What is the role of the artist? And how does one challenge existing perceptions of what an artist is? Simple questions perhaps, but ones that Italian artist Alighiero Boetti (1940–1994) took seriously, as will be explored in Tate Modern’s forthcoming retrospective.

Limited, hand numbered and signed photo booklet from japanese multimedia artist Futoshi Miyagi.

Diese Publikation erschien 2009 anlässlich der Ausstellung "Erwin Puls: Die Phantome des Begehrens" in der Kunsthalle Wien.

EH001, the first publication of Ediciones Hungría, is a collection that contains fanzines by Ekaterina Maksabedian, Toni Darling, Gilberto Hernandez, Kyle Mowat, Claudio Sodi and Rodrigo Téllez Repetto. A total of 35 editions were printed, hand numbered and signed by each of the authors.

Huacal is a Photobook by Alexander Bühler with texts by Luis Ramaggio.

In ihren Videocollagen verwebt die New Yorker Künstlerin Rachel Rose historische Aufnahmen mit eigenem Bildmaterial, kombiniert Stimmen, Zeiten und Orte zu einem vielschichtigen Bewegtbild.

The fifth volume in the series of artists’ catalogues raisonnés will be published by Kunsthaus Bregenz on the occasion of the exhibition.

In 2012, Iosca inherited a trunk filled with gay pornography from a friend of a friend who had died of AIDS nearly a decade earlier.

Illustrating three to four spreads from each scrapbook, and including two essays: Patterns and Scraps by Alex Kitnick and Glue and Cum by Richard Hawkins.

“S.T.H.” (Straight to Hell) is an underground gay pornographic magazine.

UKRAINIANCOLDWARNEGATIVES is based on anonymous black and white negatives, discovered in 2010 by photographer Burkhard von Harder on the former territory of the UDSSR.

"scum bag fag mag" is a special interest magazine originating in New York.

You the Boxer is the second photobook in the One-a-Month challenge Michael Wynne has set hisself, starting 1st October 2016.

A MEASURE OF SILENCE depicts several different works on paper by Jon Beacham.

"Gay Sex is the Answer" is a reappropriation of gay magazines from the 1970’s and 1980’s.

"Luke (Madrid)", a leporello, is part of the One-a-Month photobook challenge Michael Wynne set in October 2016.

Lush green grass springing through an ancient carpet in a ruined castle, bullfrogs croaking in a darkened gallery basement and ducklings nestled in an artist's studio are some of the images presented in the first book-length survey of Martin Roth's work.

»Selections from the Joint Photographic Survey« is predicated on the discovery of lost archives from an archeological expedition authored by a colonial entity operating in the Southern Levant in the early twentieth century.

Peter Fischli and David Weiss created this special book to accompany their 1999 exhibition at the Musée d'Art Moderne de la Ville de Paris. It consists of forty unbound photographs from their series »Blumen« (Flowers, 1997–98) – richly colored double-exposures of blossoms, leaves, and raucous vegetal life.

»Visible World« compiles nearly three thousand photographs taken by Peter Fischli and David Weiss over the course of fifteen years. Depicting almost every corner of the globe, from deserts and mountains to cities and jungles, the collection is as quixotic as it is encyclopedic.

The 12th issue of E IL TOPO contains 104 portraits of artists that had died during the last 16 years (the period in which the magazine has been idle) submitted by contributors from around the world.

The book contains photos by Massimilian Bomba.

Be quiet please is a collection of photographs by Alessandro Simonetti.

This book documents a hitchhike along China’s Cross-Desert Highway, a road built in the mid 1990s to help the extraction of oil.

Die Sackkarre ist - gerade für Buchhändler und Verleger - ein tagtägliches Arbeitswerkzeug. Sehr schön wird ihr in diesem Band gehuldigt und gleichzeitig Format und Sprache von Bedienungsanleitungen auf's Korn genommen.

Dieses auf 500 Stück limitierte Künstlerbuch erscheint anlässlich der Ausstellung "Zu groß für mein Zimmer". In dieser autobiographisch geprägten Arbeit spielt Benjamin Appel mit Assoziationen und Erinnerungsräumen, rund um die konkrete Erinnerung an ein Grundstück in seinem Heimatland Ecuador.

Art book by Maximilian Rossner, printed by Cosima Pitz in a limited, hand numbered edition of 300 in 2016.

Art book by Lorenz Straßl, printed by Cosima Pitz in a limited, hand numbered edition of 300 in 2016.

Art book by Maximilan Rossner, printed by Cosima Pitz in a limited, hand numbered edition of 300 in 2016.

Dieser Katalog erschien im Rahmen der Ausstellung "Alice Musiol – Country", welche zwischen 27.11.2016 und 5.2.2017 im Museum Abtei Liesborn des Kreises Warendorf stattfand.

Das Künstlerbuch "eine weiße Wendeltreppe liegt am Straßenrand" beschreibt den zweimonatigen Georgien-Aufenthalt der bildenden Künstlerin Ulrike Möschel im Herbst 2015.

The book follows the major tracks of Sabine Kacunko's artistic development which commenced with analogue b/w photography, slide photography and photographic installations and led to interactive light and closed circuit video installations, media performances and permanent installations.

Parallel zu der Ausstellung "Gott oder Geißel", 1981/82 in den Kunstvereinen Bonn und München zu sehen, stellte Annelie Pohlen diese Dokumentation über "Erotik in der Kunst heute" zusammen.

Rûm [ruum] is an ancient german word for "room" or "space". Our aim is to provide space for analogue photographers.

Luca Fuchs zeigt in MY SON IS A HIGHLY SENSITIVE BOY BUT I LOVE HIM ANYWAY stimmungsvolle Aufnahmen einer jugendlichen Subkultur.

When I was traveling throughout Germany, I met a lot of German people whose ancestors had emigrated to the Baltic or Caucasus region. And so, I become interested in the roots of German culture and how it has spread to other countries. Tbilisi, the capital of Georgia, was the center that connected European, Russian, Middle Eastern and Asian cultures. In fact I have personally found a lot of traces and evidence of these cultures in Georgia.

South Korea's dynamic art scene has produced many internationally acclaimed artists, exhibitions and must-see biennials. However the conversation has been dominated by a handful of key personalities and voices.

Examples of categories for walks made between 1971 and 2000.
First coast to coast road walk - across the neck of England 1971.
A walk up to 20.000 feet on Illampu Bolivia 1972.
1022 mile walk (1635 kilometres) Scotland England and Wales 1973.
A two week adventure trek - Zanskar to Kishkwar Northern India 1978.
Seven consecutive one day walks on the same route - Mount Hiei Japan 1991.

Pauline Kraneis uses drawing to address definitions of space – both mental and real. Up to now, her work has largely consisted of drawings of urban spaces and ornamental patterns that are presented to the viewer as imaginary city maps or landscapes.

Dieses Buch entstand anläßlich der Ausstellung BROT METER im RUPERTINUM Salzburg, 31.März bis 2.Mai 1993.
Texte frei zitiert nach: Kinder- und Hausmärchen gesammelt durch die Brüder Grimm.

Berührendes Buch in dem sich Kader Attia hochsensibel dem Thema des verletzten menschlichen Körpers widmet.

Ästhetische Fotografien von Rudy Molacek. Molacek der seine Karriere als Model begann, wechselte schnell auf die andere Seite der Kamera.

Sich mit Mozart, seiner Zeit, seinem Werk und seiner Rezeption zu konfrontieren bedeutet, sich auf eine Auseinandersetzung mit Geschichte einzulassen, die zumeist aus der Perspektive der Mächtigen und der Mehrheit geschrieben wird.

Collection is a photobook by Eva Asaad.

b o r n is a book about nudity and silence.
A collection of spontaneous photos of skin as nature, empty spaces and light.
A nonchalant chronicle of texts that document a life, a young perspective on actuality.

This project has taken shape through extensive conversations/ dialogue and editing with Ruby Hoette.

Erfundene Vergangenheit. Es könnte sein, dass die Seltsamkeit der Arbeiten von Manfred Holtfrerich genau daraus resultiert, dass es ihm gelingt, Dinge zu schaffen, die einem auf unheimliche Weise vertraut sind.

We encounter so many things in our daily lives, but do we still experience a sense of wonder? Artist-explorer Doina Kraal takes us along a journey of discovery and shares her findings. She reinvents old devices but also uses modern tools to experience the world we know, in ever changing ways.

Printed Cinema #1 - Broadcasting from Home, containing night shots of a city taken from a high-rise building, appeared in October 2004 as a free supplement to the season’s first issue of the Austrian art magazine Springerin.

Published with the Norwegian Research Fellowship Program at The Academy of Fine Art, Oslo. Includes a conversation between Gerard Byrne and Andreas Bunte.

This companion publication to Luke Fowler’s film of the same name features essays by architecture critic and cultural commentator Owen Hatherley and historian Tom Steele.

Die ursprünglich nur als Arbeitstitel gedachte Wortfolge „Österreich-Bilder“ hat sich
im Projektverlauf in ihrer lapidaren Offenheit immer mehr als tragfähig erwiesen.

In Pirelli Work, taken at the famous tire manufacturer's plant, UK photographer Chris Killip (born 1946) documents the factory setting and the workers.

Diese Publikation erscheint anlässlich von Secret Garden, ein Ausstellungsprojekt in der Stadt Zug.

Ion Grigorescu’s diaries from the crucial years of 1970 to 1975 are a small literary and art-historical sensation.

From the 1970s to the present, Cecilia Vicuña’s work has engaged with rituals from Aboriginal Australia, South Africa, Paleolithic Europe, and pre-Columbian America involving red-colored thread.

This publication documents the first iteration of Belgian artist David Claerbout’s project Olympia, a digital simulation of the Olympic Stadium in Berlin.

Das vom Künstler selbst gestaltete Buch versteht sich als Werk für sich und als Darstellungsversuch seiner künstlerischen Auseinandersetzung der letzten Jahre.

The Laundry Room is a project curated by Maiko Tsutsumi & Eduardo Padilha (BalinHouseProjects).

Counter-Signals is a bi-annual journal addressing, in variable iterations, different aspects of the intersection of design, media, and politics. The first issue — Militant Print / A Form Oriented to Its Own Circulation — documents and theorizes forms of militant aesthetics in the history of self-organized print publishing, among other things.