Sculture e disegni 1984–85 documents an early, concentrated phase in Josef Dabernig’s work, bringing together sculpture and drawing as parallel, method-driven investigations.

History and Other Objects brings together a substantial selection of works by Ekaterina Shapiro-Obermair, ranging across media such as installation, object, photography, and archival engagements.

The first monographic publication by Vienna-based artist Angelika Loderer documents her examination of the definition of sculpture from 2009 to 2019.

Culturefield documents a body of work by Ryan Gander that examines systems of value, cultural production, and institutional framing.

In 1966, when Kuehn first exhibited his group of works entitled ‘Melt Pieces’ at the legendary Bianchini Gallery in New York, he wrote in his sketchbook: ‘Butter in the sun.

With “Pleasure, Habeas Corpus, Motoricity. The Great Western Possible”, Robert Estermann is presenting on the occasion of the exhibition

This volume, belonging to the two-part publication accompanying Müller’s exhibition at the Kunsthalle Baden-Baden, is an invitation to

The publication explores artistic practice as an open-ended process grounded in experimentation, testing, and provisional structures.

Ellsworth Kelly: New Paintings / Sculpture for a Large Wall, 1957 documents an important moment in the career of Ellsworth Kelly, focusing on two interrelated facets of his work:

Wordless: The Performance Art of Rebecca Belmore is a comprehensive publication dedicated to the performance practice of Rebecca Belmore.

The Weight of the Concrete focuses on a central aspect of Ezio Gribaudo’s practice: an investigation of materiality, imprint, and physical presence.

Ai Weiwei: Interlacing offers an in-depth look at the artist’s photographic and video-based work, highlighting his use of media as tools of social observation and political critique.

After. Inspired by an Atlas of Leprosy is a fascinating concept book by Lucy McKenzie that explores cultural appropriation and colonial narratives.

The trilingual exhibition publication is composed of nine chapters in one volume.

Kasia Fudakowski, eine junge, britisch-polnische Künstlerin, präsentiert ein humorvolles Projekt, das mit der Ästhetik und Ikonografie der Immobilienbranche spielt.

Simon Dennys Interesse gilt der Entwicklung und den Widersprüchen unserer durch und durch mediatisierten Gesellschaft. Der 2012 mit dem Baloise Kunst-Preis ausgezeichnete Künstler untersucht die ästhetischen Verwandlungen von Fernsehgeräten und anderen Telekommunikationsdisplays im Lauf der letzten Jahrzehnte,

Heimo Zobernig’s contribution to the Venice Biennial responds directly to the existing exhibition situation in the Austrian Pavilion, built in 1934 based on plans by Josef Hoffmann and Robert Kramreiter. The Pavilion’s structure, with its rounded classical arches and majestic visual axes, on the one hand, and clear, rational forms and modern construction materials, on the other, moves between the poles of historicism and modernism. At the same time, Zobernig’s intervention connects inside and outside, to create an enclosed site where one can linger and reflect on human presence in space.

The work of the sculptor Rachel Harrison is both the zeitgeist and the least digestible in contemporary art. It may also be the most important, owing to an originality that breaks a prevalent spell in an art world of recycled genres, styles, and ideas.&;&;Peter Schjeldahl, The New Yorker

threedscans.com is an archive of downloadable 3D scans initiated in 2012 by Oliver Laric. All scans are free to use without copyright restrictions. This book compiles examples of the scans in use.

“Modernism/Murderism”, translated by Vasvi Oza, brings together, for the first time in English, a forgotten debate on Modern Art that took place in the pages of the Gujarati-language periodical “Kumar” between 1959 and 1964.

"Short Term Eternity" brings together two artists – Gordon Matta-Clark (1943–1978, USA) and Anu Vahtra (1982, Estonia) – whose practices are related to each other in many ways, even if they are born in different times and locations. The aim of the book is not

Andy Boots Werk überbrückt die schwierige Grauzone zwischen dem Fassbaren und dem Digitalen. In seinen gleichermaßen konzeptuellen wie poetischen Objekten und Gemälden gelingt es dem Künstler, Ideen, Orte und Prozesse zu verwirklichen, die sonst in einer Welt, die sich zu oft blind auf Technologie verlässt, verborgen geblieben wären. Wir unterhielten uns mit Andy Boot über seinen Umzug von Australien nach Österreich, seine Faszination für Blockchain und natürlich über das konzeptuelle Fundament seiner Arbeit.

Mit ihrer starken Präsenz entwickeln die Skulpturen einen wesenhaften, körperlichen Charakter und lenken die Aufmerksamkeit darauf, wie sich die Dinge, der Raum und wir als Betrachter_innen zueinander verhalten.

THE EXHIBITION took place over a period of four weeks at KIT – Kunst im Tunnel, Düsseldorf. During this time, the space was continuously transformed; works were installed, dismantled, and documented.

Feuersteins Buch ist eine unüberschaubare Einführung in die Parallelwelten der "Mediatisierung, Kybernetisierung, Biopolitik und Identitätspolitik" (Reinhard Braun).

The main exhibition is a solo presentation of the work of artist and critic Ronald Jones (b. 1952,
United States) and is curated by artist Jason Dodge and Krist Gruijthuijsen, director of the Grazer
Kunstverein. Ronald Jones gained prominence in New York during the mid-1980s by using
disparate formal and minimal languages to explore

This catalogue accompanies Joel Shapiro’s expansive installation in the skylit main hall of Museum Ludwig, where fifteen vividly painted wooden beams are suspended in space.

Peter Senoner develops a speculative form of portraiture. His figures—at once archaic and futuristic—read less as characters than as prototypes.

Der Katalog "Room to Move" versucht eine Gestalt aufzunehmen, die aus einer zeitlichen Distanz eine vergangene Ausstellung nochmal aufspürt und erkundet.

Emerging from the collaboration between artist Jason Dodge and poet Matthew Dickman, this book operates at the

Das Katalogbuch enthält Beiträge von Johanna Burton, Yilmaz Dziewior und Beate Söntgen, die die kunsthistorische Bedeutung Trockels wie auch ihren Standort in der Gegenwartskunst beleuchten.