An iconographic taxonomy—researched, conceived, and ideated by Wolfgang Scheppe, also author of the book’s final essay—that traces the state and police visual control through almost 500 images from the May 1968 police archives in Paris.

Including essays about Barbara Hammer, Agnès Varda, Camille Billops, Jane Arden, Penny Slinger, Ana Mendieta, Hito Steyerl, Mati Diop, Catherine Breillat, Carol Morley, Ulrike Ottinger, Charlotte Prodger, Charlotte Pryce, Rosalind Nashashibi & Lucy Skaer, Gloria Camiruaga, Margarethe von Trotta, Astra Taylor, Lina Wertmüller. Interviews with Akosua Adoma Owusu, Astra Taylor, Ericka Beckman, Carolee Schneemann, Barbara Hammer

Con esta exposición se podrá ver por primera vez en España una amplia selección de obras de la artista checa Hanzlová Jitka (Nachod, 1958). Sus fotografías, que buscan penetrar en la esencia de las cosas y los personajes representados, crean imágenes directas que evidencian la relación entre el hombre y su contexto. Además

“I wanted a newspaper, the picture in my head was of someone slapping a fat stack of paper on the table in front of you, in your face, saying: Right, now it’s happened.” (Siggi Hofer)
The versatility that distinguishes Siggi Hofer’s exhibitions is also evident in a publication accompanying his current

'The spirit of Gemini is best captured by the word 'collaboration.' It's about artists and printers working hand in hand to create works of art. This same spirit prevails when I take photos. There's a trust extended by the artists, allowing me to share so many special moments with them.' -Sidney Felsen

A three-dimensional paper sculpture with eight different views. A pop-up book as an homage to the contemporary art book scene.

Started as a xerox zine, a saturated compilation of drawings done by amateurs, musicians or comics authors, Nazi Knife explored, in its more recent issues, some more singular editorial approaches:

Music has been just as central as art, film and architecture in the formation of the German capital’s unique identity, although too often neglected by Berlin’s historians and biographers.

In Noir – A Serendipitous Encyclopedia Inspired by 1001 Names for the Color Black graphic designer Sandra Praun takes on the color black and the language that charges it with a variety of characteristics. The book consists of three parts:

Written in the 1950s and ’60s, the “action poems” comprising a A User’s Manual were published in their complete form in 1969 when they were paired with the 52 collages of Weekly 1967, the first of Kolář’s celebrated series in which he commented visually on a major event for each week of the year. Taking the form of directives,

Edition of 12, Set of 18 screenprinted ceramic tiles (15 x 15 x 1 cm),
handmade box, book-binding linen, numbered, signed Edition.
Edition Salon für Kunstbuch 2021, in cooperation with Fiona Liewehr

On the occasion of the exhibition Die fünfte Säule [The fifth column], curated by Moritz Küng, Joëlle Tuerlinckx presents the lecture-performance Les moments d?espace ? lecture for YouTube in 591 panels (version 17.11.11) and the publication Moments d?espace.
On 591 PowerPoint pages the artist describes her subjective and partially autobiographical thoughts concerning the paradox of space in the form of ?textimages? in French with English subtitles. While these are projected uncommented, Tuerlinckx improvises a musicalpiece on a first-generation Casio synthesizer.

A digest of magazines around the world edited by Maurizio Cattelan and Paola Manfrin, Permanent Food is a cannibal magazine. Bound together in each issue of this periodical of pilfering from Maurizio Cattelan and Paola Manfrin is a thoroughly bewildering, amusing, grotesque, and blasé selection of images culled from anywhere, everywhere, and nowhere.

Joachim Brohm (Jahrgang 1955) unternimmt ein foto-urbanistisches Projekt mit Langzeitbeoachtung. Von 1992 bis 2002 fotografiert er auf ein und demselben Areal, das - am Rande einer deutschen Großstadt gelegen

Carl Andre – Sculpture as Place examines Carl Andre’s radical redefinition of sculpture as a spatial and experiential condition rather than an autonomous object.

Der Schweizer Künstler Urs Graf (um 1485-1527/28) verdingte sich als Söldner und führte ein ziemlich abenteuerliches Leben. In Gerichtsakten fiel des Öfteren sein Name – im Zusammenhang mit Schlägereien, Körperverletzung und Ehebruch. So entfaltet sich auch im außergewöhnlichen Konvolut seiner Zeichnungen ein Bild seiner Zeit: Soldaten, Dirnen und Narren tummeln sich in seinen Werken.

Dedicated to his friend and mentor Peter Hujar, Salters Cottages is an artist’s book of stills from a short film Schneider made in 1981 at Salters Cottages, a summer seaside cottage community on Long Island, New York.

This project documents Sudan, the last white rhinoceros of North Africa. Sudan lived his life inside the Prague zoo, before being transferred to Kenya for reproduction and specie preservation. Sudan lives under armed protection.

Dangerous Bodies brings together artist Barbara Kapusta’s recent writing. Designed by Sabo Day Font: Silom, Dangerous Bodies

This small publication is an edited reprint of the essay ‘The Book in Intermediary Form’ written by Kasper Andreasen. It was originally published in 2011 by Wintertuin, Nijmegen as part of a compilation about the future of the book. The essay argues for a possible scenario leading up to a hypothesis about an audio­visual book. How can artists’ books be audio­visual objects?

Rab-Rab Press announces the publication of Free Jazz Communism, a new book actualising Archie Shepp–Bill Dixon Quartet at the 8th World Festival of Youth and Students in Helsinki 1962.

Sandra Peters: Leporello [Spatial Thinking] is a compact artist’s book that explores the sculptural practice of Sandra Peters through the format of a folded leporello.

In With Ease Through Heaviness lotet Robert Pfaller die Grenzlinien zwischen philosophischer Reflexion und künstlerischer Praxis aus.

Anfang der 1980er Jahre wurde Taaffe als wichtiger Vertreter der Appropriation Art international bekannt. Sein Interesse an Ornamenten unterschiedlicher Kulturen und historische Naturdarstellungen, die er als Fragmente in leuchtenden Farben auf die Leinwand bringt, prägen seine Bilder.

The first comprehensive study of Knoll's innovative textile designs and the company's role within the history of interior design In 1940, Hans Knoll founded a company in New York that soon earned a reputation for its progressive line of furniture. Florence Schust joined the firm and helped establish its interior design division, the Knoll Planning Unit. In 1947, the year after their marriage, Hans and Florence Knoll

"Spaces of Commoning: Artistic Research and the Utopia of the Everyday'' is the outcome of a research project pursued by a group of artists, architects and social theorists, who in the face of exhilarating politics of accumulation and dispossession explore commoning as the subject as well as the means of their collective study.

Ce livre - un projet porté par l’association Atelier d’Architecture Pierre Hebbelinck & Pierre de Wit et Atelier d'Architecture Hart Berteloot -

The latest issue in the publications’ 20-year history looks at the innately human desire to create systems and how artists across the world interpret this subject. As it’s inevitable that we’ll deal with different types of systems throughout our lives, issue number 18 focuses on precisely this. Many artists create their own systems and methods; setting up rules for creating their art, sorting their materials, following specific schedules, creating new worlds. In a way, such structures provide us with a framework for stretching the possibilities of our creative freedom.

The fruit of a lengthy research, this book shows for the first time a significant selection of René Heyvaert's mail art. The latter is linked to the Belgian artist’s multiform oeuvre—which retains, given that René Heyvaert (1928–1984) was originally an architect, an overt material and spatial relation to its environment—as well as to his personal life: his gradually deteriorating health, and the loneliness that fed his epistolary vocation.

Few people know that the cult filmmaker David Lynch began his career in the visual arts and has remained deeply committed to them ever since. Paintings, watercolors, drawings, lithographs,

A corporate report as conceptual intervention

Die Musik spielt im künstlerischen Werk von Dieter Roth eine zentrale Rolle.

Im Notfall Meditation: der programmatische Titel erhebt den prekären und bedrohten Augenblick zur Dauer, er ist dem gleichnamigen Gedichtband von Frank O’Hara entnommen.

In diesem Ausstellungskatalog werden zum ersten Mal die drei Künstlerpositionen Wade Guyton, Guyton\Walker und Kelley Walker gemeinsam vorgestellt. Die Präsentation erlaubt die parallele Betrachtung und Auseinandersetzung mit beiden Einzelpositionen sowie mit dem 2004 gegründeten Künstlerduo.

Digital Album Includes high-quality download in MP3, FLAC and more. Paying supporters also get unlimited streaming via the free Bandcamp app.

Das Filmmaterial wurde während der Entstehung einer Flechtskulptur von Katharina Heinrich aufgenommen: 24 einminütige Sequenzen und Einstellungen, aufgezeichnet mit der Handkamera. Signierte und nummerierte Auflage: 12 Stück. Nr. 8/12.

Zweifarbiger Siebdruck auf Fabriano 190g

7 Originalzeichnungen

Siebdruck vierfarbig

Zwefarbiger Siebdruck

Pigmentdruck

Mit ihrer Arbeit Corrections and Clarifications, die allein aus Korrekturen und Widerrufen in der internationalen Presse im Zeitraum zwischen Mai und August 2011 besteht, verdichtet Anita Di Bianco Informationen allein auf ihren Fehlergehalt und verleiht diesem seine oft fehlende Sichtbarkeit.

Mit ihrer Arbeit Corrections and Clarifications, die allein aus Korrekturen und Widerrufen in der internationalen Presse im Zeitraum zwischen Mai und August 2011 besteht, verdichtet Anita Di Bianco Informationen allein auf ihren Fehlergehalt und verleiht diesem seine oft fehlende Sichtbarkeit.

Don't Trust Anyone Over Thirty charts the career of twenty-four-year-old rock singer Neil Sky, who is elected President of the United States after instigating teenage riots to change the voting age to fourteen and putting LSD in the drinking water of the Congress. But once President Sky retires the over-thirty population in LSD re-conditioning camps, he faces his own unique demise. 

Bretterkellers Auftritte oszillieren zwischen Noisemusik, Elektropunk und dem jeweiligen Pathos von Doom Metal und Techno.

The Ballad of George Barrington is a travel- and reseach project about the life of the notorious pickpocket whose career brought him from the aristocratic

Hotel Ostblick.

Text durch Zeichnung

One of the central components of this initiative is the Artists-and-Architects-in-Residence program. In this context,

mit Beiträgen von Cerith Wyn Evans, Florian Hecker, Liam Gillick, Carsten Höller, Robin Mackay, Jeannie Moser, Molly Nesbit, Olaf Nicolai, Martin Prinzhorn, Maria Spiropulu, Eva Wilson and Daniela Zyman (Englisch)

Marcel Duchamps druckgrafische Arbeiten sind ein bedeutendes Instrument seiner konzeptuellen Praxis und reflektieren seine kritische Auseinandersetzung mit Originalität, Autorschaft und Reproduzierbarkeit.

Hotel Ostblick.

Negotium is an artist's book and, at the same time, a ‘sales catalogue’ of three works by Franz West, numbers 23, 47 and 48.

Woodcut, handprinted. Edition of 50. Signed, dated and numbered.

Franz Graf hat für die vier Flächen in der Passage Hauptbahnhof/U1 Südtiroler Platz unterschiedlichste Bildmotive aus seinem künstlerischen Archiv zu komplexen Kompositionen zusammengefügt.

Der Katalog vermittelt einen umfassenden Einblick in das Werk des großen Minimalisten Carl Andre.

Das erste Spike Annual Edition Portfolio besteht aus eigens für Spike konzipierten Arbeiten der folgenden Künstler: Darren Bader, Sylvie Fleury, Samara Golden, Jonathan Monk, Rob Pruitt, Heimo Zobernig.

During her schooling, before World War I, my grandmother decided to take a course in writing Kurrent, a form of old German script, the new, fast writing method of the day.

Gespräch zwischen Jutta Koether und Diedrich Diederichsen.

Following From Berkeley to Berkeley: Objectif Exhibitions, 2008–2010, this publication is the second in a two-part series of interviews with artists who exhibited at Objectif Exhibitions, Antwerp, between 2010 and 2011. (engl.)