f

Twenty years after Modern Lovers, a body of work on androgyny and transgender created when AIDS was at its peak, Bettina Rheims now presents Gender Studies

For more than a year Juergen Teller wrote a weekly column for ZEITmagazin. Each week he selected one of his photographs and

Der Schweizer Fotograf Kurt Blum (1922–2005) ist vor allem für seine Porträts von Künstlerinnen und Künstlern bekannt.

Stump offers a radical, up-close look at the political spectacle in the United States, at a time marked by unprecedented partisanship,

Ob ein Photo zur Ikone wird, hängt vom historischen Moment, von der Geistesgegenwart des Photographen und einer ganzen Reihe von Zufällen ab.

"The winter in L.A. that year was kind of a 'grey July.' Diana and I lived at 234 Entrada Drive in January and February of 2001.

Eine exklusive Sammlung von Fotografien aus einer bemerkenswerten Zeit – Andy Warhols Factory gesehen durch die Linse eines der meist bewunderten Fotografen der Welt,

Der Band versammelt filmkritische Texte von Frieda Grafe zu drei bedeutenden Regisseuren des frühen deutschen Kinos:

Rainer Werner Fassbinder (1945-1982), Autor, Regisseur, Theatermann und Filmemacher, hat sich nie versteckt.