The potential and the versatility of publishing open it to a diversity of practices and approaches in the arts, but as an eminently social form of art, a collective or micro-collective work with shared responsibilities, it is also a never-ending process of “crafting a variegated approach to how you create, publish, distribute, and build a social ecosystem around your efforts”, of trying to “build up and strengthen the community around these printed forms” (Temporary Services).

This volume deals with historic or fictive monuments after they have disappeared as a consequence of ideological or political systems that have changed and follows what happens with the accumulation of information that persists in the material carcases of the built forms.

“Types of Assembly” is expanding the scope of typological investigations in order to detect the underlying mechanisms leading to assemblies in space—its collective rituals, political movements, spiritual dimensions, imaginary projections, everyday practices—and, it is suggesting that the performative quality of typological formation unfolds its true transformative potential within the timespan of hours, years and ages.

MIGRANT JOURNAL ist eine sechsteilige Publikation, die den Austausch von Personen, Waren, Information und sogar Flora und Fauna sowie deren Einfluss auf den Raum weltweit untersucht.

Racialized Incarceration constitutes a form of sequel to issues 4 and 5. This issue builds on these two precedents in demonstrating that incarceration is one of the horizons of processes of racialization and that architecture is an unsurpassable instrument of its enforcement.

How can the housing question (Wohnungsfrage) be appropriately reformulated in an age in which the work / life distinction is becoming increasingly blurred?

An Overview of contemporary Czech and international art in public space.

Zeitgenössische Kunsträume entstehen inzwischen an verschiedensten Orten der Welt.

Neuauflage der Publikation von 1980, erscheint anlässlich den Ausstellungen im Project Arts Centre, Dublin, im Grazer Kunstverein und im Utah Museum of Contemporary Art, Salt Lake City.

Dieses Buch ist eine Skulptur.