Mit Beiträgen von Michael A. Morris, Patrick T. Murphy, Linda Norden and Jasper Sharp
John Gerrard, Animated Scene, eine begleitende Veranstaltung der 53. Internationalen Kunstausstellung, La Biennale di Venezia, Isola di Certosa.

«History Park» betitelte Christian Vetter eine umfangreiche Werkserie, mit der er seit 2002 in der Schweizer Kunstszene prominent hervorgetreten ist. Einsame Berggipfel, steinerne Monumente, geheimnisvolle Höhlen, verlassene Jagdhochsitze, bühnenartige Waldlichtungen, aber auch Interieurs mit heimeligen Cheminéefeuern bilden das leicht antiquierte Inventar der menschenleeren Gemälde.

Der Luzerner Künstler Stefan Davi hat sich in den vergangenen zehn Jahren als Maler einen Namen gemacht.

24 Seiten, ca. 19x21cm , 21 Farbfotos (C-Prints 12,7x17,1cm) mit Fotoecken eingeklebt/austauschbar, handgemacht

"The photographs taken by Georg Philipp Pezold document the etsate of an Austrian family that was driven from Vienna in 1938. After theiremigration to Paris the tax authorities sold a large part of the possessions left behind by the journalist Berta Zuckerkandl, her son, her daughter-in-law and her grandson Emile. The four of them were able to escape from France to North Africa." (Forward: Ruth Pleyer)

Décor (P, TG-AIH, TAHoS AE, PGaA ofUS, TF-OtHoJA, S:FaM) contains a collection of recent collages assembled from found book pages, in which the artists specifically seeks a relationship between the abstract and the figurative, and thereby creating new narratives.

Zin Taylor has become known internationally for his elaborate installations encompassing elements of performance and sculpture along with drawing, printing, and video.

Der U-Boot-Bunker Fink II in Hamburg-Finkenwerder wurde 1941-42 auf dem Gelände der Deutschen Werft errichtet, 1945 zerstört und nach Schließung der Deutschen Werft in den 80er Jahren des letzten Jahrhunderts zugeschüttet. 2006 gestalteten kirsch bremer artandarchitecture die wieder freigelegte Bunkerruine zu einem zeitgemäßen Denkmal.

Story about a project for the KIASMA Museum in Helsinki, Finland, that was canceled two weeks before its realization. It was intended to become an installation of three intersecting Moebius strips 'circling' around the gallery, functioning as a platform to exhibit works of other artists.

Ähnlich Paul McCarthys berühmten »Trunks«, die ab 1982 mit den Props seiner Performances gefüllt wurden, sind die »Three Boxes« konzipiert, die Videofilme aus den Jahren 1970-75 enthalten und als geschlossene, aufeinander gestapelte Kisten ausgestellt werden. Ihr Inhalt wird in der vorliegenden Publikation erstmals und einzigartig öffentlich gemacht und dokumentiert.

nothing

Somewhere is a photography book that takes us on a journey in the most concrete and abstract sense of the word.

EDITION
2/20

Nummeriert. Datiert auf November 2009. Farbabbildungen.

EDITION
14/20

Nummeriert. Datiert auf November 2009. S/W-Abbildungen.

OSSU is the first photo-zine to explore male sexuality in Japan. Every issue features new bodies of work by the OSSU photographers/artists and guest contributors. OSSU is a new attempt to redefine Japan’s representation of male.

Roadworks are actions of temporary and unintentional public art.

Until I Gush Forth is a meditation on living with the unknown as a constant companion.

Oleg Ambrosetti was born in Pskov in 1903. He was a Russian chemist of Italian origin and a specialist involved in the chemical processes within the pharmaceutical sector.

Mit der Publikation «Art Handling in Oblivion» von Rob van Leijsen eröffnet die edition fink eine Taschenbuchreihe mit Neuauflagen. Einfarbig auf einheitliches Papier gedruckt und in handlicher Form werden Kunstbücher – die nicht zwingend aus dem eigenen Verlagsprogramm stammen – formal reduziert und neu interpretiert wieder verfügbar gemacht.

Stereopticon photos of Southern California waterfalls are juxtaposed with a text combining real and imagined history, geological phenomena and exploration, and a paradise inhabited only by women.

Our new issue with the legendary war photographer James Nachtwey has been a long time in the making – two and a half years in fact –

Alvaro Barrios is a Columbian conceptual artist and cartoonist.

Venturing into uncharted territory, Mapping Sitting explores 20th-century Arab portrait photography. Conceived by two contemporary artists, Walid Raad and Akram Zaatari, the mixed-media exhibition comprises four sections investigating how the portrait functioned in the Arab world not only to picture individuals and groups, but also as commodity, luxury item, and adornment.

The catalogue to the FV, Alternative Scene of the Eighties exhibition shows the life of underground culture and the alternative scene in Ljubljana during the 1980s.

Contains photographs by Miguel Fernández.

London, Alexandra Road Estate is a photographic project by Craig Atkinson about a large building complex in North West London.

In der Fotoserie "inner city / outer space" kombiniert Andrew Phelps Stadträume und Portraits.

“While you are wondering if you know me , I am strolling through the city with a newspaper. Are you following? I am crossing the square, and turning the corner. I haven’t yet read the paper. I’ll propably use it this evening as a place-mat or else. I’ll swat mosquitoes with it. The newspaper gives me a refernce point. It’s a prop that gives me a role in a city fulll of passers-by. “ (Maria Barnas)

Yael Bartana (born in 1970 in Israel) makes work largely about her conflicted homeland. She has an exceptionally sensitive eye for public ritual and ceremony, both organized and spontaneous.

In "Optics", illustrations from a variety of early photographic manuals and treaties have been juxtaposed, to present an analysis of the increasingly esoteric language of early photography and the form of “looking” it enabled.

The Lives of the Unholy are a visual archaeology of the city of Warsaw, an attempt at looking closely at the phenomenon of the destruction of monuments in Poland in times of political transformation.

"A collection of black and white images captured using old toy cameras and film. Images are loosely narrated with thoughts, brief and quite possibly--irrelevant."

nothing

48 Photographs of sinks in the numerous art students' studios of Kunstakademie Düsseldorf, Germany.

A Boulevard Called Sunset, Vol. I and Vol. II of a triology, is part of an ongoing photographic artist’s book-project I am working on since November 2008. (Engl.)

The photographs in this book are based on an european-japanese artist´s project in Sarajevo, called SICE-Sarajevo International Art Project.

Marije de Witt works in the fields of installation, sculpture and photography.

Im Frühjahr 2010 machte sich Thomas Meinecke für die Dauer von zwei Monaten in der Stadt Salvador da Bahia auf die Spuren des von ihm verehrten Schriftstellers Hubert Fichte, der in dieser tropischen, sehr afrikanisch geprägten nordost- brasilianischen Stadt zwei seiner Romane maßgeblich spielen ließ.

Die Zürcher Künstlerin Vreni Spieser verbrachte ein Jahr in Argentinien und auf den Philippinen. Während dieser Zeit schickte sie regelmässig Dinge an die Bewohner eines Altersheims in Zug, welche im Rahmen eines Kunst-am-Bau-Projektes in einer Kunstvitrine gesammelt wurden.

Between 2008 and 2010 London based photographer Sipke Visser sent 500 handwritten letters to random addresses all over the United Kingdom.

Beiträge zur Geschichte der Fotografie in Österreich, Band 18. Herausgegeben von Monika Faber für das Photoinstitut Bonartes, Wien, und Walter Moser für die Fotosammlung der Albertina, Wien

Taken at the height of the Assad days, the images of the photographer Giovanna Silva overlap in this publication with Syrian tourist guides’ images and texts, creating a net of intended and unintended relationships and time interconnections.

"THEY SOFT” is a collaboration between the artists Elke Auer and Toni Kochensparger, exploring femininity, fragility and queer feelings in New York, during the first 100 days of Donald Trump’s presidency, through photographs, writing, collages and drawings.

Die "Wien"-Fotografien Florian Rossmaniths sind ein Streifzug durch die Stadt, wie man sie unverkennbar wiedervererkennt.

In the summer of 1970, Gabriele Basilico set off from Milan in a Fiat 124, nominally heading for Kabul. The journey towards India was a rite of passage for the flower children generation, and Basilico had plans to take a series of photos to then sell on to some magazine. The journey didn’t quite turn out as planned, but in his personal archive, those shots were carefully stored away, and on more than one occasion, the Milanese photographer thought about turning them into a book. As Luca Doninelli writes in the introduction, this is “Basilico pre-Basilico”, a reportage stretching from Yugoslavia through to Turkey and Iran – which turned out to be the final destination of the trip – in which we may note the inklings of his vocation-to-be. The afterword by Giovanna Calvenzi, Gabriele’s travelling companion on that journey, tells the story of that adventure in an era of unprecedented freedom.

Die Begleitpublikation zur Ausstellung des Wien Museums (25. 11. 2010 - 13. 3. 2011) enthält einen Essay zur Bedeutung des Schaufensters für die moderne Konsum- und Stadtkultur. Der umfangreiche Bildteil versammelt fotografische Aufnahmen von Wiener Schaufenster- und Shoppingszenen vom 19. Jahrhundert bis heute, u. a. von August Stauda, Emil Mayer, Erich Lessing, Franz Hubmann, Barbara Pflaum, Lucca Chmel, Gerhard Trumler und Trude Lukacsek.

Kunstbuch zur Fotoserie "Schwimmer" des österreichischen Fotografen Marko Zink von 2011.

Der Gegenstand von Maria Hahnenkamps Arbeit ist Fotografie: als Material. Handwerk, das die Fotografie in ihrer konkreten Materialität angreift und das Papier durchbohrt, vernäht, abschmirgelt

Seit dem Jahr 2000 wächst Katharina Mayers große Werkgruppe familia, Familienportraits mit Menschen aus vielen Ländern und unterschiedlichsten gesellschaftlichen Zusammenhängen. Ob Künstler-, Flüchtlings-, Lehrer- oder Unternehmerfamilie, jedes der unmittelbar im häuslichen Umfeld mit kleinen szenischen Eingriffen entstehende Bild ist ein Einblick in eine persönliche Biografie.

Art—Read is an exhibition of artists’ books and related work in other media by ten young artists: Tauba Auerbach, Fiona Banner, Chris Duncan, Roe Ethridge, Terence Koh, Jason Polan, Seth Price, Dean Sameshima, Paul Schiek and Derek Sullivan.

Lieven De Boeck (researcher Fine Art 2002–2003) and John Murphy (advising researcher Fine Art) put together a publication on the history of the Bonnefantenmuseum in the period when it was housed in the Entre Deux building in the centre of Maastricht.

By rephotographing an image from a magazine to make his 1977 work Untitled (couple), Richard Prince extracted the uncanny from the generic.

Leporello with 11 b/w photographs of city houses more or less overgrown by vegetation, concertina format, on the occasion of the exhibition Power of Place at Nettenfabriek, Apeldoorn.

SALON is an artmagazine not ON art but AS art!
Salon No. 5 shows a collection of original contributions by Clara Bahlsen, Stephan Baumkötter, Tim Berresheim,Rick Buckley, Peter Duka, Moritz Frei, Béla Pablo Janssen, Bernhard Kucken, Kristina Lenz, Elmar Mauch, Olaf Metzel, Olaf Nicolai, Timo Schmidt, Alex Silber.

Der Titel "Deadlands", also Totenländer, bezieht sich in erster Linie auf die Verbindung der Totenmasken mit den jeweiligen Landschaften. Alle Landschaften dieser Erde sind ja immer gleichzeitig belebt und auch immer Erinnerungsräume. Fast überall haben Menschen gelebt und mehr oder weniger Spuren hinterlassen.

A bent arm, needle in hand, thread stretched tautly forming a diagonal but what is being sewn can not be seen; the projection of the naked back of a woman on the white wall of a darkened room and the corresponding apparatus; Christ as a figure of agony and the spread-open tighs of a woman; a gray, white and reddish shimmering surface with streaks of sewn seams.

Diese Publikation erscheint anlässlich der Ausstellung ME, MYSELF & THEM, einer Gruppenschau zum Thema Selbstportrait im Künstlerhaus Wien im Rahmen von Eyes–On, Monat der Fotografie 2012.

"Men Look at Me Strangely" brings together images of some of the men Michael Wynne photographed between October 2016 and March 2017.

The photos in Nacht were originally presented as a slide show, the form of presentation preferred by Andreas Züst. The current book represents the photos in the original order as presented by him utilizing. A very special technique of printing, offset together with lithography, characterizes the
80-piece series.

Hollis Frampton's film (nostalgia), made in 1971, is a witty, hypnotic account of an artist's experiences as a photographer in New York City from 1959 to 1966.