For more than a year Juergen Teller wrote a weekly column for ZEITmagazin. Each week he selected one of his photographs and

Post-Menopause brings together a group of works by Rosemarie Trockel that continue her long standing investigation of cultural codes, gender constructions and systems of representation.

Straßen, Plätze und Gebäude geben dem öffentlichen Leben eine Form. Aber was sind Straßen, Plätze und Gebäude, auf oder in denen kein öffentliches Leben stattfindet? Öde Orte, trostlose Areale, unwirtliches Terrain.

The first impression at the train station reveals streets that are far too wide. In the city centre, they continue as a result of reconstruction.

Gregor Schneider – Double documents the exhibition series of the same name at the MMK Museum für Moderne Kunst, in which ten historical exhibitions from the legendary Bremerhaven Cabinet for Contemporary Art were restaged.

Als führender Filmemacher seiner Generation wurde Derek Jarman bezeichnet. Mit seinen Experimenten mit Licht, Farbe

Gisèle Freund: Photographs & Memories brings together the photographic work and autobiographical reflections of Gisèle Freund, offering insight into a life shaped by exile,

Lusty Games: A Short Lesbian Story of Sensual Desire / Wollüstige Spiele: Ein kleines lesbisches Getändel voll sinnlicher Lust is a small-format

»it’s a photoguide it’s a photobook it’s a pleasure it’s a need it’s private it’s public it’s political it’s cute it’s soft it’s hard facts it’s everyday it’s for everyone it’s beautiful it’s hardcore«

Im Jahr 2011 zog der amerikanische Fotograf Jeffrey Ladd nach Köln und fing an, seine Umgebung in Bildern festzuhalten, während er sich gleichzeitig Grundzüge der deutschen Sprache aneignete.

It's hard to believe that there was a time when digital photography didn't dominate the industry and every town and city had a photo lab where you would get your films processed.

Sophie Thun acts in a multi-layered manner in the fields of action of photography.

Experiment Expressionism – Schiele Meets Nosferatu is an expansive, cross-genre exhibition dedicated to the many facets of Expressionism.

„Atelier E.B: Passer-by“ – Eine interdisziplinäre Auseinandersetzung mit der Welt der Schaufensterpuppen.

“Analog Film Manifestos” brings together eight passionate, very personal and therefore stylistically diverse confessions to analog film by Austrian filmmakers:

On the occasion of the exhibition "Julia Schmidt - Economies of Hygiene", Meyer Riegger, Berlin. October 6 - December 18, 2010

In 1977, the artist from Dornbirn known as FLATZ is still a young protagonist in the international art scene and is eager to establish his art as well as himself.

“I also don't know the five new federal states and, if I want to film there, I have to have a leading figure. It is the profiteer, development aid worker and missionary all in one. He breaks into the accession area from the West in army strength. The film is about such a salesman.” –– Harun Farocki, 1990/91

Comprising a single roll of film, the photographs presented in this book capture the bespoke furniture designed by Charlotte Perriand in 1961 for use in the rooms of Building E of the United Nations complex in Geneva.

Guy Bourdin was a groundbreaking image-maker and undoubtedly one of the most influential fashion photographers of the twentieth century. Intriguing and revolutionary, his work has achieved a cult-like following; the striking use of color, suggestive narratives, and surrealist aesthetics establishing a visual language all his own.

Als jüngster der Becher-Studenten – geboren 1967 – hat sich Elger Esser in seinem fotografischen Konzept am grundlegendsten von dem seiner berühmten Lehrer entfernt.

The Henry Rox Revue combines artistic masterpieces between acrobatics, music and dance with the bizarre things of everyday life - the impossible is captured here in unique photographs. Henry Rox`s photographic world of images is a crazy revue with subtle humor and witty charm. She plays with dressing up and parodying and lives from simple and equally imaginative arrangements and productions in which he casts various roles with various fruits and vegetables as the main actor.

Basement Arcade is an “artist's book” fully conceived by the German born American photographer, Rolf Koppel. (Engl.)

Texts by Johanna Billing, Christian Nae, Christian Jendreiko, William Tyler, and James Merle Thomas. Photos by Jörg Koopmann. Collages by Martin Fengel

Daumenkino: Ergänzung zu Kapitel 05, Seite 177 - 200 zu dem Buch "Eine gestalterische Auseinadersetzung mit der Stadt St. Pölten".

Die "Diplompublikation 2006" der Abschlussklasse am Studienbereich Bildende Kunst der Hochschule für Gestaltung und Kunst in Zürich versammelt Inserts aller siebzehn Diplomandinnen und Diplomanden sowie einen Beitrag von Carlpeter Braegger, der als Gast von den Studierenden eingeladen wurde.

19 Porträts

Hand bound and printed on french speckletone oatmeal paper in black and blue inks. (Engl.)

Subversiv versteht sich als heterogene photographische Sammlung von Arbeiten österreichischer Künstler und Aktivisten aus dem öffentlich-urbanen Raum.

In 1975 cars were made from metal, glass, some chrome and a bit of plastic. The majority had front and rear bumpers. Base models were sold without radios. GPS, which seems so crucial today, hadn’t yet been invented.

An account produced by Fulton of one of his walks. This one specifically an eight day wandering walk in central Saskatchewan, where he travelled by way of Lake Ajawaan on the night of the August full moon lightning storm.

This richly illustrated book is the first monograph about Michael Pilz. It includes several essays dealing with his work, an extensive conversation, selected texts and film treatments written by him, and a complete annotated filmography.

For the Russian filmmaker and film theorist Dziga Vertov (1896-1954) KINO was both a bold aesthetic experiment and a document of contemporary life.
(Engl./Germ.)

Venturing into uncharted territory, Mapping Sitting explores 20th-century Arab portrait photography. Conceived by two contemporary artists, Walid Raad and Akram Zaatari, the mixed-media exhibition comprises four sections investigating how the portrait functioned in the Arab world not only to picture individuals and groups, but also as commodity, luxury item, and adornment.

The photographs in this book are based on an european-japanese artist´s project in Sarajevo, called SICE-Sarajevo International Art Project.

"THEY SOFT” is a collaboration between the artists Elke Auer and Toni Kochensparger, exploring femininity, fragility and queer feelings in New York, during the first 100 days of Donald Trump’s presidency, through photographs, writing, collages and drawings.

This collection is the first step toward a larger project, a travel book for the adopted city. That is what London is for millions of its inhabitants.

New York Garbage Flag Profile presents Berlin-based artist Michalis Pichler's six month long project in which he collected and documented discarded paper cups, plastic bags, pizza boxes, newspapers and other mass-produced materials emblazoned with the American Flag.

Erik Wesselo lived in New York from January 2001 to April 2002. His address was 56 Beaver Street.

Koproduktion mit der Kunsthalle Wien

Issue 54 (Spring 2013), titled "Denis Côté Has A Bear", of the Canadian cinematic magazine "Cinema Scope".

an illustrated memoir

»Über drei Jahrzehnte haben die Cahiers du Cinéma die Art und Weise geprägt, wie wir Filme sehen und verstehen – im populären wie im wissenschaftlichen Bereich. Heute wirkt das Magazin kaum anregender als die Bordlektüre im Flieger zum nächsten Filmfestival. Wie konnte es dazu kommen?«
(Emilie Bickerton)

Schmetterlinge ist nach Wildlife Photography der zweite Band in einer Reihe kleinformatiger Publikationen von Paul Hutchinson, die er mit The Green Box entwickelt hat.

This catalogue is an inventory of work made by the students of the Photography department of the Gerrit Rietveld Academy, Amsterdam.

Works of students who
- are graduating 2006
- will graduate 2007
- graduated 2005

A 3 person artists' book made on the occasion of Kennon and Lipomi's 2 person show at Mesler&Hug in New York.

In Bloom recounts the daily life of thirteen families, and their efforts towards the recognition of their civil rights in Italy. The stories of these couples tell us about assisted fertilization techniques: fivet, artificial insemination, egg donation and surrogacy.

Das Künstlerbuch A Bruit (With Noise) vereint zwei Arbeiten der französischen Fotografin Roselyne Titaud: Rückkehr von der Jagd ist eine Serie von Fotografien, die im November 2012 in der Nähe der Stadt Görlitz in Deutschland entstanden sind.

In this work, Willem Popelier investigates mankind's image of himself, the question of what makes someone unique, how we see ourselves and how we want to be seen by others. He researches identity and how we perceive that identity, making use of photography in order to record the facts. By way of neutral portraits, he undertakes an attempt to focus attention on the individual.

Umfassendes Interview mit Theo Altenberg über die Entwicklung der Kommune Friedrichshof von 1973-1978 mit Fotografien.

Tuukka "Deeli" Kaila is best known from the Numero magazine and his skate photographs for Kingpin etc.

The Cinema Makers investigates how cinema spectators in south-eastern and central European cities became cinema makers through such practices as squatting in existing cinema spaces, organizing cinema ‘events’, writing about film and making films themselves.

Austrian-born, Los Angeles-based conceptualist Mathias Poledna deconstructs and reconstructs recent pop, political and media history.

Diese Publikation zeigt die Arbeiten des Salon Livresque von Thorsten Brinkmann aus dem Jahr 2014.

Magazin für Fotografie und Artverwandtes

This book follows the exhibition Morgenröte, Aurora borealis and Levantin: Into Your Solar Plexus, curated by Donatella Bernardi at the Kunsthalle Bern, 30 January – 7 June 2015.

Katalog zur Ausstellung im Kasseler Kunstverein 22.03. - 10.05.1998.

Catalogue of works by Aaron Heger, Rob Kulissen, Anraut Lajeunie, Hanna Whitaker.

Standbildzeichnungen mit Gesprächs- und Gedankennotizen nach Filmen aus dem Bestand des Österreichischen Filmmuseums.