The Leporello by Sandra Peters is an object playing with a combination of introductory text paragraphs and signature images documenting her work. Folding and unfolding the pages creates spaces for thinking and reflecting Peters sculptural work which deals with the concept of sensual experiences in two and three dimensions.

The catalogue is published on occasion of the exhibition ‘The Purloined Masterpiece. Images as Time Machines’ at the Paintings Gallery of the Academy of Fine Arts Vienna.

Maximiliane Baumgartner’s Ich singe nicht für Bilder schöne Lieder (I Don’t Sing Beautiful Songs for Pictures) is the first comprehensive publication that contextualizes and traces her artistic practice of the last four years in relation to the fields of painting, action (space) pedagogy, and critical research on the subject of urban planning.

Surreal arrangements of artifacts from skulls and teapots to fried eggs and dirty socks by Théo Mercier. Théo Mercier (born 1984) employs found objects in his photography and sculpture to subvert viewers’ expectations. His inaugural monograph reveals the impressive scope of his oeuvre.