Im Fokus dieser Publikation stehen die Fotoarbeiten von Aglaia Konrad und Armin Linke zu wegweisenden Hollein-Bauten der vergangenen fünf Jahrzehnte.

Der Bildband ist eine ausführliche fotokünstlerische Beschreibung des privaten Lebens- und Arbeitsraumes von Inge Morath in ihrem Wohnort in Roxbury, Connecticut, USA. Die SW-Fotoreportage folgt der Tradition der Dokumentation der Ateliers bedeutender Künstler:innen als wichtige Quelle ihrer künstlerischen Arbeit.

Als Oswald Wiener und seine Frau Ingrid 1984 nach Kanada zogen, war das nicht nur ein Akt der Erkenntnissuche, sondern auch ein bewusster Schritt des Schriftstellers, die Kunst hinter sich zu lassen. Interesse an den Extremen der Natur am Polarkreis, an außergewöhnlichen gesellschaftlichen Umständen machte Dawson City in der arktischen

Die Auseinandersetzung mit Arbeit ist ein zentrales Thema der Künstlerin Katharina Gruzei. In der Serie Bodies of Work befasst sie sich mit Österreichs letzter Donau-Schiffswerft. Dort sind hochtechnologische maschinelle Fertigung und industrielle Handarbeit eng miteinander verzahnt.

Zum 100. Geburtstag von Inge Morath in diesem Jahr erscheint in der FOTOHOF>EDITION ein Doppelband von zwei selten gezeigten Fotoserien. Beide Bücher nehmen sich Themen im Werk von Inge Morath an, die nicht zum Mainstream ihrer Arbeit gehören, die aber eine ganz besondere Qualität besitzen.

Eine blecherne Taschenlampe mit einer runden Glaslinse und diesem kleinen Schalter, an dem immer wieder der Fingernagel hängenblieb. Eine Farbfilmdose von Agfa, die grobe, altmodische Küchenreibe (ich benutze sie immer noch) und vieles mehr… Dinge.

Cocoon or Carcass. Past or Future. Building the ruin. This edition pays close attention to the metaphorical structures and cultural crisis in South West Cornwall.

Plunder the silver crust. Fill the stained valleys. Deeper into the subterranean. The shocks, the rocks, the flash. Echoes of our old faith tearing loose the earth. Photographs from the Wheal Maid Copper Mine, Gwennap, Cornwall, 2023.

Gehfotografen, literally “walking photographers”, were active on the streets of cities and tourist destinations across Europe between 1927 and 1935. This type of profession became increasingly popular with the Great Depression, when the 1929 collapse of the New York stock exchange led to an economic crisis throughout Europe. Unemployment and poverty eventually led to a civil war in 1934.

“Folded” is a documentary photo book by Zoran Shekerov published by PrivatePrint. The book researches and presents the Pehlivan wrestling tradition from an authentic and contemporary angle. Shekerov’s style - so visible through the photographs - is bright and unpredictable, and carries the viewers closer to the subject matter, where they never expected to be.

Selbstinszenierung, Selbstentblößung, Selbstauslöschung – das sind die Themen, die Michaela Moscouw (*1961) über drei Jahrzehnte kompromisslos, exzessiv und einprägsam bearbeitete. Bis Anfang der 1980er-Jahre malte die Wiener Künstlerin abstrakte Bilder, dann zerstörte sie ihr gesamtes Werk und filmte sich dabei. Damit wechselte sie das Medium und verwendete

Timo Huber, Gründungsmitglied der Architekturgruppen Zünd-Up und Salz der Erde, ist vom Verführungspotential und der Irritationskraft alltäglicher Bildwelten fasziniert; er kombiniert und verfremdet in seinen Fotomontagen auf analogem Weg gefundenes, mit dem Seziermesser bearbeitetes Bildmaterial zu überraschend neuen,

A collective effort from a vital scene in Kampala, KIKOMMANDO takes its name from Ugandan street food of flat bread and beans.

Bandra Sentimental, the new photography book on the block, documents style on the streets of Mumbai.
With a cast chosen from the city’s streets, their flamboyant styles intact, the book aims to showcase everyday life in the city. Commonplace to the Indian, sometimes shocking to an outsider, the fearless amalgamation of colour, fabric, pattern, design and cut, worn by men out and about, comes not from wanting to make a statement but a natural sensibility within.

In 2018, the Museum Villa Stuck presented a comprehensive retrospective with works by the goldsmith and silversmith Rudolf Bott. The book accompanying the exhibition is a 672-page monumental work. Far from a usual catalog with colorful illustrations, it is "thought in black and white" like the entire exhibition. With a 340-page photo report by Jörg Koopmann and Lene Harbo Pedersen, who photographed the objects across Europe at the lenders and in Bott's studio.

Bringing forth the silent voices in the history of photography, this publication highlights key aspects of image production and representation by four ‘minute camera’ practitioners in India: Bharat Bhushan Mahajan (Delhi), Teekam Chand Pahari and Surendar Kumar Pahari (Jaipur); and Kinshan Chand Hemlani (Pushkar).

Die großen, grotesken Fotoserien von Anna und Bernhard Blume sind heute wohlbekannt. In ihnen inszenieren die Künstler im dokumentarischen Gestus paranormale Situationen, die sich im Inneren einer „kleinbürgerlichen“ Welt oder in symbolisch besetzten Regionen deutscher Kunst (wie dem Schwarzwald) abspielen.

Lewis Carroll began photographing children in the mid-nineteenth century, at a time when the young medium of photography was opening up new possibilities for visual representation and the notion of childhood itself was in transition. In this lavishly illustrated book, Diane Waggoner offers

You ever read the back of a book and blah blah blah words and more words, and function. Poets depend on the emotional character of words. Manuals depend on the instructiveness of words. Yet words can be pronounced backwards or cut up and given new meaning, they can be looked at for their mathematical value, pondered over how they change in translation or seen as hiding messages within them.

»Von wunderbarer Klarheit« – mit diesen Worten beschrieb Friedrich Simony die Aussicht vom Gipfel des Dachsteins im Jahr 1847. Diesen Pionier der Alpenforschung und Geografie faszinierte

Unbekannte Dame in der Strahlenschutzabteilung, Pfütze, tanzendes Paar im Kostüm, Beschädigung einer Mülltonne, Verabschiedung eines Rentners, Bleiabschirmung, ausgebranntes Handschuhfach, Skorpion mit Mikrochip – das sind alles

Sarah Dobai’s The Donkey Field weaves a link between a racist attack in on a young boy and the story of the persecution of Marie and Balthazar in the acclaimed film Au Hasard Balthazar (Robert Bresson, 1966).

Philatelic Items documents 220 works produced over the last ten years by Lolly Batty. It includes an index showing the envelopes followed by a selection printed at actual-size. ⁣

Har Shaam Shaheen Bagh is an ode to the infinite courage and resilience of the women of Shaheen Bagh, Delhi, who sat in protest for a 100 days and nights. A book of photographs, drawings, songs, letters and other material gathered as a record of the iconic protest, marks an extraordinary moment in the political and contemporary history of India.

The Olympics – with their sense of historical urgency and unconditional trust in the future and nationalism, embodies a system that marks the modern confluence of capitalism and mass media by means of an unprecedented mastery of technology, the mass migration of people, and a hyper-mediated event culture. In “Beijing”, Morris plays with

In Fischerspooner's new project, two things remain constant: the physical space--Casey Spooner's apartment--and the cast--the artists

Edited by Eric Troncy and Stéphanie Moisdon, Frog is an international art and architecture magazine. Published in October 2016 this issue features: Dominique Gonzalez-Foerster, Jim Shaw, Alex Israel / Bret Easton Ellis, Christian Rosa, Lili Reynaud Dewar, Sarah Lucas, Ugo

In the turbulent square of Martim Moniz, stands a robust building by the architect Bartolomeu Costa Cabral. Invited by TECLA PLAY Cultural Association, artist Leylâ Gediz presents an installation of paintings in the interior gallery of the building,

Surreal arrangements of artifacts from skulls and teapots to fried eggs and dirty socks by Théo Mercier. Théo Mercier (born 1984) employs found objects in his photography and sculpture to subvert viewers’ expectations. His inaugural monograph reveals the impressive scope of his oeuvre.

We see women looking at art, everything an exhibition has to offer: paintings, sculptures, installations. If we’re women, then one could say they’re women looking at women looking at art.

“Casa Azul” (Blue House) is part of a socio-visual developed with the sociologist research Chloé Constant, about the life histories of five trans women imprisoned in a male penitentiary in Mexico City. Nr. 302/460, Nr. 277/460

Created in Berlin around 15 years ago, this large-format collage book by Isa Genzken is both a personal diary and artistic manifesto. In it are portraits of the artist and her friends;

The book is composed of amateur photographs of women in various degrees of undress, which were enclosed with letters and circulated among couples to convey sexual proclivities and attractiveness, as a way of getting to know each other.

In our daily lives, folds, creases, and wrinkles belong to the realm of aging processes or are the unwanted result of carelessly handled pieces of fabric or paper.

Stranger In Polaroid features exclusive images by Otto Grokenberger, which he took during the production of a landmark of art-house cinema, Stranger Than Paradise (1984), written and directed by Jim Jarmusch.

In his photo series, Asamoah shows us young men through time, finding contentment within the transitions of boyhood to adult-hood.

In her artistic works, Franziska von den Driesch works with analogue and digital photography, video, and also photographic procedures that do not involve a camera.

In 1977, the artist from Dornbirn known as FLATZ is still a young protagonist in the international art scene and is eager to establish his art as well as himself.

An extensive monograph/exhibition catalog on Stephane Couturier, who is undeniably one of the most important French contemporary photographers, an influential presence on the international exhibition scene since the mid-1990s with his large-format, brilliantly elaborated photographic tableaux.

The protocol for the production of the works presented at Salon du Salon is simple. There is a certain nonchalance, few gestures. These gestures directly question how a work is produced. The stages of development of these works are predefined: visiting museums, taking photographs, opening them on a computer, copying, pasting, adjusting, moving and recording.

Catalog of the exhibition “Felix Gonzalez-Torres – Roni Horn”. The exhibition proposed at the Bourse de Commerce is first and foremost a dream, that of being able to present two artists whose work and commitment have meant a great deal to their peers.

the 10 last copies:
Bernhard Cellas Panoptikum an rekonvaleszenten Männern - quer durch ein Jahrhundert - demonstriert eine Ikonografie des medizinischen Fortschritts und die Typologie der mise en scène, der bald wieder in den Alltag Zurückkehrenden. Es legt in seiner jeweiligen Inszenierung auch einen Bruch offen,

Die Fotografien, die Annette Kelm innerhalb einer großen Bandbreite von Erscheinungsformen im Laufe der letzten fünfzehn Jahre geschaffen hat, gehören zu den faszinierendsten und bedeutendsten Beiträgen der jüngsten zeitgenössischen Kunst.

An iconographic taxonomy—researched, conceived, and ideated by Wolfgang Scheppe, also author of the book’s final essay—that traces the state and police visual control through almost 500 images from the May 1968 police archives in Paris.

Àmor is an exploration. Roberto Timperi’s gaze leads us into an uncanny underground world where we survive despite the curse that seems to have affected everything by now, and for good. A world where new forms of filterless beauty are possible, and every corruption is holy. Àmor is the livid portrait of a humanity raging and beating in the city’s deepest heart.

Over the last fifteen years, Istanbul has emerged as one of the principal megacities at the outset of the twenty-first century. The picturesque has given way to an unexpected boom of new, profit-driven urban development including high-rise, sterile gated communities and satellite cities to house a vastly expanding population — all at the expense of long-time residents and under the mantle of a self-confident and arbitrary government.

Con esta exposición se podrá ver por primera vez en España una amplia selección de obras de la artista checa Hanzlová Jitka (Nachod, 1958). Sus fotografías, que buscan penetrar en la esencia de las cosas y los personajes representados, crean imágenes directas que evidencian la relación entre el hombre y su contexto. Además

FAGS is a photo book by Jacopo Benassi. It brings together images in which the artist portrays and documents his own intimacy over a 25-year period, from the day he announced his homosexuality: a human journey comprising meetings that have left an indelible sign on his personal story as an artist.

Soggetto nomade (Nomadic Subject) gathers, for the first time in one volume, shots taken by five Italian photographers between the mid 60s to the 80s. The photographs are

News Cuts brings together twenty-two images selected from Olaf Nicolai’s personal archive of newspaper clippings. Each image is accompanied by a collage of quotes compiled from different kinds of sources,

'The spirit of Gemini is best captured by the word 'collaboration.' It's about artists and printers working hand in hand to create works of art. This same spirit prevails when I take photos. There's a trust extended by the artists, allowing me to share so many special moments with them.' -Sidney Felsen

Modefotografie existiert nur über das Frauenmagazin. Die Geschichte dieses fotografischen Genres ist daher mit der der Frauenpresse verbunden. Ende des 19. Jahrhunderts, als die ersten Frauenzeitschriften erschienen, war die Fotografie noch immer nur eine Hilfsillustration.

Comprising a single roll of film, the photographs presented in this book capture the bespoke furniture designed by Charlotte Perriand in 1961 for use in the rooms of Building E of the United Nations complex in Geneva.

Begun on Instagram in 2017 as part of Bader’s exhibition at Museo Madre in Naples, @rt_rhyme is a series of photographs that pair artworks (identified by artist (sur)name) with various rhyming objects or actions: spoons in front of a Koons, cobble held next to a Schnabel, Sherman matched with some German and a crawl below a Saul.

Dénes Farkas’ personal exhibition focuses on issues of choice, uncertainty, insecurity and preparedness, highlighting the contingency of normality and casting doubt on the production of truth and scientific rationality.

The exhibition comprises

Né en 1972, lauréat du prix Marcel Duchamp en 2008, Laurent Grasso est l'un des artistes français les plus présents sur la scène contemporaine internationale. Il est représenté par la Galerie Perrotin à Paris, où il vit et travaille. Son travail, délicat et très varié, utilisant aussi bien la vidéo que la peinture, le néon, la sculpture ou l'installation, joue des limites entre fiction et réalité et explore les notions d'espace et de temporalité.

Much is popularised of the Mafia in film, literature, music and urban legend. Some stories are inspired by and respectful of the facts, but many are presented through a creative lens distorting how organized crime began. References are often made to criminal activity in the infamous Prohibition Era, but few stories cover the preceding years, until now. This new book

A major figure of the French arts scene, Xavier Veilhan (born in 1963) lives and works in Paris. His work is the result of a plural practice, shared between sculpture, painting, environment, live performance, video, and photography.