First introduced to the public in September 1926 on a New York City street corner, the automatic photobooth quickly became both a popular amusement and a unique tool for self-representation.

The publication Raummalerei – Spatial Painting: Analytical Secessionism 1900–1910 explores a pivotal moment in Viennese modernism, focusing on the emergence of a holistic approach to spatial design at

Renowned for his sculptural approach to furniture and his groundbreaking use of materials and techniques, Paul Evans (1931–1987) occupies a singular position in postwar American design history.

Mit Kinder dieser Welt schuf Hanne Darboven Anfang der 1990er Jahre eines ihrer komplexesten Werkensembles, das zentrale Elemente ihrer künstlerischen Praxis bündelt.

Olaf Breuning: Ugly is a monograph published by Hatje Cantz in 2002, offering a vibrant insight into the playful and provocative work of Swiss artist Olaf Breuning.

Ingeborg Strobl (1949 – 2017) vereinte Grafik, Aquarell, Fotografie, Collage, Objekt und Text zu dichten Bild‑Gefügen, in denen Fundstücke aus Natur und Alltag ein neues poetisches Eigenleben erhielten.

In the search for new ways of experiencing sound, this book describes a path from music to the visual arts.

“Analog Film Manifestos” brings together eight passionate, very personal and therefore stylistically diverse confessions to analog film by Austrian filmmakers:

Dieses Interview führte der Psychoanalytiker Georg Gröller mit seiner Frau, der Künstlerin Friedl Kubelka.

The view outside is blocked. A window has broken away from the wall, taking its reveal with it—now suspended mid-air, held precariously by a latch.

This volume presents a focused examination of two short film works: Sink, a segment from Michael Snow’s expansive investigation into sound-image relations,

This edition arises from a sustained dialogue between Franz West and psychoanalyst Georg Gröller, shaped by years of conversation, correspondence, and critical reflection on West’s writings.

Solar System & Rest Rooms is a collection of texts and interviews by conceptual artist Mel Bochner, documenting his writing practice over several decades.

The Ghanaian painter Amoako Boafoja is considered one of the most important voices from a new generation of Black artists.

Tiergarten is a striking artist’s book that explores the boundaries between documentary photography, print aesthetics, and visual abstraction.

Standortvorteile / Location advantages, Site specific sculpture, mixed media, blue carpet, (pure, white & cyan painted) canvas, analogue documentation contacts of former artist setting projects, dimension variable _ mixed media _ edition of 100 _ 2024

The Case of Lena Smith stands as one of the legendary lost films in cinema history—only a single fragment has survived.

Renée Green is one of the most vital and consistently innovative voices in contemporary art.

I asked architects to send me important images that show the basis of their work. Images that are in their head when they think.

Le Livre Art Publishing is excited to announce the release of “Julio Le Parc”, the most comprehensive monograph on the renowned Argentinian artist to date.

Work list of Per Kirkby's etching band III (1998-2015) Foreword by Museum Director Jacob Thage. Texts by German Kirkeby expert Christiane Lukatis & museum inspector Lucas Haberkorn. With biography, exhibition list & literature listing

Workbooks present an extensive book that gathers together a creative lifetime of collecting, imagining, sketching and recording by British artist Nigel Shafran from 1984-2024. Below, writer David Chandler reflects on Shafran's Workbooks:

Eine der ältesten Formen chinesischen Volksglaubens erweist sich als lebendiger Brauch, der überall in der Kultur Chinas praktiziert wird:

Lubok 14 continues the artist-run Lubok series dedicated to contemporary relief printmaking.

Im Gegensatz zur digitalen Bilderflut zeigt das alte Medium Holzschnitt Rückgrat: Holzschnitt ist kraftvoll, klar und direkt. Jeder Schnitt ist eine Entscheidung.

Christoph Ruckhäberle (*1972) ist einer der herausragenden Vertreter der zeitgenössischen Leipziger Malerei. Bis 2002 war er Meisterschüler bei Arno Rink,

Offset print, compact disc with PowerPoint song (Woog Riots), edition of 25. Since the late 1990s, Michael Riedel has advanced his own model of a self-sustaining artistic production, continuously using reproductions as a means to "reintroduce the system of art into the art system."

The book is a wordless visual document, featuring full-bleed color images that capture the exhibition and each artist's contribution.

Anna Jermolaewa was born and grew up in Leningrad, USSR. At the age of seventeen, she became one of the original members of Democratic Union, the first political opposition party

Marcel Duchamp (1887–1968), France, active in United States, Box in a Valise from or by Marcel Duchamp or Rrose Sélavy (Boîte-en-valise de ou par Marcel Duchamp ou Rrose Sélavy), conceived 1935–41, edition E assembled in Paris in 1963, green linen imitation leather covered box containing mixedmedia assemblage/collage of miniature replicas, photographs, and

In issue 45, featured artists include Britta Marakatt-Labba, Rasheed Araeen, Rebecca Belmore, and Zai Kuning. Essays include Alec Finlay on indigeneity, nationality, and statehood in Scotland; Ana Texeira Pinto on the Portuguese art scene; and Wanda Nanibush and Walter Mignolo on indigeneity and decoloniality. Also Stefano Harney on Ground Provisions, Anthony Gardner on Documenta Athens and Kassel, and Vincent W. J. van Gerven Oei on Anri Sala’s Intervista.

Chris Moore is the undisputed king of catwalk photography. His six-decade career includes images of all the iconic catwalk shows because he was at them all. This is the ultimate and only edit of Moore's work throughout his career and covering the changing face of the catwalk. Covering each of the decades images

„Austrian-born photographer Leo Kandl worked for twelve years on this project. He began with a Nikon F camera and later switched to a Rolleiflex. He developed and printed all the images himself. After fruitlessly searching for a publisher for fifteen years, his work was introduced to swiss publisher Stemmle by author and curator Peter Weiermair. Stemmle published the book in 1999.“

The image of the Caribbean is as much a creation of the West as it is the result of its population's incredibly complex identity.

An unprecedented look into the personal and creative life of the visionary auteur David Lynch, through his own words and those of his closest colleagues, friends, and family

Michel Butor’s Description of San Marco (1963) is an unusual book; an unorthodox intermingling of overheard dialogue from the iconic Venetian square in question, thick descriptions of persons and buildings, along with sober historical information. In the original,

Erwin Bohatsch's work is characterized by constant oscillation between representationalism and abstraction, between color and non-color, between line and surface.

The conversations and interviews of Hans Ulrich Obrist encompass a broad practice that is dialogic in relation to both words and disciplines.

This book is published on the occasion of Pablo Bronstein: Pissoir, at Kunsthal Charlottenborg in 2011, curated by Mark Sladen.

This artist's book is characteristic of Jean-Michel Wicker's work with typography and graphic design. It features a series of graphic works, a “tree of life” produced in collaboration with Marlie Mul, a text by Harry Burke, and a recipe for Alsatian plum pie by Charlotte Wicker. The publication's inserts reproduce collages and paintings by Wicker.

Disler is regarded as one of the founders of the Neue Wilde movement, making him (along with Miriam Cahn and Klaudia Schifferle) one of the

Weiner's later work expanded into wall installations, video, film, books, sound art, sculpture, performance art, installation art, and graphic art, maintaining his focus on language as a sculptural element.

Franz Graf is now playing his characteristic game with emptiness and abundance, black-and-white contrasts, letters and words, small, delicate details and large iconic, archaic, and modern elements at the 21er Haus.

From 1998 to 2005, photographer Ivan Sigal worked, lived and travelled in Central Asia, traversing Russia, Kazakhstan, Uzbekistan, Tajikistan, Kyrgyzstan and Afghanistan. He roamed with a dual identity: on the one hand designing media projects with local communities; on the other, an itinerant documentarian. The images from his multi-year odyssey reveal

The Donaufestival 2010 in Krems was held under the theme "Failed Revolutions" and featured a diverse program of music, performance, and visual arts. In the visual arts segment, Franz Graf and Christian Jankowski were among the artists showcasing their works. Media art pioneer Paul DeMarinis also presented pieces that combine sound, light, and technology. A catalog for the art exhibitions was self-published by the artists, providing additional insights to accompany the festival program.

This concertina opens in vibrant color to reveal in progressive spreads of two, four and six pages a rich sensory exploration of Edward James’ surreal jungle garden Las Posaz, in Mexico. Lush vegetation intertwines with the constructed buildings and staircases of James’ imagination and with Douglas’ own, in experiencing this garden and the rich culture of Mexico.

*Special edition with a silkscreened textile cover, signed and numbered by the artist. Limited edition of 50 copies.
Bernhard Cella’s sweeping pictorial documentary of convalescent men present us with an iconography of a century of medical progress and, by the same token,

The Secret Agent is Douglas’s adaption of the 1907 political novel of the same title by Joseph Conrad. Set in London in 1886, the book recounts an anarchist’s failed plot to bomb the Greenwich Observatory and is considered

Short bursts of sound produced with my own voice traverse the space.

Almost All the Flowers in My Mother’s Garden is a 144-page work containing more than 100 pictures of flowers,

The Kunsthalle Linz presents itself as a white cube par excellence: a simple, empty and windowless room with white walls, gray floor and a ceiling that floods the room with light: a playground for big projects in keeping with common exhibition practice.

K. A. Wolf, herausgegeben im Auftrag der Karl Anton Wolf - Stiftung. Opappband, mit zahlreichen Werkabbildungen, sehr guter Zustand.

Paesi Nordici. La Biennale di Venezia 1978. 5 cataloghi di mostre di artisti provenienti da Danimarca (Stig Brogger, Hein Heinsen, Mogens Moller), Finlandia (Olavi Lanu), Islanda (Sigurdur Gudmundsson), Norvegia (Frans Widerberg), Svezia (Lars Englund). Testi nelle lingue originali, inglese e italiano. Ill. in bianco e nero e a colori 8vo. pp. 20 fascicolo. . Ottimo (Fine). . . .

Immer mehr Museen öffnen sich nach langer Tabuisierung für einen transparenten Umgang mit Fälschungen, tauschen Erkenntnisse aus und entscheiden sich – falls notwendig – Werke aus der Sammlung abzuschreiben.

„Hier liegt ein Werk vor, das auf großartige Weise ein Grundmotiv allen Bauens zu erschließen versteht.“ (Horst Bredekamp)Kragkuppelbauten sind einfache, aber faszinierende Bauformen, die aus ganz praktischen Gründen entstanden: Die Steine, die in vielen Gegenden so zahlreich herumliegen, schichtete man in Trockenbauweise zu nützlichen Strukturen auf – vor allem zu Hütten.

Lassen Sie sich auf eine Entdeckungsreise in die Geschichte des Schachspiels entführen, eine Reise durch die Zeit und um die Welt. Das Buch macht eine Fülle von Fach- und Detailwissen zugänglich und offenbart gleichzeitig die Faszination, die von diesem Spiel ausgeht.

All the cannons and artillery included in this survey are actual, historic weapons, located in Greater London and freely accessible to the public.

Entirely realized by the artists, and rich of more than 540 colour illustrations, this book is like a wide and coloured family album, illustrating almost all works created by Pierre et Gilles between 1976 and 2002.

Nordic Iron Age Art has survived in the precious metals gold, silver and bronze in the form of jewellery, brooches, weapon accessories and other utility objects. In the first centuries of our time, art was dominated by the inspiration from Roman and Classical art,

The Norwegian archaeologist Bente Magnus describes the historical and social conditions of myths and art: ornaments and animals with masks and human representations, plants as jewelry, weapons, utensils made of gold, silver and bronze. The tradition continues in Nordic art right up to the stave churches.