This volume, belonging to the two-part publication accompanying Müller’s exhibition at the Kunsthalle Baden-Baden, is an invitation to

How Do I Make Myself a Body? is a publication centred on the work of Henrik Olesen and the eponymous project that explores concepts of embodiment,

Marcel Broodthaers is “an artist’s artist.” His influence on recent art history cannot be overstated.

Albrecht und Zeitgenossen: Positionen österreichischer Bildhauerei seit 1945 bietet einen konzentrierten Überblick über zentrale Entwicklungen der österreichischen Skulptur nach dem Zweiten Weltkrieg.

Light & Noise. Objects & Installations focuses on the artistic practice of Alfred Resch, in which light and sound function as sculptural and spatial materials.

Famed for his works of physicality compounded by breathtaking size and weight, Richard Serra is one of the artists at the forefront of contemporary sculpture.

From 1960 to 1969, the City of Vienna acquired around 3,100 works of art, and almost 500 mosaics, sculptures and playground sculptures were created.

Sculptures and Installations 1979–2007 offers a comprehensive view of Robert Gober’s sculptural practice, foregrounding his transformation of

Since the early 1990s, the work of Pedro Cabrita Reis (born 1956 in Lisbon) has revolved around themes of the house, habitation, architecture, and territory.

The publication explores artistic practice as an open-ended process grounded in experimentation, testing, and provisional structures.

I am. presents a focused exploration of the work of Birgit Jürgenssen, foregrounding questions of identity, self-representation, and the construction of the female body.

The publication is dedicated to the work and thinking of Wolf Vostell and presents his practice as a radical fusion of art, life, politics, and media critique.

Carlo Scarpa was a virtuoso of light, a master of detail, and a connoisseur of materials. Today he is known as a 20th-century master of architecture.

Das Buch stellt das skulpturale Denken von Constantin Brancusi und Richard Serra in einen konzeptuellen Dialog, der sich über Zeit, Maßstab und Material entfaltet.

An intimate study of the friendship and creative dialogue between two artists, offering an in-depth understanding of their work and the upheavals of 1960s New York

Dieter Roth (1930–1998) is considered one of the most important universal artists of the last century, whose uncompromising appropriation of reality seems more relevant than ever.

The publication documents an artistic practice that is fundamentally process-based, materially experimental, and resistant to stable form.

Eva Hesse: Catalogue Raisonné. Paintings and Sculpture is the authoritative scholarly catalogue of Eva Hesse’s work in these media.

Antonio Saura – Die Retrospektive is a comprehensive retrospective catalogue dedicated to the work of Antonio Saura, one of the most influential artists of postwar Spanish abstraction.

Ellsworth Kelly: New Paintings / Sculpture for a Large Wall, 1957 documents an important moment in the career of Ellsworth Kelly, focusing on two interrelated facets of his work:

The Sculptures 1956–2007 provides a comprehensive survey of the sculptural work of Bruno Gironcoli, spanning more than five decades of artistic production.

Universalsystem zur Darstellung von allem ist ein zentrales konzeptuelles Werk von Ilya Kabakov, in dem Ordnung, Klassifikation und Erklärung selbst zum Gegenstand der künstlerischen Arbeit werden.

The Russian artist Ilya Kabakov is widely known for his large-scale installations that combine narrative, architecture, and social commentary.

Japanese dolls (ningyo) have played an important role in Japanese art and culture since its earliest stages of development, as talismanic figures, centerpieces,

Gabriel Orozco ist eine umfassende Monografie über das vielschichtige Werk des mexikanischen Künstlers Gabriel Orozco.

Dance: Sculpture and Watercolor presents a focused exploration of movement, corporeality, and psychological tension in the work of Eric Fischl.

Since its birth in the first half of the nineteenth century, photography has provided an unprecedented way to analyze works of art for further study.

Der Ausstellungskatalog zur großen Arman-Retrospektive im Pariser Centre Pompidou und im Baseler Museum Tinguely.

Wordless: The Performance Art of Rebecca Belmore is a comprehensive publication dedicated to the performance practice of Rebecca Belmore.

The Weight of the Concrete focuses on a central aspect of Ezio Gribaudo’s practice: an investigation of materiality, imprint, and physical presence.

Seit der Antike ist die Maske als Objekt der Verhüllung und Verwandlung des Gesichts unverzichtbares Element des Theaters und des Kultes.

Eduardo Chillida – Writings versammelt Texte, in denen der Künstler über Skulptur, Raum, Material und Wahrnehmung nachdenkt.

At the core of the work is an understanding of art as spatial experience and as a process that unfolds through bodily perception and movement.

In the fall of 2014, the internationally acclaimed Danish-Icelandic artist Olafur Eliasson (born 1967) presented the major solo exhibition Riverbed at the Louisiana Museum of Modern Art in Denmark.

Among the elements of Hanne Darboven's title homage are "Picassoesque" hand-painted frames used by a Polish company on reproductions of Woman in Turkish Dress, and a brass goat, which her own goat Micky may have co-created.

This catalogue documents the most important films, collages and sculptures of Austrian artist Hans Schabus (born 1970), made between 1999 and 2011.

The decisive factor in Meina Schellander's work is not only her open-mindedness and curiosity about other achievements, but also her strict unwillingness to compromise.

Nach der Dokumentation über die 50er Jahre setzt das MUSA mit Ausstellung und Katalog die Aufarbeitung der Sammlung zeitgenössischer Kunst der Stadt Wien fort.

In seltener Unabhängigkeit vom Kunstbetrieb entwickelte Robert Breer seit den 1950er Jahren ein vielfältiges und eigenwilliges Œuvre.

Seine Herkunft aus fernen unbekannten Ländern, seine Seltenheit und faszinierende Oberflächenbeschaffenheit machten das Elfenbein im Barock zu einer großen Kostbarkeit.

METABOLICA takes us into the factory of life and tells a molecular story about metabolic cycles in five chapters—from the Industrial Revolution to the present and future, from whaling and petro-modernism to current and future scenarios of the bioeconomy.

Be Like Water brings together for the first time a large selection of artworks made by Anouk Kruithof over twenty years (2002–23).

This publication accompanies the first major American retrospective of Donald Judd’s work in over three decades.

Elizabeth Catlett’s work is defined by its deep engagement with social justice, Black identity, and the dignity of women’s lives.

The catalogue raisonné of Miró’s ceramic works marks the continuation of the comprehensive documentation of his oeuvre: following the four-volume catalogue of his graphic work, the six volumes dedicated to his paintings, and the volume on his sculpture.

Die beiden Bände Divenire und Werden versammeln insgesamt 137 künstlerische Positionen – von der Renaissance bis in die Gegenwart – und eröffnen vielfältige Perspektiven auf Prozesse künstlerischer Entwicklung.

Celebrated for his fusion of performance, video, and sculpture, Matthew Barney has long been known for constructing dense, mythic narratives that unfold across entire bodies of work.

Ai Weiwei: Interlacing offers an in-depth look at the artist’s photographic and video-based work, highlighting his use of media as tools of social observation and political critique.

Congo as Fiction: Art Worlds Between Past and Present explores the vibrant and complex artistic landscape of the Democratic Republic of the Congo.

Carsten Nicolai's art unfolds as a spatial investigation of form, structure, and perception.

”I see my autobiography as an arbitrary segment of so many pages of time, of things that I have paid attention to at this point in my life,”

The catalog Global Joy by Lucy McKenzie, published in 2002 by Galerie Buchholz, documents the artist's solo exhibition of the same name in Cologne in 2001.

After. Inspired by an Atlas of Leprosy is a fascinating concept book by Lucy McKenzie that explores cultural appropriation and colonial narratives.

„Prime Suspect“ ist die erste internationale Überblicksschau der schottischen Künstlerin Lucy McKenzie (*1977), die im Museum Brandhorst eine Auswahl bedeutender Werke aus allen wichtigen Werkgruppen von 1997 bis heute präsentiert.

This compelling collection invites readers to explore the world of Derek Jarman (1942-94), one of the most influential and pioneering cultural figures of the postwar era.

The Complete Papers is the definitive monograph on Thomas Demand, offering an unparalleled overview of his artistic journey spanning nearly three decades.

Mundo de Papel is an ambitious and innovative pop-up book that brings Thomas Demand’s sculptural imagination to life through the medium of paper.

On the History of the Sculpture Building at the Academy of Fine Arts Vienna.

Equilibrio traces the deep resonance between Linda Karshan’s drawing practice and the geometric rhythms of Venetian art and architecture.

Spielerisch leicht und humorvoll setzt sich Claus Richter mit der Bildwelt des Science-Fiction-Films auseinander.