"'Academy' is an international series of exhibtions and projects initiated by Siemens Art Program and realized in cooperations with teh Kunsteverein in Hamburg, the Department of Visual Cultures at Goldsmiths College in London, zhe Museum van Hedemdaagse Kunst Antwerpen, MuHKA, and the Van Abbemuseum in Endhoven."

Das, seit 2010 von Künstler Ezara Spangl und Rainer Spangl kuratierte Kunstvermittlungsprogramm Artist Lecture Series Vienna, gibt Künstler_innen die Möglichkeit vor Kolleg_innen und anderen interessierten Personen über ihre Arbeit zu sprechen sowie die Gelegenheit zur Präsentation einer Originalarbeit. Eine Auswahl an Transkriptionen der abgehaltenen Lectures werden in Form von Publikationen einem breiteren Publikum zugänglich gemacht.

Anne Speier wurde in Frankfurt am Main geboren und lebt in Wien wo sie an der Akademie der Bildenden Künste unterrichtet.

Raymond Pettibon first came to prominence during the late-seventies with his raw, literary-inflected imagery for Black Flag, Sonic Youth, and SST Records.

HER steht für Hermetic Experimental Research. Dabei handelt es sich um eine Raumforschung, die am eigenen Leib oder besser:

Ein Konzeptkünstler, der sich mit Fundstücken aus der Natur beschäftigt. Als Vertreter des Informell und der ZERO-Bewegung lebt der niederländische Künstler seit 1970 in Eschenau (Mittelfranken) und arbeitet praktisch vor der Haustür, in seinem 200 km² großen ›Atelier‹, dem Steigerwald.

Mit seinem Biennale-Beitrag reagiert Heimo Zobernig unmittelbar auf die Ausstellungssituation in dem 1934 nach Plänen von Josef Hoffmann und Robert Kramreiter gebauten Österreichischen Pavillon, der mit klassischen Rundbögen und hoheitsvoll anmutenden Blickachsen einerseits sowie streng rationalen Formen und modernen Baustoffen andererseits zwischen Historizität und Moderne laviert.

Der amerikanische Science-Fiction-Autor und Kulturkritiker Mark von Schlegell (*1967 in New York) lebt und arbeitet in Köln.

Initiated by Keren Cytter and co-edited by Fiona Bryson and Roger van Voorhees, the quarterly publication focuses on three experimental writers or poets per issue—image content is supplied by one artist.

The “Poetic Series” brings together works of poetry and literature in combination with visual art, introducing young as well as established writers concerned with challenging the boundaries of traditional forms of narrative. Initiated by Keren Cytter and coedited with Fiona Bryson, the quarterly publications focus on three experimental writers or poets per issue—image content is supplied by one artist.

The work presented in this book is an invitation to undertake an urgent architectural and political thought experiment: to rethink today’s struggles for justice and equality not only from the historical perspective of revolution, but also from that of a continued struggle for decolonization; consequently, to rethink the problem of political subjectivity not from the point of view of a Western conception of a liberal citizen but rather from that of the displaced and extraterritorial refugee.

Utopia of Sound explores the growing significance of sound as a distinct aesthetic and cultural phenomenon in contemporary art, film, and visual culture.

Contemporary art museums are building. In recent decades art museums and public galleries have extensively renovated, rebuilt and added structures to their premises. New museums have been commissioned and erected by private collectors and companies; existing public museums and art institutions have expanded through the opening of new ‘branches’ and franchises. But what should take place within these new premises?

The artist’s book Ki-da Rilke evolved in relation to the exhibition “Line Wall” by Sung Hwan Kim.

Three careers and three very different pathways by three artists who work with exactly the same distance: short distance.

Is it possible to understand graphic design as a practice beyond an object-centric approach, as a practice beyond the conception and production of well-designed and printed artifacts? Which other potentials to create a public should be considered integral to design as an activity?

TIME NO TIME polarizes moving pictures in terms of speed, time and experience through parallelism and circulation.

Aesthetic Politics in Fashion outlines critical studies in the present cross-sections of fashion, art, politics, and global capitalism.

basso magazin is edited by Yusuf Etiman. Yusuf was born in Istanbul, Turkey, in 1969 and lives and works in Berlin since 1989.

Basso #5 is the fifth issue of the independent art and culture magazine Basso, dedicated to contemporary discourses at the intersection of art, society, and theory.

#6

A crossover zine between sex and art.

a crossover zine between sex and art

The inaugural issue of Basso Magazine delves into the intricate interplay between art, identity, and corporeality.

Fashion and Postcolonial Critique outlines a critical global fashion theory from a postcolonial perspective. It investigates contemporary articulations of postcolonial fashion critique, and

Texts by Art & Language, Colectivo Situaciones, Charles Esche, Ljiljana Filipovi?, Jon Hendricks, Brian Holmes, Ana Longoni, Viktor Misiano, Angelika Nollert, Suely Rolnik, WHAT, HOW & FOR WHOM/WHW and Stephen Wright. Publisher: Kunsthalle Fridericianum (René Block), Siemens Arts Program (Angelika Nollert). Publishing company: Revolver – Archiv für aktuelle Kunst, Frankfurt/Main.

a crossover zine between sex and art

In Danh Vos's installation arrangements of objects, photographs, documents, artifacts and souvenirs, the private meets the public, his own biography on political history, original on copy. This book accompanying Danh Vo’s solo exhibition at the Kunsthaus Bregenz pays homage to the artist’s father, Phung Vo, and his contributions to his son’s projects. Together with “Dahn Vo 2004-2012,” this volume constitutes a Danh Vo catalogue raisonne.

This book is the result of intellectual and physical journeys that artists, scholars, teachers, and students from China and Germany have undertaken together, in order to gain a better understanding of the connections between old Chinese philosophy (with an emphasis on Daoist writings), traditional Chinese painting, and contemporary art practices.

SAN ROCCO is a magazine about architecture.

If you do dare to mention beauty, then some well-intentioned idiot says “beauty is subjective”, as if this in- disputable truth (given that beauty is, of course, subjective) would implicitly mean that nothing subjective and shared (or universal, or common, or whatever you’d like to call it) could possibly exist; as if subjects could never agree, or could never admit their shared nature and recognize themselves in what, in the end, is nothing more than this: the sudden appearance of something that we all like, something to which we would all like to surrender ourselves (i.e., the sudden appearance of beauty). So, yes: beauty is subjective. But this is no reason to stop worrying about beauty.

Die Arbeit, von der dieses Buch handelt und das es dokumentiert, setzt sich an der Schnittstelle zweier alter Systeme fest: dem der politischen Repräsentation von Nationalstaaten außerhalb ihres Territoriums -

Exceptional Editions ist die Ergänzung und Fortsetzung des 2013 im Verlag Moderner Kunst erschienen Werkvereichnisses Mel Ramos. Exhibitional Prints. Es umfasst alle Sondereditionen von Ramos – Skulpturen, Arbeiten auf Emaille, Leuchtkästen und Bas-Relief Arbeiten – sowie die neuerschienen Grafiken seit 2013.

There is plenty of bad architecture all over the place. Stupid, wrong architecture. Architecture that failed, and failed miserably. Architecture that is full of mistakes. (English)

San Rocco is a magazine about architecture. It does not solve problems. It is not a useful magazine. It is neither serious nor friendly.

Terence Koh’s exhibition gone, yet still at the Secession revolves around youth, sleep, withdrawal, sexuality and death. Installed in the Grafisches Kabinett, the work imagines a space in which the artist could spend the rest of his life: a white room of retreat, waiting and possible disappearance.

Chartered as it has been that the work of Jonathan Monk reaches into the past, looking in particular at the strategies of artists synonymous with the birth of conceptual art, adopting the language of conceptualism and infusing it with references he makes to his own personal history [...]

Intro by Adam Carr

Udo Bohnenbergers künstlerische Praxis bewegt sich im Spannungsfeld zwischen Skulptur, Installation und performativer Geste.

Fama & Fortune Bulletin No. 5 is an artist’s book conceived, edited and designed by Martin Kippenberger as part of the Vienna-based Fama & Fortune Bulletin series.

Ist Heimat ein Ort, ein romantischer Raum oder ideologisches Instrument? In den Zeiten der Globalisierung und Weiterentwicklung multikultureller Gesellschaften wird der Begriff „Heimat“ wieder zumThema.

A copy of an original is a duplicate.

This book contains the transcription of the lecture Bentwood by Gabriel Pericàs, which
begins as follows:

The main question that needs to be answered is: How can sustainable stormwater management be integrated with urban design in order to create liveable, sustainable, and attractive cities?

Dieser Band widmet sich dem Thema, ob die Verschiebungen und Öffnungen, die sich innerhalb der Arbeits- und Kompetenzbereiche des Kunstfeldes als Ergebnis der Dissemination kuratorischer Denk- und Handlungsweisen vollziehen, legitim oder illegitim sind.

SAN ROCCO is a magazine about architecture. It does not solve problems. It is not a useful magazine. It is neither serious nor friendly.(English)

Edition. „Die Basis dafür bildet das Zeichnerische, das nicht nur die Geburt des Bildes schlechthin darstellt, sondern auch den Subjektwerdungsprozess des Individuums. Für Gredler ist es Lebenselixier und unabdingbare Notwendigkeit seines bildnerischen Selbstverständnisses.

SAN ROCCO is a magazine about architecture. SAN ROCCO does not solve problems. It is not a useful magazine. SAN ROCCO is neither serious nor friendly.

SAN ROCCO is a magazine about architecture.
SAN ROCCO does not solve problems. It is not a useful magazine.
SAN ROCCO is neither serious nor friendly.
SAN ROCCO is written by architects. As such, SAN ROCCO is not particularly intelligent, or philologically accurate.
In SAN ROCCO, pictures are more important than texts.
SAN ROCCO is serious. It takes the risk of appearing naive.
SAN ROCCO will not last for ever.
There will be no more than 20 SAN ROCCOs for the single five-year plan.

SAN ROCCO is a magazine about architecture.
SAN ROCCO does not solve problems. It is not a useful magazine.
SAN ROCCO is neither serious nor friendly.
SAN ROCCO is written by architects. As such, SAN ROCCO is not particularly intelligent, or philologically accurate.
In SAN ROCCO, pictures are more important than texts.
SAN ROCCO is serious. It takes the risk of appearing naive.
SAN ROCCO will not last for ever.
There will be no more than 20 SAN ROCCOs for the single five-year plan.

Minimal Art seemed harmless: just a few hard-edged, greyish pieces of metal laid on the ground, some bricks aligned a certain way, heaps of logs. Minimal Art looked unnecessarily stubborn and a bit stupid, but nobody would ever have thought it could do any harm.

These photographs of 11th century architecture, recently taken in the city of Ghardaia, Algeria, reveal this.

Kim Gordon’s involvement aligns with her broader interdisciplinary practice that moves between visual art, music, writing and independent publishing.

Edition. „Als wir beim zweiten Glas Wein saßen, verließ der Chefredakteur des „Salzburger Volksblatts“, der liberale und kunstsinnige Rudolf von Freysauff, nachdem er seinem Namen an diesem Nachmittag bereits einige Ehre einzulegen versucht hatte, das Lokal, nicht ohne meinem Gegenüber zuzurufen: „Durchhalten, Drioli!“

How can the housing question (Wohnungsfrage) be appropriately reformulated in an age in which the work / life distinction is becoming increasingly blurred?

Edition. „Mir scheint vielmehr, es gehe in Neunteufels Arbeit darum, sowohl dem Abstrakten als auch dem Greifbaren neue, bisher unmögliche Optionen zu eröffnen und eine Vielfalt von Gedanken durcheinander und eine Vielheit von Gegenständen ineinander abzubilden.

Edition. „Der Körper als Adressat Otto Zitkos Kunst ist vielleicht nirgends so bildlich dargestellt und explizit sichtbar wie in dem figurativen Bild in der besprochenen Grafikserie.

The magazine publishes exclusively artist-designed issues in small editions.

Ausstellungskatalog

End of Collecting! Mit dieser Situation ist irgendwann jeder Sammler, jeder Künstler konfrontiert. Es reift die Erkenntnis, dass jetzt langsam »Schluss« ist, dass die Anzahl der erworbenen resp. erschaffenen Kunstgüter nicht mehr weiter anwachsen sollen.

This is a phosphorescently brilliant exploration of the birth and life of video. In the times when electronic media meant the flow of televisual signals, video became a uniquely glimmering force of idiosyncratic memory and the ordination of time.