Somewhere is a photography book that takes us on a journey in the most concrete and abstract sense of the word.

EDITION
2/20

Nummeriert. Datiert auf November 2009. Farbabbildungen.

EDITION
14/20

Nummeriert. Datiert auf November 2009. S/W-Abbildungen.

OSSU is the first photo-zine to explore male sexuality in Japan. Every issue features new bodies of work by the OSSU photographers/artists and guest contributors. OSSU is a new attempt to redefine Japan’s representation of male.

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Mit der Publikation «Art Handling in Oblivion» von Rob van Leijsen eröffnet die edition fink eine Taschenbuchreihe mit Neuauflagen. Einfarbig auf einheitliches Papier gedruckt und in handlicher Form werden Kunstbücher – die nicht zwingend aus dem eigenen Verlagsprogramm stammen – formal reduziert und neu interpretiert wieder verfügbar gemacht.

Stereopticon photos of Southern California waterfalls are juxtaposed with a text combining real and imagined history, geological phenomena and exploration, and a paradise inhabited only by women.

Our new issue with the legendary war photographer James Nachtwey has been a long time in the making – two and a half years in fact –

Alvaro Barrios is a Columbian conceptual artist and cartoonist.

Roadworks are actions of temporary and unintentional public art.

Until I Gush Forth is a meditation on living with the unknown as a constant companion.

Oleg Ambrosetti was born in Pskov in 1903. He was a Russian chemist of Italian origin and a specialist involved in the chemical processes within the pharmaceutical sector.

In der Fotoserie "inner city / outer space" kombiniert Andrew Phelps Stadträume und Portraits.

“While you are wondering if you know me , I am strolling through the city with a newspaper. Are you following? I am crossing the square, and turning the corner. I haven’t yet read the paper. I’ll propably use it this evening as a place-mat or else. I’ll swat mosquitoes with it. The newspaper gives me a refernce point. It’s a prop that gives me a role in a city fulll of passers-by. “ (Maria Barnas)

Yael Bartana (born in 1970 in Israel) makes work largely about her conflicted homeland. She has an exceptionally sensitive eye for public ritual and ceremony, both organized and spontaneous.

In "Optics", illustrations from a variety of early photographic manuals and treaties have been juxtaposed, to present an analysis of the increasingly esoteric language of early photography and the form of “looking” it enabled.

Venturing into uncharted territory, Mapping Sitting explores 20th-century Arab portrait photography. Conceived by two contemporary artists, Walid Raad and Akram Zaatari, the mixed-media exhibition comprises four sections investigating how the portrait functioned in the Arab world not only to picture individuals and groups, but also as commodity, luxury item, and adornment.

The catalogue to the FV, Alternative Scene of the Eighties exhibition shows the life of underground culture and the alternative scene in Ljubljana during the 1980s.

Contains photographs by Miguel Fernández.

London, Alexandra Road Estate is a photographic project by Craig Atkinson about a large building complex in North West London.

48 Photographs of sinks in the numerous art students' studios of Kunstakademie Düsseldorf, Germany.

A Boulevard Called Sunset, Vol. I and Vol. II of a triology, is part of an ongoing photographic artist’s book-project I am working on since November 2008. (Engl.)

The photographs in this book are based on an european-japanese artist´s project in Sarajevo, called SICE-Sarajevo International Art Project.

Marije de Witt works in the fields of installation, sculpture and photography.

Im Frühjahr 2010 machte sich Thomas Meinecke für die Dauer von zwei Monaten in der Stadt Salvador da Bahia auf die Spuren des von ihm verehrten Schriftstellers Hubert Fichte, der in dieser tropischen, sehr afrikanisch geprägten nordost- brasilianischen Stadt zwei seiner Romane maßgeblich spielen ließ.

The Lives of the Unholy are a visual archaeology of the city of Warsaw, an attempt at looking closely at the phenomenon of the destruction of monuments in Poland in times of political transformation.

"A collection of black and white images captured using old toy cameras and film. Images are loosely narrated with thoughts, brief and quite possibly--irrelevant."

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Beiträge zur Geschichte der Fotografie in Österreich, Band 18. Herausgegeben von Monika Faber für das Photoinstitut Bonartes, Wien, und Walter Moser für die Fotosammlung der Albertina, Wien

Taken at the height of the Assad days, the images of the photographer Giovanna Silva overlap in this publication with Syrian tourist guides’ images and texts, creating a net of intended and unintended relationships and time interconnections.

"THEY SOFT” is a collaboration between the artists Elke Auer and Toni Kochensparger, exploring femininity, fragility and queer feelings in New York, during the first 100 days of Donald Trump’s presidency, through photographs, writing, collages and drawings.

Die "Wien"-Fotografien Florian Rossmaniths sind ein Streifzug durch die Stadt, wie man sie unverkennbar wiedervererkennt.

In the summer of 1970, Gabriele Basilico set off from Milan in a Fiat 124, nominally heading for Kabul. The journey towards India was a rite of passage for the flower children generation, and Basilico had plans to take a series of photos to then sell on to some magazine. The journey didn’t quite turn out as planned, but in his personal archive, those shots were carefully stored away, and on more than one occasion, the Milanese photographer thought about turning them into a book. As Luca Doninelli writes in the introduction, this is “Basilico pre-Basilico”, a reportage stretching from Yugoslavia through to Turkey and Iran – which turned out to be the final destination of the trip – in which we may note the inklings of his vocation-to-be. The afterword by Giovanna Calvenzi, Gabriele’s travelling companion on that journey, tells the story of that adventure in an era of unprecedented freedom.

Die Zürcher Künstlerin Vreni Spieser verbrachte ein Jahr in Argentinien und auf den Philippinen. Während dieser Zeit schickte sie regelmässig Dinge an die Bewohner eines Altersheims in Zug, welche im Rahmen eines Kunst-am-Bau-Projektes in einer Kunstvitrine gesammelt wurden.

Between 2008 and 2010 London based photographer Sipke Visser sent 500 handwritten letters to random addresses all over the United Kingdom.

Art—Read is an exhibition of artists’ books and related work in other media by ten young artists: Tauba Auerbach, Fiona Banner, Chris Duncan, Roe Ethridge, Terence Koh, Jason Polan, Seth Price, Dean Sameshima, Paul Schiek and Derek Sullivan.

Lieven De Boeck (researcher Fine Art 2002–2003) and John Murphy (advising researcher Fine Art) put together a publication on the history of the Bonnefantenmuseum in the period when it was housed in the Entre Deux building in the centre of Maastricht.

By rephotographing an image from a magazine to make his 1977 work Untitled (couple), Richard Prince extracted the uncanny from the generic.

Leporello with 11 b/w photographs of city houses more or less overgrown by vegetation, concertina format, on the occasion of the exhibition Power of Place at Nettenfabriek, Apeldoorn.

SALON is an artmagazine not ON art but AS art!
Salon No. 5 shows a collection of original contributions by Clara Bahlsen, Stephan Baumkötter, Tim Berresheim,Rick Buckley, Peter Duka, Moritz Frei, Béla Pablo Janssen, Bernhard Kucken, Kristina Lenz, Elmar Mauch, Olaf Metzel, Olaf Nicolai, Timo Schmidt, Alex Silber.

Der Titel "Deadlands", also Totenländer, bezieht sich in erster Linie auf die Verbindung der Totenmasken mit den jeweiligen Landschaften. Alle Landschaften dieser Erde sind ja immer gleichzeitig belebt und auch immer Erinnerungsräume. Fast überall haben Menschen gelebt und mehr oder weniger Spuren hinterlassen.

Die Begleitpublikation zur Ausstellung des Wien Museums (25. 11. 2010 - 13. 3. 2011) enthält einen Essay zur Bedeutung des Schaufensters für die moderne Konsum- und Stadtkultur. Der umfangreiche Bildteil versammelt fotografische Aufnahmen von Wiener Schaufenster- und Shoppingszenen vom 19. Jahrhundert bis heute, u. a. von August Stauda, Emil Mayer, Erich Lessing, Franz Hubmann, Barbara Pflaum, Lucca Chmel, Gerhard Trumler und Trude Lukacsek.

Kunstbuch zur Fotoserie "Schwimmer" des österreichischen Fotografen Marko Zink von 2011.

Der Gegenstand von Maria Hahnenkamps Arbeit ist Fotografie: als Material. Handwerk, das die Fotografie in ihrer konkreten Materialität angreift und das Papier durchbohrt, vernäht, abschmirgelt

Seit dem Jahr 2000 wächst Katharina Mayers große Werkgruppe familia, Familienportraits mit Menschen aus vielen Ländern und unterschiedlichsten gesellschaftlichen Zusammenhängen. Ob Künstler-, Flüchtlings-, Lehrer- oder Unternehmerfamilie, jedes der unmittelbar im häuslichen Umfeld mit kleinen szenischen Eingriffen entstehende Bild ist ein Einblick in eine persönliche Biografie.

Hollis Frampton's film (nostalgia), made in 1971, is a witty, hypnotic account of an artist's experiences as a photographer in New York City from 1959 to 1966.

A bent arm, needle in hand, thread stretched tautly forming a diagonal but what is being sewn can not be seen; the projection of the naked back of a woman on the white wall of a darkened room and the corresponding apparatus; Christ as a figure of agony and the spread-open tighs of a woman; a gray, white and reddish shimmering surface with streaks of sewn seams.

Diese Publikation erscheint anlässlich der Ausstellung ME, MYSELF & THEM, einer Gruppenschau zum Thema Selbstportrait im Künstlerhaus Wien im Rahmen von Eyes–On, Monat der Fotografie 2012.

"Men Look at Me Strangely" brings together images of some of the men Michael Wynne photographed between October 2016 and March 2017.

The photos in Nacht were originally presented as a slide show, the form of presentation preferred by Andreas Züst. The current book represents the photos in the original order as presented by him utilizing. A very special technique of printing, offset together with lithography, characterizes the
80-piece series.

This collection is the first step toward a larger project, a travel book for the adopted city. That is what London is for millions of its inhabitants.

This Book reports from a long journey through an intimate but fragmented world. A selection of land- and cityscapes: the wind, the streets, flowers out of focus, a religious vision, and a letter from a friend.

Mexican photographer Ana Casas Broda (1965) explores in this book the complexity of the experience of motherhood and the relationship with her two sons.

All texts were found on the cover pages of Korean notepads and exercise books

– It is not hard to learn more. What is hard is to unlearn when you discover yourself wrong. –

Das fotografische Ausgangsmaterial, mit dem Tatiana Lecomte in freier Assoziation hantiert, das sie sich »ausborgt«, wie sie ihren Umgang damit selbst bezeichnet, ist nicht nur in einem allgemeinen historischen Zusammenhang zu sehen, sondern insbesondere auch in der Geschichte der Fotografie verankert.

This catalogue-reader accompanies Armando Lulaj’s project for the 56th Venice Biennale. Curated by Marco Scotini, Lulaj’s exhibition in the Albanian Pavilion is a time capsule of the country’s past, presenting strange memorabilia and trophies that tread the line between fact and fiction.

New York Garbage Flag Profile presents Berlin-based artist Michalis Pichler's six month long project in which he collected and documented discarded paper cups, plastic bags, pizza boxes, newspapers and other mass-produced materials emblazoned with the American Flag.

2nd Edition Photozine: Herrenreise 2012

“Any customer can have a car painted any colour that he wants so long as it is black”, Henry Ford wrote it in his autobiography published in 1922, speaking about the well-known Model T.

This publication celebrates the first year of Easter Trouble Press, by curating together a diverse group of images relating to the Easter holiday.