Neither. Die Musik Morton Feldmans ist eine umfassende musikwissenschaftliche Studie von Sebastian Claren, die sich mit den kompositorischen Strategien und dem ästhetischen Denken von Morton Feldman auseinandersetzt.

This publication originates from a collaboration with David Aerne, a color scientist and long-term creative partner. Together, we explored generative gradients and examined what happens when color becomes the primary structural parameter of an artwork.

Pünktlich zum 50. Jubiläum der Wiedereröffnung der Wiener Staatsoper nach dem Zweiten Weltkrieg erscheint dieser opulent gestaltete und durchgehend illustrierte Band des Verlegers,

At the center of this work is a critical engagement with the military training area of Allensteig in Lower Austria, a site marked by forced displace

“I'VE KNOWN RIVERS” is a one song book. The writings are flooded with graphics. The title and the quoted text are by Gary Bartz. “I've known rivers” is the title track of his live album recorded in 1973.

Catalogue published in connection with the Control+C Festival (Carpi, Italy, December 2009), developed as a project by Studio Blanco.

Die Publikation bietet den Versuch einer umfassenden Bestandsaufnahme der Kunstproduktion in der Steiermark zwischen 1970 und 1995.

Die Publikation widmet sich Gustav Mahler im Kontext seiner kulturellen, gesellschaftlichen und musikhistorischen Verortung um 1900.

As a reaction to the dominant effect and interpretive authority of the digital, Data Loam combines radical approaches based on positions taken in the international practice of contemporary art.

Gustav Mahler und Wien – „Leider bleibe ich ein eingefleischter Wiener“ ist der Ausstellungskatalog zur gleichnamigen Schau i

Die Publikation erscheint in einem eleganten Schuber, der vier Booklets enthält, ein Paperback und ein gefaltetes Catalogue Raisonné-Poster mit den Cover aller Björk-Alben

Hope is a multimedia artist publication by Lara Baladi consisting of a CD and a 60-page A5 photography book.

David Claerbout's large-format film projections are characterised by extremely slow-motion image sequences created using computer-generated methods.

This volume explores the curious afterlives of the floppy disk in the 21st century through the work of those involved with the medium today.

The English edition of “Notes on Space”, first published in Estonian, in collaboration of Lugemik and Theater NO99 in 2012 to celebrate

What changes when we religiously worship the toxic? I

Edited and assembled around collaborative and intermedia practices in sound, code, and visual representation,

On the Water. Palisade Bay is the result of an initiative by engineers, architects, landscape architects, urban planners and students to jointly design a so-called

Die künstlerische Arbeit von Peter Kotauczek speist sich aus einer seltenen Doppelperspektive: unternehmerische Praxis und eigenständiges Denken bilden keinen Widerspruch,

The publication explores artistic practice as an open-ended process grounded in experimentation, testing, and provisional structures.

Die Publikation widmet sich einer musealen Sammlung, die aus mehreren privaten und institutionellen Beständen zusammengeführt wurde und als vielschichtiger Resonanzraum der jüngeren Kunstgeschichte gelesen werden kann.

Before John Cage (1912-1992), there was hardly anyone as consistent as he was in questioning the boundaries of music and its connections to other fields of art and the everyday world.

Since 2001, we have worked closely with the artist collective Gelitin as publishers, producing numerous publications.

Das Werk der Österreichisch-britischen Exilfotografin Edith Tudor-Hart (1908–1973) wird im Bildband »Ein klarer Blick in turbulenten Zeiten«

In 1911, Agust Klipstein and his friend Charles-Édouard Jeanneret (the later Le Corbusier) set off on a seven-month trip to “the Orient”.

Die Neuen Medien sind selbstverständlicher Bestandteil unseres Alltags geworden.

You’ll Never Watch Alone: The Screen as a Place of Work deals with one pressing issue within the hypercapitalist system that prevails globally: the screen as a workspace, an infrastructure, and a veil that renders workers largely invisible.

A FIELD GUIDE TO THE SNOWDEN FILES is the first book to critically engage with artists responding to the NSA-files leaked by whistle blower Edward Snowden. Considering the most

This album presents the musical component of Kiluanji Kia Henda’s performance and installation “Resetting Birds’ Memories,” commissioned by the International Film Festival Rotterdam (IFFR) in 2021.

From 1967 up until his recent death, the British sculptor and Pop art innovator Eduardo Paolozzi (1924–2005) used the pages of the innovative British literary magazine

Silent Works – The Hidden Labor in AI-Capitalism explores the often invisible human labor behind artificial intelligence and digital infrastructures.

The title 272 pages minus 232 equals celluloid refers to a process of subtraction, transformation, and recontextualization.

Microinternational was an informal yet influential network of artists active between 1993 and 1999, primarily organized by Kevin Hanley and Jonathan Kroll.

THIS CASSETTE IS RELEASED ON THE OCCASION OF VASCO CESARETT'S "CAR DOOR" INSTALLATION.

Lebanese artist Walid Raad is one of the leading artists of his generation and an influential voice in art from the Middle East.

The catalogue raisonné of Miró’s ceramic works marks the continuation of the comprehensive documentation of his oeuvre: following the four-volume catalogue of his graphic work, the six volumes dedicated to his paintings, and the volume on his sculpture.

Artisan craft is quickly evolving to combine handwork with machine technology, providing unlimited possibilities for customization.

You'll Never Watch Alone: The Screen as a Place of Work addresses a pressing issue within today’s dominant hypercapitalist system:

For over two decades, Amelie von Wulffen has been developing a body of work that is formally and stylistically diverse – including collages, installations, animated films, drawings, sculptures, and painting.

Spielerisch leicht und humorvoll setzt sich Claus Richter mit der Bildwelt des Science-Fiction-Films auseinander.

Das Heft untersucht, wie Fotos sich heute online verbreiten und wem sie gehören. Drei prägnante Aufsätze erklären –

INTERVIEW MIT PASOLINI ist das gezeichnete Tagebuch einer Initiationsreise in Pasolinis Welt. Davide Toffolo, Illustrator, Autor und Frontman der italienischen Art-Rock- Band »Tre Allegri Ragazzi Morti«,

In the search for new ways of experiencing sound, this book describes a path from music to the visual arts.

Derived from the same series of compositions, Dissolvè and Scillions are drawn from modular synthesizer recordings which have been reworked, treated and composed in the computer.

This carefully designed and produced monograph on the anglo-american artist seeks to lay bare the imaginary that underlies his work, from Landscape for Fire (1972) to the presentation of his latest piece Coming About (2016).

Yannick Dauby is a french sound artist based in Taiwan since 2007. He relentless explores the soundscapes of his adopted island through field recording,

Rural is the first release in the Continuous Tone series of sound works by visual artists. Each project is issued as a one-off heavy pressing 12-inch vinyl record with carefully designed packaging and specially commissioned sleeve notes inserted as an 10-page illustrated information booklet.

“La Danza del Agua” (The Dance of Water) is an eclectic musical journey through Latin American experimentalism – a sort of unofficial companion to the Anthologies of Atypical Portuguese Music volumes but focussing on South American music themes instead.

LP edition of 2012’s tape Dies Irae. Re-mastered for vinyl and with new artwork by Belgium artist, Elzo Durt.

Featuring members of punk band Scrambled Eggs and free improv unit "A" Trio, this band from Lebanon has a style that includes elements of punk, krautrock, free jazz and improvisation.

INFO is pleased to announce Remain Calm, an LP and booklet cataloguing Nile Koetting’s performative installation and its immersive soundtrack produced in collaboration with Nozomu Matsumoto and Miriam Stoney.

First split LP in a brand new series of collaborations, pairing artists working on the fringes- or not at all. This first split pairs Brighton’s Blood Stereo’s tape gonk with Hair & Treasure’s farm life loops.

ABCDLP002 - Short Big Drama, 2012 was written and composed by George van Dam.

GRITTY, ODD & GOOD is a new weird, pseudo-music compilation curated by avant-garde experimental composer and audio artist Francisco López.

But “Ruído(s)” doesn’t sound like an intentional one. You won’t listen to it on any of the thirteen tracks that scavenge for a solution in the space between ambient music and field recordings.

Ross Alexander first came to our attention with Memorias Vol.1 – Bugandan Sacred Places, released back in 2017 on Sucata Tapes, it featured a mind altering mix of recorded sounds from a series of

Outsider Portuguese artist Filipe Felizardo delivers a singular album of 21st century loner folk from the confines of his apartment.

Gerard Gormley is an Irish composer and sound artist whose work explores the actual and latent sonic potentials of spaces, buildings, and sites. His work evolves through various experimental processes that explore sound in relation to space, place, and architecture.

Offset print, compact disc with PowerPoint song (Woog Riots), edition of 25. Since the late 1990s, Michael Riedel has advanced his own model of a self-sustaining artistic production, continuously using reproductions as a means to "reintroduce the system of art into the art system."

Nicolas Metall 'Growing ideas of falling generations' is the first record of Nicolas Mallet, guitarist and electronic musician based in Berlin. A perfect project to dance with ghosts, HAL 9000 psychanalising JS Bach in a psychiatric hospital along a Motorway.
Double LP, Art work by Nicolas Moulin, Music, lyrics, written and performed by Nicolas Metall, Nicolas Metall : synthesizers, analog drums, lyrics and vocals