Alien Nation documents a body of work by Katrin Plavčak that moves between painting, drawing, and installation.

Sigmund Freud House Bulletin – Special Issue Autumn 1989 is a periodical publication issued by the Sigmund Freud Museum (House of Freud), Vienna.

Tribal Art: Oceania – Asia presents a survey of ritual, ceremonial, and sculptural works from Oceania and selected regions of Asia.

This archival volume brings together key projects and works by the Austrian artist Gertrude Moser-Wagner from 2009 to 2021.

Le présent ouvrage propose une approche inédite sur le sculpteur Jean Amado. Bien au-delà des contributions déjà existantes et souvent inspirées

Everyday life, literature, psychology and art history are important sources of inspiration for the artistic work of Canadian artist Shannon Bool (born in 1972, lives in Berlin).

The publication on Furniture Works focuses on Franz West’s exploration of the boundary between sculpture, design, and use.

Crystallising superstition and belief, serving as an emblem of prestige or glory, and at times functioning as an instrument of seduction,

This volume, on a unique and wide-ranging collection of figural sculptures from sub-Saharan Africa, examines not only each distinctive piece,

This publication will be the only available English-language monograph to date on sixteenth-century sculptor Pier Jacopo Alari Bonacolsi

The first publication of the Barnes Foundation’s important and extensive African art collection. The Barnes Foundation is renowned for

Gold in the Art of West Africa is an exhibition catalogue published in conjunction with a thematic exhibition at the former

Peter Sandbichler: Unpredictable documents the large-scale sculptural installation by Austrian artist

Chen Zhen: 1991–2000 unrealized is the comprehensive catalogue documenting the unrealized, conceptual and project-based work of

Eva Hesse: One More Than One is a comprehensive exhibition catalog and monograph dedicated to the life and work of Eva Hesse (1936–1970)

This publication accompanies Ai Weiwei’s exhibition Disposition at Lisson Gallery in London, presenting a focused selection of work that

At the core of Nikita Kadan’s practice is a critical engagement with the social and political conditions of the post-communist present and their roots in Soviet

Since the early 1990s, the work of Pedro Cabrita Reis (born 1956 in Lisbon) has revolved around themes of the house, habitation, architecture, and territory.

I am. presents a focused exploration of the work of Birgit Jürgenssen, foregrounding questions of identity, self-representation, and the construction of the female body.

Carlo Scarpa was a virtuoso of light, a master of detail, and a connoisseur of materials. Today he is known as a 20th-century master of architecture.

Dieter Roth (1930–1998) is considered one of the most important universal artists of the last century, whose uncompromising appropriation of reality seems more relevant than ever.

Antonio Saura – Die Retrospektive is a comprehensive retrospective catalogue dedicated to the work of Antonio Saura, one of the most influential artists of postwar Spanish abstraction.

Der Ausstellungskatalog zur großen Arman-Retrospektive im Pariser Centre Pompidou und im Baseler Museum Tinguely.

Seit der Antike ist die Maske als Objekt der Verhüllung und Verwandlung des Gesichts unverzichtbares Element des Theaters und des Kultes.

Eduardo Chillida – Writings versammelt Texte, in denen der Künstler über Skulptur, Raum, Material und Wahrnehmung nachdenkt.

In seltener Unabhängigkeit vom Kunstbetrieb entwickelte Robert Breer seit den 1950er Jahren ein vielfältiges und eigenwilliges Œuvre.

Die beiden Bände Divenire und Werden versammeln insgesamt 137 künstlerische Positionen – von der Renaissance bis in die Gegenwart – und eröffnen vielfältige Perspektiven auf Prozesse künstlerischer Entwicklung.

„Prime Suspect“ ist die erste internationale Überblicksschau der schottischen Künstlerin Lucy McKenzie (*1977), die im Museum Brandhorst eine Auswahl bedeutender Werke aus allen wichtigen Werkgruppen von 1997 bis heute präsentiert.

The Complete Papers is the definitive monograph on Thomas Demand, offering an unparalleled overview of his artistic journey spanning nearly three decades.

Materials Lab sits between sculpture, installation, documentation and research. Material Lab is a landscape’ of materials such as silk threads, books, book segments, exhibition catalogues, models, text fragments, magazine pages, inkjet prints, notes, drawings, marble, steel, bricks, dirt, dust and fragments of artworks drawn from

The artist’s works are mounted on panels, sitting on large pieces of veneered furniture placed around the edges of the rooms.

Simone Fattal’s exhibition metaphorS is accompanied by a small publication with an interview with Cecilia Alemani, who showed Fattal’s works in the main exhibition of the Venice Biennale in 2022. A series of black-and-white photographs captures the mood of a spontaneous work meeting with the artist, opening up an intimate space.

Linda Carreiro and Lan “Florence” Yee refute the notion that what cannot be apprehended is worthless. Their glossary may be read as a manifesto encouraging us to pay more attention to the blurs and vagueness of our environments and thoughts, and to our societies’ invisibilities – prompting us to open our creative minds and welcome uncertainties and the unknown with generosity.

Rehousing is the title of a series of works by Peter Friedl which comprises a selection of individual, intricate, and true-to-scale models of houses. Collectively, these structures materialize as constructed environments that reflect the recent past, different biographies, and ideologies in diverse ways; they are “case studies for the mental geography of an alternative modernity.”

In their latest project, done for the Museum Boijmans Van Beuningen, the artist collective Gelatin present gigantic sculptures and costumes on the theme of excrement. This book documents the work's development and includes a poster.

Artists from the kingdom of Kongo—a vast swath of Central Africa that today encompasses the Republic of Congo, the Democratic Republic of Congo, and Angola—were responsible for outstanding creative achievements. With the influx of Portuguese, Dutch, and Italian merchants, missionaries, and explorers, Kongo developed a

Nations and states establish a strong collective image by disseminating symbols of their rulers and erecting monuments and temples. In public spaces, statues in particular are seen to represent systems of political rule. They mark squares, urban nexuses, and mountain ranges--visible from afar. Once erected, they serve as a timeless demonstration of authority, emphasising irrefutable legitimacy.But how is power depicted today? Are statues still a democratically tenable form?

Manifesto per una nuova ceramica [For a Manifesto of the New Ceramics] is born from the necessity to shape a shared feeling, a “trembling,” that crossed the Italian and international ceramics landscape in the past few years. Irene Biolichini, curator and professor, intercepted this sensation and,

The renowned Polish contemporary artist is known for his participatory art projects, figurative sculptures and performative self-portraits.

The protocol for the production of the works presented at Salon du Salon is simple. There is a certain nonchalance, few gestures. These gestures directly question how a work is produced. The stages of development of these works are predefined: visiting museums, taking photographs, opening them on a computer, copying, pasting, adjusting, moving and recording.

Eine umfassende Monografie über Amelie von Wulffen, mit eine Vielzahl neuer Bilder und Skulpturen. Sie beschäftigen sich vor allem mit emotionalen und auch psychoanalytischen Fragestellungen. Dabei interessiert die Künstlerin das Verhältnis von Unbewusstem und Bewusstem, das Mittragen von Traumata oder Schuld, wie auch versteckte Sehnsüchte, Fantasien und die Offenlegung von Scham.

Die Werke von Angelika Loderer könnte man als medienreflexive Skulpturen bezeichnen, insofern als die Künstlerin die Materialeigenschaften und Verarbeitungsprozesse ihrer Werkstoffe als grundlegende Parameter ihrer Arbeit in den Gestaltungsprozess einfließen lässt.

Bevor Franz West ein international anerkannter Künstler wurde – und sein immenses Werk ein Objekt des zunehmenden Interesses für Sammler, Galeristen und Museen weltweit –, arbeitete er jahrelang an der Entwicklung seiner Materialien, Techniken und Bildmotive, in schwierigsten wirtschaftlichen Verhältnissen und weitgehend unbeachtet vom Wiener Kunstmilieu der 60er- und 70er-Jahre.

This volume provides a systematic survey of Alfred Haberpointner’s sculptural production over the past two decades.