“Casa Azul” (Blue House) is part of a socio-visual developed with the sociologist research Chloé Constant, about the life histories of five trans women imprisoned in a male penitentiary in Mexico City. Nr. 302/460, Nr. 277/460

Created in Berlin around 15 years ago, this large-format collage book by Isa Genzken is both a personal diary and artistic manifesto. In it are portraits of the artist and her friends;

The book is composed of amateur photographs of women in various degrees of undress, which were enclosed with letters and circulated among couples to convey sexual proclivities and attractiveness, as a way of getting to know each other.

In our daily lives, folds, creases, and wrinkles belong to the realm of aging processes or are the unwanted result of carelessly handled pieces of fabric or paper.

You’ll Never Work Alone: Collective Infrastructures in Moving Images demonstrates the possibilities and challenges inherent in collective cinematic and artistic work by presenting international and local perspectives from academics and practitioners.

Stranger In Polaroid features exclusive images by Otto Grokenberger, which he took during the production of a landmark of art-house cinema, Stranger Than Paradise (1984), written and directed by Jim Jarmusch.

In his photo series, Asamoah shows us young men through time, finding contentment within the transitions of boyhood to adult-hood.

In her artistic works, Franziska von den Driesch works with analogue and digital photography, video, and also photographic procedures that do not involve a camera.

In 1977, the artist from Dornbirn known as FLATZ is still a young protagonist in the international art scene and is eager to establish his art as well as himself.

First published in 1961, Lorenza Mazzetti’s “The Sky is Falling” (“Il cielo cade”) is an impressionistic, idiosyncratic, and uniquely funny look at the writer’s childhood after she and her sister are sent to live with their Jewish relatives following the death of their parents. Bright and bucolic, vivid and mournful, and brimming with saints, martyrdom, ideals, wrong-doing and self-imposed torments,

An extensive monograph/exhibition catalog on Stephane Couturier, who is undeniably one of the most important French contemporary photographers, an influential presence on the international exhibition scene since the mid-1990s with his large-format, brilliantly elaborated photographic tableaux.

The protocol for the production of the works presented at Salon du Salon is simple. There is a certain nonchalance, few gestures. These gestures directly question how a work is produced. The stages of development of these works are predefined: visiting museums, taking photographs, opening them on a computer, copying, pasting, adjusting, moving and recording.

Catalog of the exhibition “Felix Gonzalez-Torres – Roni Horn”. The exhibition proposed at the Bourse de Commerce is first and foremost a dream, that of being able to present two artists whose work and commitment have meant a great deal to their peers.

Bernhard Cellas Panoptikum an rekonvaleszenten Männern - quer durch ein Jahrhundert - demonstriert eine Ikonografie des medizinischen Fortschritts und die Typologie der mise en scène, der bald wieder in den Alltag Zurückkehrenden.

The photographs that Annette Kelm has produced over the past fifteen years across a wide range of formats and appearances rank among the most compelling and significant contributions to recent contemporary art.

“I also don't know the five new federal states and, if I want to film there, I have to have a leading figure. It is the profiteer, development aid worker and missionary all in one. He breaks into the accession area from the West in army strength. The film is about such a salesman.” –– Harun Farocki, 1990/91

In 1976, Harun Farocki and Hanns Zischler directed Heiner Müller’s plays The Battle and Tractor for Theater Basel. For Farocki, this production remained his only directorial work for theater. With Heiner Müller, however, he remained in intellectual exchange. The two collaborated on the adaptation of Müller’s text The Hamletmachine for radio in 1978; for the May 1981 issue of the magazine Filmkritik, they conducted a conversation.

In the mid-1970s, Harun Farocki wrote a two-page call programmatically entitled “What Ought to Be Done,” followed by a survey addressed to potential collaborators and supporters.........
Mitte der 1970er Jahre schrieb Harun Farocki einen zweiseitigen Aufruf mit dem Titel „Was getan werden soll“, der von einer Umfrage unter potentiellen MitarbeiterInnen und UnterstützerInnen begleitet wurde.........

An iconographic taxonomy—researched, conceived, and ideated by Wolfgang Scheppe, also author of the book’s final essay—that traces the state and police visual control through almost 500 images from the May 1968 police archives in Paris.

Including essays about Barbara Hammer, Agnès Varda, Camille Billops, Jane Arden, Penny Slinger, Ana Mendieta, Hito Steyerl, Mati Diop, Catherine Breillat, Carol Morley, Ulrike Ottinger, Charlotte Prodger, Charlotte Pryce, Rosalind Nashashibi & Lucy Skaer, Gloria Camiruaga, Margarethe von Trotta, Astra Taylor, Lina Wertmüller. Interviews with Akosua Adoma Owusu, Astra Taylor, Ericka Beckman, Carolee Schneemann, Barbara Hammer

Àmor is an exploration. Roberto Timperi’s gaze leads us into an uncanny underground world where we survive despite the curse that seems to have affected everything by now, and for good. A world where new forms of filterless beauty are possible, and every corruption is holy. Àmor is the livid portrait of a humanity raging and beating in the city’s deepest heart.

Ein Heft zur Entstehungsgeschichte von Harun Farockis Film Bilder der Welt und Inschrift des Krieges (1988), der sich zwischen 1985 und 1988 in mehreren Etappen aus dem unverwirklichten Projekt „Zur Geschichte der Arbeit“ heraus entwickelte.

Over the last fifteen years, Istanbul has emerged as one of the principal megacities at the outset of the twenty-first century. The picturesque has given way to an unexpected boom of new, profit-driven urban development including high-rise, sterile gated communities and satellite cities to house a vastly expanding population — all at the expense of long-time residents and under the mantle of a self-confident and arbitrary government.

Con esta exposición se podrá ver por primera vez en España una amplia selección de obras de la artista checa Hanzlová Jitka (Nachod, 1958). Sus fotografías, que buscan penetrar en la esencia de las cosas y los personajes representados, crean imágenes directas que evidencian la relación entre el hombre y su contexto. Además

FAGS is a photo book by Jacopo Benassi. It brings together images in which the artist portrays and documents his own intimacy over a 25-year period, from the day he announced his homosexuality: a human journey comprising meetings that have left an indelible sign on his personal story as an artist.

Soggetto nomade (Nomadic Subject) gathers, for the first time in one volume, shots taken by five Italian photographers between the mid 60s to the 80s. The photographs are

News Cuts brings together twenty-two images selected from Olaf Nicolai’s personal archive of newspaper clippings. Each image is accompanied by a collage of quotes compiled from different kinds of sources,

'The spirit of Gemini is best captured by the word 'collaboration.' It's about artists and printers working hand in hand to create works of art. This same spirit prevails when I take photos. There's a trust extended by the artists, allowing me to share so many special moments with them.' -Sidney Felsen

Modefotografie existiert nur über das Frauenmagazin. Die Geschichte dieses fotografischen Genres ist daher mit der der Frauenpresse verbunden. Ende des 19. Jahrhunderts, als die ersten Frauenzeitschriften erschienen, war die Fotografie noch immer nur eine Hilfsillustration.

First monograph devoted to the work of video artist and performer Wolfgang Stoerchle (1944-1976), an artistic figure of the Californian scene in the 1970s, based on extensive research and three international exhibitions.

Comprising a single roll of film, the photographs presented in this book capture the bespoke furniture designed by Charlotte Perriand in 1961 for use in the rooms of Building E of the United Nations complex in Geneva.

Ein Heft zur Entstehungsgeschichte von Harun Farockis Film Bilder der Welt und Inschrift des Krieges (1988), der sich zwischen 1985 und 1988 in mehreren Etappen aus dem unverwirklichten Projekt „Zur Geschichte der Arbeit“ heraus entwickelte.

Begun on Instagram in 2017 as part of Bader’s exhibition at Museo Madre in Naples, @rt_rhyme is a series of photographs that pair artworks (identified by artist (sur)name) with various rhyming objects or actions: spoons in front of a Koons, cobble held next to a Schnabel, Sherman matched with some German and a crawl below a Saul.

Dénes Farkas’ personal exhibition focuses on issues of choice, uncertainty, insecurity and preparedness, highlighting the contingency of normality and casting doubt on the production of truth and scientific rationality.

The exhibition comprises

Né en 1972, lauréat du prix Marcel Duchamp en 2008, Laurent Grasso est l'un des artistes français les plus présents sur la scène contemporaine internationale. Il est représenté par la Galerie Perrotin à Paris, où il vit et travaille. Son travail, délicat et très varié, utilisant aussi bien la vidéo que la peinture, le néon, la sculpture ou l'installation, joue des limites entre fiction et réalité et explore les notions d'espace et de temporalité.

Since 2001 Prinz Gholam have been dealing with the self and the body as cultural constructs in their performative work. In the actions they perform together, the two artists succeed in revealing and breaking through the postures of our iconographic heritage that are consciously or unconsciously inscribed in us.

Contributions from Sabeth Buchmann, Burcu Dogramaci, Noit Banai and Sa’ed Atshan are accompanied by visual and literary material and references from Gal’s extensive research practice.

A small selection of texts written by the outstanding film critic and translator Frieda Grafe, complemented by the speech that Harun Farocki gave when Grafe and Enno Patalas were given the “01 award” in 2000.

Werner Dütsch (1939-2018), together with other commissioning editors of the film department of Westdeutscher Rundfunk (WDR) Cologne, devoted his work to the past and present of the cinema like few others.

Lesen und Sehen (Reading and Watching) is Peter Nau’s fourth book of miniatures. “In reading a book, in watching and listening to films, we become the resonating body and screen for something outside ourselves. What it is about is the magic of regaining our participation in the totality of the world.

Much is popularised of the Mafia in film, literature, music and urban legend. Some stories are inspired by and respectful of the facts, but many are presented through a creative lens distorting how organized crime began. References are often made to criminal activity in the infamous Prohibition Era, but few stories cover the preceding years, until now. This new book

A major figure of the French arts scene, Xavier Veilhan (born in 1963) lives and works in Paris. His work is the result of a plural practice, shared between sculpture, painting, environment, live performance, video, and photography.

Alejandro Cartagena’s photographs of recently built Mexican suburbs, ask us to look at this phenomenon of the suburban environs and how it has fueled variously the need for solutions to overcrowded cities, or the desire to form and incorporate community living where replication and anonymity are the rule rather than the exception.

The photo of a woman’s leg stepping onto an open book when climbing out of bed served as inspiration.
I asked some of my friends to take a picture for me according to these guidelines. They should photograph themselves stepping on a book with their bare feet. It was agreed that the authors of the photos remain anonymous

A digest of magazines around the world edited by Maurizio Cattelan and Paola Manfrin, Permanent Food is a cannibal magazine.

Günther Selichar’s preferred thematic field of work, and his oeuvre has revolved around it since the early 1980s, is the media and mass media.

In the mid-seventies, the Viking Landers were the first to land on planet Mars. Though the alien landscape was magnificent, there were no canals or skeletons or wind-blown ruined dwellings. Today, not a single trace remains of Viking Landers 3 and 4. But myth (and conspiracy theories) have it that an alien survey was commissioned of planet Earth.

"Her∂ubrei∂ at Home" is a collection of photographs of the landscape of home in Iceland. Her∂ubrei∂, Iceland’s much-loved mountain, and Stéfan V.

Auf der Suche nach dem Verlorenen. Der international bekannte Modefotograf Alexander Gnädinger widmete sich in den letzten 2 Jahren einem freien Projekt, um ein Gegengewicht zu seiner kommerziellen Arbeit zu schaffen. Extrem stilisierte, ästhetisch verdichtete Bilder, wie sie z.B. seit Jahren für seinen Kunden Adidas entstehen, sind sein Markenzeichen.

Coming Up for Air presents a body of photographic work that immerses the viewer in a dense, fluid visual environment where perception is deliberately unsettled.

A Small Retrospective From Three Decades

This book offers a visually unique approach to Frank’s films: only new stills taken from videotapes have been used and they add up to a visual essay on Frank’s cinema that establishes an engaging dialogue with his photographic work.

Charles Fréger has photographed a series of portraits of Breton women wearing costumes and headdresses of endless variety: from high starched towers to elaborately pinned, tucked and embroidered confections of handmade lace, as delicate as they are distinctive.

American artist Roe Ethridge's latest book takes its title from the French "C'est pas du luxe", an ironic phrase which alludes to the superfluous nature of luxury whilst proclaiming how essential it is to existence.

Der Flughafen Roissy Charles de Gaulle war für JH Engström (Jahrgang 1969) schon immer ein besonderer Ort.

"Something So Clear" is Kapil Das’ patient look behind the visual clichés and stereotypes that have come to define India. Consisting of a tight edit from thousands of photos taken over a decade, the book shows the spectrum of India through land- and streetscapes, portraits and everyday happenings, some as deceptively simple as a man carrying a mattress or a beetle resting on a leaf.

‘A grove of giant redwoods or sequoias should be kept just as we keep a great or beautiful cathedral.’
Theodore Roosevelt

First book dedicated to Casilli's decade-defining entertainment portraits.