Ron Nagle. Sub Rosa was published in 2019 and documents a body of recent works by Ron Nagle. The publication focuses on the artist’s small-scale sculptures, for which he is internationally known.

Sculture e disegni 1984–85 documents an early, concentrated phase in Josef Dabernig’s work, bringing together sculpture and drawing as parallel, method-driven investigations.

Alien Nation documents a body of work by Katrin Plavčak that moves between painting, drawing, and installation.

History and Other Objects brings together a substantial selection of works by Ekaterina Shapiro-Obermair, ranging across media such as installation, object, photography, and archival engagements.

In his collages, films, and architectural stagings, David Maljković engages critically with the legacy of modernism. Central to his practice are sculptural and

Sigmund Freud House Bulletin – Special Issue Autumn 1989 is a periodical publication issued by the Sigmund Freud Museum (House of Freud), Vienna.

The first monographic publication by Vienna-based artist Angelika Loderer documents her examination of the definition of sculpture from 2009 to 2019.

Culturefield documents a body of work by Ryan Gander that examines systems of value, cultural production, and institutional framing.

Ecology Works surveys the practice of John Newling, focusing on his sustained engagement with ecological systems, sustainability, and the politics of food production.

This anthology examines the psychological dimensions of space and the emotional responses it provokes, including agoraphobia, vertigo, and claustrophobia.

The Baule people of the Ivory Coast are renowned for their refined sculptural work of masks and figures.

Tribal Art: Oceania – Asia presents a survey of ritual, ceremonial, and sculptural works from Oceania and selected regions of Asia.

This archival volume brings together key projects and works by the Austrian artist Gertrude Moser-Wagner from 2009 to 2021.

Wear Me Out is a publication centered on the work of Austrian contemporary artist Erwin Wurm, known for his playful, provocative explorations of everyday objects and bodily presence.

Simon Denny presented a solo exhibition at the Ursula Blickle Stiftung (Kraichtal, Germany), an institution known for its focus on contemporary, conceptually oriented artistic practices.

This publication documents the memorial erected in 2017 at the former Aspang Railway Station in Vienna, from which more than 47,000 Jewish men, women, and children were deported between 1939 and 1942.

Warum sind Pizzas rund und Fischstäbchen rechteckig? Warum zerschneiden wir eine Torte anders als ein Brot?

Peter Friedl’s work addresses the conditions of representation, historiography and the political function of images.

At the center of this work is a critical engagement with the military training area of Allensteig in Lower Austria, a site marked by forced displace

This new interpretation of the structure and meaning of the Happenings produced by Allan Kaprow (1927–2006) and Claes Oldenburg

Swedish artist duo Nathalie Djurberg (born 1978) and Hans Berg (born 1978) create installations with objects, music and moving images – dream worlds in which one could lose oneself.

Originality, repetition, time and materiality are key concepts for understanding the work of American conceptual artist Sherrie Levine

Throughout his brief yet influential career, Italian conceptual artist Piero Manzoni (1933-63) maintained strong ties to the Netherlands.

In 1966, when Kuehn first exhibited his group of works entitled ‘Melt Pieces’ at the legendary Bianchini Gallery in New York, he wrote in his sketchbook: ‘Butter in the sun.

Le présent ouvrage propose une approche inédite sur le sculpteur Jean Amado. Bien au-delà des contributions déjà existantes et souvent inspirées

Everyday life, literature, psychology and art history are important sources of inspiration for the artistic work of Canadian artist Shannon Bool (born in 1972, lives in Berlin).

Wirr singt das Volk is an artist’s book by Arno Auer published by Textem Verlag in connection with exhibition contexts.

The installation Critical Mass (1995) was conceived in direct response to the exhibition site, the former tram depot Remise in Vienna.

The art book Birgit Zinner. Kunst mit Wesen (Birgit Zinner. Art with Essence) is a work of art that artist Birgit Zinner created together with her brothers Johannes (photography) and

An essential work of reference for furniture historians and anyone interested in the fine and decorative arts, the

Die Publikation widmet sich Gold als künstlerischem Material, kulturhistorischem Symbol und ästhetischem Phänomen

The publication on Furniture Works focuses on Franz West’s exploration of the boundary between sculpture, design, and use.

Known for their collaborative projects exploring the relations between art and economic processes, Plamen Dejanoff and

The 1950s: Art and Art Appreciation in Vienna marks the beginning of a series of exhibitions and catalogues that offer a

The publication examines Yinka Shonibare’s exploration of cultural hybridity, postcolonial identity, and global exchange through sculpture

„Nah am Leben“ ist die erste umfangreiche Präsentation des Sammlungsbestandes der Berliner Gipsformerei. Die älteste Einrichtung

Crystallising superstition and belief, serving as an emblem of prestige or glory, and at times functioning as an instrument of seduction,

This volume, on a unique and wide-ranging collection of figural sculptures from sub-Saharan Africa, examines not only each distinctive piece,

This publication will be the only available English-language monograph to date on sixteenth-century sculptor Pier Jacopo Alari Bonacolsi

This publication situates Khmer gold artefacts within the broader art-historical development of mainland Southeast Asia, focusing on their formal,

This publication presents the Youngman Collection of Chinese jades within an art-historical and archaeological framework,

The first publication of the Barnes Foundation’s important and extensive African art collection. The Barnes Foundation is renowned for

Kiki Kogelnik. Hangings is a focused monographic publication dedicated to the artist’s series of life-sized vinyl cut-outs known as

Gold in the Art of West Africa is an exhibition catalogue published in conjunction with a thematic exhibition at the former

The Golden Age of Japanese Okimono: The Dr. A. M. Kanter Collection examines okimono as a distinct sculptural genre within late nineteenth- and early twentieth-century Japanese art.

Über Giacometti reden. Begegnungen mit Eberhard W. Kornfeld und Ernst Scheidegger ist eine gesprächsbasierte Publikation,

Peter Sandbichler: Unpredictable documents the large-scale sculptural installation by Austrian artist

Mecca functions as a critical platform that reflects on Crédac’s curatorial concerns through analysis, commentary,

Chen Zhen: 1991–2000 unrealized is the comprehensive catalogue documenting the unrealized, conceptual and project-based work of

David Claerbout's large-format film projections are characterised by extremely slow-motion image sequences created using computer-generated methods.

Eva Hesse: One More Than One is a comprehensive exhibition catalog and monograph dedicated to the life and work of Eva Hesse (1936–1970)

Joannis Avramidis. Ausstellung Leopold Museum, Wien is the official catalogue for the retrospective exhibition of

This publication accompanies Ai Weiwei’s exhibition Disposition at Lisson Gallery in London, presenting a focused selection of work that

At the core of Nikita Kadan’s practice is a critical engagement with the social and political conditions of the post-communist present and their roots in Soviet

The Scene (Berlin) series consists of a combination of images reflected in a mirror and images obtained by scanning

With “Pleasure, Habeas Corpus, Motoricity. The Great Western Possible”, Robert Estermann is presenting on the occasion of the exhibition

I love to be there near you, so close a rock, so close on the porcelain tile, teëls, ons spore op die grond, ons sweet,

This volume, belonging to the two-part publication accompanying Müller’s exhibition at the Kunsthalle Baden-Baden, is an invitation to

How Do I Make Myself a Body? is a publication centred on the work of Henrik Olesen and the eponymous project that explores concepts of embodiment,

Marcel Broodthaers is “an artist’s artist.” His influence on recent art history cannot be overstated.