Eduardo Chillida – Writings versammelt Texte, in denen der Künstler über Skulptur, Raum, Material und Wahrnehmung nachdenkt.

At the core of the work is an understanding of art as spatial experience and as a process that unfolds through bodily perception and movement.

In the fall of 2014, the internationally acclaimed Danish-Icelandic artist Olafur Eliasson (born 1967) presented the major solo exhibition Riverbed at the Louisiana Museum of Modern Art in Denmark.

Among the elements of Hanne Darboven's title homage are "Picassoesque" hand-painted frames used by a Polish company on reproductions of Woman in Turkish Dress, and a brass goat, which her own goat Micky may have co-created.

This catalogue documents the most important films, collages and sculptures of Austrian artist Hans Schabus (born 1970), made between 1999 and 2011.

The decisive factor in Meina Schellander's work is not only her open-mindedness and curiosity about other achievements, but also her strict unwillingness to compromise.

Nach der Dokumentation über die 50er Jahre setzt das MUSA mit Ausstellung und Katalog die Aufarbeitung der Sammlung zeitgenössischer Kunst der Stadt Wien fort.

In seltener Unabhängigkeit vom Kunstbetrieb entwickelte Robert Breer seit den 1950er Jahren ein vielfältiges und eigenwilliges Œuvre.

Seine Herkunft aus fernen unbekannten Ländern, seine Seltenheit und faszinierende Oberflächenbeschaffenheit machten das Elfenbein im Barock zu einer großen Kostbarkeit.

METABOLICA takes us into the factory of life and tells a molecular story about metabolic cycles in five chapters—from the Industrial Revolution to the present and future, from whaling and petro-modernism to current and future scenarios of the bioeconomy.

Be Like Water brings together for the first time a large selection of artworks made by Anouk Kruithof over twenty years (2002–23).

This publication accompanies the first major American retrospective of Donald Judd’s work in over three decades.

Elizabeth Catlett’s work is defined by its deep engagement with social justice, Black identity, and the dignity of women’s lives.

The catalogue raisonné of Miró’s ceramic works marks the continuation of the comprehensive documentation of his oeuvre: following the four-volume catalogue of his graphic work, the six volumes dedicated to his paintings, and the volume on his sculpture.

Die beiden Bände Divenire und Werden versammeln insgesamt 137 künstlerische Positionen – von der Renaissance bis in die Gegenwart – und eröffnen vielfältige Perspektiven auf Prozesse künstlerischer Entwicklung.

Celebrated for his fusion of performance, video, and sculpture, Matthew Barney has long been known for constructing dense, mythic narratives that unfold across entire bodies of work.

Ai Weiwei: Interlacing offers an in-depth look at the artist’s photographic and video-based work, highlighting his use of media as tools of social observation and political critique.

Congo as Fiction: Art Worlds Between Past and Present explores the vibrant and complex artistic landscape of the Democratic Republic of the Congo.

Carsten Nicolai's art unfolds as a spatial investigation of form, structure, and perception.

”I see my autobiography as an arbitrary segment of so many pages of time, of things that I have paid attention to at this point in my life,”

The catalog Global Joy by Lucy McKenzie, published in 2002 by Galerie Buchholz, documents the artist's solo exhibition of the same name in Cologne in 2001.

After. Inspired by an Atlas of Leprosy is a fascinating concept book by Lucy McKenzie that explores cultural appropriation and colonial narratives.

„Prime Suspect“ ist die erste internationale Überblicksschau der schottischen Künstlerin Lucy McKenzie (*1977), die im Museum Brandhorst eine Auswahl bedeutender Werke aus allen wichtigen Werkgruppen von 1997 bis heute präsentiert.

This compelling collection invites readers to explore the world of Derek Jarman (1942-94), one of the most influential and pioneering cultural figures of the postwar era.

The Complete Papers is the definitive monograph on Thomas Demand, offering an unparalleled overview of his artistic journey spanning nearly three decades.

Mundo de Papel is an ambitious and innovative pop-up book that brings Thomas Demand’s sculptural imagination to life through the medium of paper.

This publication was developed alongside the exhibition Spezialschule für Bildhauerei and focuses on the history of the sculpture building located in Vienna’s Prater, which has been part of the Academy of Fine Arts Vienna since its inauguration in 1913.

Equilibrio traces the deep resonance between Linda Karshan’s drawing practice and the geometric rhythms of Venetian art and architecture.

Spielerisch leicht und humorvoll setzt sich Claus Richter mit der Bildwelt des Science-Fiction-Films auseinander.

The publication Secessionism and Abstraction: Austrian Art 1900–1930, published by Galerie Metropol, Vienna (1989), accompanied an exhibition of the same name that examined the development of Austrian art from the Vienna Secession to abstraction.

This edition arises from a sustained dialogue between Franz West and psychoanalyst Georg Gröller, shaped by years of conversation, correspondence, and critical reflection on West’s writings.

This book compiles research produced at five 'A School for Design Fiction' workshops at London College of Communication (London),

The American artist Thomas Stearns (1936-2006) collaborated with the Venini glassworks as guest designer between 1960 and 1962.

Le Livre Art Publishing is excited to announce the release of “Julio Le Parc”, the most comprehensive monograph on the renowned Argentinian artist to date.

A book that looks at the work of John Newling over four decades. The book includes images of rarely seen work and documentation of early practice.

The trilingual exhibition publication is composed of nine chapters in one volume.

Kasia Fudakowski, eine junge, britisch-polnische Künstlerin, präsentiert ein humorvolles Projekt, das mit der Ästhetik und Ikonografie der Immobilienbranche spielt.

Marcel Duchamp (1887–1968), France, active in United States, Box in a Valise from or by Marcel Duchamp or Rrose Sélavy (Boîte-en-valise de ou par Marcel Duchamp ou Rrose Sélavy), conceived 1935–41, edition E assembled in Paris in 1963, green linen imitation leather covered box containing mixedmedia assemblage/collage of miniature replicas, photographs, and

Materials Lab sits between sculpture, installation, documentation and research. Material Lab is a landscape’ of materials such as silk threads, books, book segments, exhibition catalogues, models, text fragments, magazine pages, inkjet prints, notes, drawings, marble, steel, bricks, dirt, dust and fragments of artworks drawn from

Die Kunst von Sandra Peters eröffnet Bezüge zwischen Skulptur, Architektur, Sound und bewegtem Bild. Anspielungen auf historisch Bekanntes werden in ihren Arbeiten zur Anregung für die Imagination des Betrachters. Ihre Werke erzeugen

The artist’s works are mounted on panels, sitting on large pieces of veneered furniture placed around the edges of the rooms.

Casa Barragán, built in 1948 by famed Mexican architect Luis Barragán as his private residence and studio, is today considered a landmark of modern architecture. It is filled with all of the artworks and artifacts that Barragán placed in it during his lifetime, faithfully kept as they were when the residence was inhabited by its author. Recognizing the special regard

This book, which brings together for the first time the entire series of films around the figure of Neanderthal Man produced by Nathaniel Mellors since 2012, is also the only monograph currently in circulation on the work of this British artist, since the catalogue The Aalto Natives – A Transcendental Manual published in

How do we draft a life, make of it a project, do our daily work? In what material and language does it arrive to us? And what if but it is done with one’s own body, and that body becomes this material but not the subject? Villiger’s autofictions––whether sculpture or image, human or vegetal body––prompt such queries.

Simon Dennys Interesse gilt der Entwicklung und den Widersprüchen unserer durch und durch mediatisierten Gesellschaft. Der 2012 mit dem Baloise Kunst-Preis ausgezeichnete Künstler untersucht die ästhetischen Verwandlungen von Fernsehgeräten und anderen Telekommunikationsdisplays im Lauf der letzten Jahrzehnte,

Simone Fattal’s exhibition metaphorS is accompanied by a small publication with an interview with Cecilia Alemani, who showed Fattal’s works in the main exhibition of the Venice Biennale in 2022. A series of black-and-white photographs captures the mood of a spontaneous work meeting with the artist, opening up an intimate space.

The Fountains of Za'atari is the articulated project that artist Margherita Moscardini has been developing since 2015 from her study of refugee camps as urban realities meant to last. The Za'atari camp was established in 2012 in a semi-desert area north of Jordan to accommodate Syrians fleeing the war and is still recognized, by extension,

Linda Carreiro and Lan “Florence” Yee refute the notion that what cannot be apprehended is worthless. Their glossary may be read as a manifesto encouraging us to pay more attention to the blurs and vagueness of our environments and thoughts, and to our societies’ invisibilities – prompting us to open our creative minds and welcome uncertainties and the unknown with generosity.

In December 2022, a group of sculptures by Franz West was erected on Esteplatz in Vienna-Erdberg, the location of his last studio in Vienna. From the very beginning of his artistic career, Franz West questioned the view that art objects can only be viewed reflectively. Even his earliest sculptural works, created from the mid-1970s onwards and later called Passstücke, were intended to actively involve the viewer as an equal counterpart in the process of experiencing art. The Passstücke were to be taken off the plinth and "used" - only this

The ceramics collection at the Victoria and Albert Museum is among its greatest glories, unrivalled in its range, diversity and global reach.

Nordic Iron Age Art has survived in the precious metals gold, silver and bronze in the form of jewellery, brooches, weapon accessories and other utility objects. In the first centuries of our time, art was dominated by the inspiration from Roman and Classical art,

The Norwegian archaeologist Bente Magnus describes the historical and social conditions of myths and art: ornaments and animals with masks and human representations, plants as jewelry, weapons, utensils made of gold, silver and bronze. The tradition continues in Nordic art right up to the stave churches.

Rehousing is the title of a series of works by Peter Friedl which comprises a selection of individual, intricate, and true-to-scale models of houses. Collectively, these structures materialize as constructed environments that reflect the recent past, different biographies, and ideologies in diverse ways; they are “case studies for the mental geography of an alternative modernity.”

The publication accompanying the exhibition testing grounds reflects Katrin Hornek’s artistic approach, which is based on interdisciplinary research and collaboration. This new, immersive installation deals with the measurable global evidence of radioactive radiation as a result of hundreds of above-ground nuclear weapons tests since 1945. Screenshots of chat histories and

In their latest project, done for the Museum Boijmans Van Beuningen, the artist collective Gelatin present gigantic sculptures and costumes on the theme of excrement. This book documents the work's development and includes a poster.

Heimo Zobernig’s contribution to the Venice Biennial responds directly to the existing exhibition situation in the Austrian Pavilion, built in 1934 based on plans by Josef Hoffmann and Robert Kramreiter. The Pavilion’s structure, with its rounded classical arches and majestic visual axes, on the one hand, and clear, rational forms and modern construction materials, on the other, moves between the poles of historicism and modernism. At the same time, Zobernig’s intervention connects inside and outside, to create an enclosed site where one can linger and reflect on human presence in space.

Ein umfangreicher Ausstellungskatalog, der gleichzeitig die erste umfassende Monographie zum Werk einer der wichtigsten Künstlerinnen ihrer Generation in Osteuropa darstellt. Seit den 1960er Jahren gehört Ana Lupaș zu den wichtigsten Künstlerinnen ihrer Generation in Osteuropa. In ihrem Werk finden sich zahlreiche

Dia Art Foundation commissioned Thomas Hirschhorn to build Gramsci Monument, an excessive outdoor sculpture that measured 8,000 square feet and was located on the grounds of Forest Houses,in New York (Bronx). On display for 77 days, with daily and weekly events organized by the artist, Gramsci Monument concluded Hirschhorn’s series of “monuments” dedicated to philosophers, which began in 1999.

While the industrial revolution of the nineteenth century diminished the role of the craftsperson in the manufacturing process, the digital revolution has had a less devastating effect. Today’s digital technologies have given rise to entirely new working methods, skill sets, and consumer products that don’t eliminate, but enrich traditional hand techniques.