In “Sculptor's Notebook”, originally written in 1985, the artist Pushpamala N evaluates the artistic practice that she had been developing until then. Centred largely around themes of adolescence and womanhood, her sculptures had won her the Sixth Triennale Award and the National Award.

Skinned and Detouched, by Alice Channer, are a pair of books about feelings. They are intended as portals to a single performative stage in the industrial production of two sculptures, and as an imaginative documentation of the multiple embodiments and disembodiments involved.