GTR#009, BRUME, Mother Blast, Double LP, All tracks written by Christian Renou, Mixed and produced by Brume at Brume Rec. 1985–2014 Brume (Christian Renou) is a prolific French musique concrete composer/sound sculptor who has won himself a place of his own with his crossover between sound collages,

Mixed and produced by Frederic Bigot at the Padded Cell in Berlin. February 2013, Mastered by Norsq, Front, back and inside sleeve: Nicolas Moulin

RAVI SHARDJA, « Grün ist grau », composed and played by french musician Ravi Shardja (GOL) with participation of Jean Marcel Busson (GOL) and Frederic Rebotier.

No Martyr: San Francisco Punk Posters 1976–1981 is a comprehensive visual anthology capturing the raw energy and DIY spirit of the Bay Area punk scene during its formative years.

Weiner's later work expanded into wall installations, video, film, books, sound art, sculpture, performance art, installation art, and graphic art, maintaining his focus on language as a sculptural element.

Lecture on Nothing is a recording of John Cage’s original text (of the same title) as read by a deaf performer.

Short bursts of sound produced with my own voice traverse the space.

Susan Philipsz is one of the internationally most renowned contemporary artists. Her art explores the boundaries between sculpture and sound, between materiality and immateriality.

Erika Hirose is a miso brewer based in Rotterdam in the Netherlands.

Immer mehr Museen öffnen sich nach langer Tabuisierung für einen transparenten Umgang mit Fälschungen, tauschen Erkenntnisse aus und entscheiden sich – falls notwendig – Werke aus der Sammlung abzuschreiben.

Wie verändern digitale, lernende Technologien unsere Arbeit, unser Zusammenleben und unsere Möglichkeiten der Selbstbestimmung? Künstliche Intelligenz (KI) ist längst nicht mehr nur ein Thema der Science-Fiction. In unser aller Alltag steckt mehr KI, als es vielen bewusst ist: in Sprachassistenten und Navigationssystemen, auf Social-Media-Plattformen und Streamingdiensten, in Verwaltungsabläufen und Überwachungstechnologien.

@shouseRCA and @shousetanlin are two publications from their respective Twitter accounts. Each account was one of the two voices of the statementhouse (temporary title) built at the Royal College of Art in London in 2015.

What does it mean to process field recordings from the Ukrainian war in an electronic music track?

The first book of the online-network Norient discusses contemporary movements and trends within globalised music scenes in Europe, Africa, Latin-America, Asia and the US.

While the industrial revolution of the nineteenth century diminished the role of the craftsperson in the manufacturing process, the digital revolution has had a less devastating effect. Today’s digital technologies have given rise to entirely new working methods, skill sets, and consumer products that don’t eliminate, but enrich traditional hand techniques.

Artists from the kingdom of Kongo—a vast swath of Central Africa that today encompasses the Republic of Congo, the Democratic Republic of Congo, and Angola—were responsible for outstanding creative achievements. With the influx of Portuguese, Dutch, and Italian merchants, missionaries, and explorers, Kongo developed a

Hans G Helms hat zwischen 1959 und 1968 drei Sprachkunstwerke geschaf- fen, die zu den fortschrittlichsten ihrer Gattunggehören:

Movement Notation is considered the first publication of the "Eshkol- Wachman Movement Notation" (EWMN), developed by Noa Eshkol and Abraham Wachmann. With this polyphonic notation system, Eshkol and Wachmann centered dance on its basic

The book deals with the process of visualising music using the first movement of Mozart's Symphony in A major as an example.

A celebration of the visual artistry behind the evolution of sound recording with specially commissioned photography of iconic, rarely-seen artefacts from the collections of the EMI Archive Trust

Laura Brown’s essay examines the artistic techniques Tishan Hsu has developed over the past four decades, with particular attention to the early 2000s,

Ode to Construction – Abstraction in the Digital Age explores the intersections of graphic design and art through the means of generative code, gesturing playfully and melancholically towards the foundational legacies of the Suprematist and Constructivist movements of the early 20th century.

A collection of drawn proposals presenting an ongoing project between the artist and Tower Hamlets Community Housing. Focusing on our relationship with architecture and the history of ornamentation within public spaces, the drawings highlight the increasingly important role of communal and shared spaces to elicit social interaction. The publication details the artist’s plans for the redevelopment of the communal spaces within a housing estate in East London.

Mai Ling’s first monograph is published on occasion of their exhibition NOT YOUR ORNAMENT at the Secession, September 15–November 12, 2023. It includes a conversation between

A collective effort from a vital scene in Kampala, KIKOMMANDO takes its name from Ugandan street food of flat bread and beans.

Rab-Rab Press announces the publication of “Free Jazz Communism“, a new book actualising Archie Shepp–Bill Dixon Quartet at the 8th World Festival of Youth and Students in Helsinki 1962.

The humanism of the past five hundred years is dead. Believing man was exceptional, it opened the abyss of extinction. A new approach is needed to re-enchant the world and establish the commonality of all life on Earth.

arbitrary presents the first in a series of remix collaborations and releases by Mads Emil Nielsen and Chromacolor, a project from the German sound artist and producer Hanno Leichtmann.

The celebrated Dada artist Hannah Höch explores her use of collage as the artistic medium of choice for both satire and poetic beauty. World-renowned for her work during the Weimar period, Hannah Höch was a pioneer in many aspects, both artistic and cultural. She was the lone woman of the Berlin Dada movement — the riotous form of

In over 1,300 pages, The Commissions Book engages in depth with more than one-hundred works of art. The publication organizes and weaves together sequences of potential narratives and interrogations, along with close examinations of different works of art and an archive of images. The stories embedded in these works, as well as in the foundation’s work, and that of TBA21–Academy, an itinerant site of transdisciplinary research and cultural production engaging with the oceans, are stories of making new connections across

Anlässlich des 70. Geburttages von Günter Brus veranstaltete das BRUSEUM der Neuen Galerie Graz am Landesmuseum Joanneum 2008 "Ein Fest für Günter Brus", das aus einem Symposium mit internationalen Referenten und Referentinnen,

The H-block, or Høyblokka as it is called in Norwegian, was the Government Quarter’s main building. The was building was completed in 1958. Architect Erling Viksjø was inspired by the French modernist Le Corbusier, and set out to create an elegant, monumental but sober functionalism.

An account of an album about Albania by British experimental musicians made in the eighties.

“Where Do You Draw The Line Between Art and Politics?” consists of a series of interviews with individuals who have been active in various capacities at the intersection of art and politics.

First publication to document the use and potential of Decentralised Autonomous Organisations in the arts that use blockchain technology and build on NFT innovations. Decentralised Autonomous Organisations (DAOs) offer unique tools for translocal peers to encode rules, relations and values into their joint ventures using blockchain technology.

arbitrary presents “Delirious Cartographies” (arbitrary13) by composer, improviser and synthesist Richard Scott. Part of the Danish imprint’s Framework editions, this release includes three pieces on 12" vinyl and six printed drawings – as well as a text by Scott – published as a limited edition portfolio folder.

arbitrary presents the third in the “Black Box” series of releases by Mads Emil Nielsen. The release, which showcases a more sample and grid-based side of the Danish musician/composer’s work, is part of a sequence of publications with music and audio originally made for theatre, radio soundtracks and more.

Ein Buch über 1971 und die Zeit davor, Freiheit als Bild, die Materialität eines Übergangs, Musik, Sexualität und was ein aus Italien kommender, in Kairo geborener crooner in Berlin verliert: Ricky Shayne

There was a time when a person would pick up an instrument to compose yet another song for a loved one. A sad figure humming into a microphone, pronouncing the most basic words and forms to convey quantity, quality, fact,

Felicity is an Australian sound artist, composer and educator based in Berlin and her latest effort "Train Tracks Recorded And Edited By Felicity Mangan" will be out world wide on tape and digital December 9.

Six years after landing at the Isle Enchanted in 2016, and after much inland exploration, native assimilation,

In 2020 the composer, concept and media artist Hofstetter Kurt was awarded the Austrian Art Prize—Media Art (State Prize of the Republic of Austria) for his internationally recognized oeuvre.

The Russian producer Vladimir Karpov is well on his way towards a lasting legacy as a modern synthesizer wizard in the grandiose vein of Vangelis and Jarre. With a propensity for concept albums he has built a sturdy discography during this past decade that echoes the progressive ideas of the psychedelic generation as it moved into adulthood with Moog in hand.

The 24th issue of zweikommasieben focuses on an aspect of experimental electronic music that might be rather obvious. Nevertheless, this aspect is integral to the type of discerning perspective adopted in the pages of this magazine:

The Ring Orchestra is an eight-person effort, a collective coming together to tackle opera and one of the genre’s controversial poster boys.

Mouse on Mars take over the Kunstbau of Lenbachhaus in Munich, Germany with a sound installation for which they developed a site-specific composition. Working with and responding to the exhibition space, the installation transforms the Kunstbau itself into a gigantic stereophonic acoustic instrument.

Trance has been the flagship for electronic music across the globe during the nineties and early zeroes.

What is the role of the curator when organizing digital art exhibitions in offline and online spaces?

It creates expanded and stratified performances which also include the implementation and dissemination of design collections, audio-visual formats and editorial products.

The research of Mariateresa Sartori revolves around three thematic fulcrums: empirical scientific method; behavioural dynamics, often in relation to neurosciences; music and sound in relation to language.

The Danish label/imprint arbitrary announces the release of Framework 3 (arbitrary11) by Mads Emil Nielsen. Framework 3 is the latest instalment in Nielsen’s sequence of graphic scores and recordings.

Impulse Interviews consists of over 60 interviews with some of the 20th Century’s most engaging and important cultural creators.

Music has been just as central as art, film and architecture in the formation of the German capital’s unique identity, although too often neglected by Berlin’s historians and biographers.

The term ‘ricochet’ is a means to discuss unintended consequences, rapidly delivered information and viral outbreaks, but it is also used to describe the way in which sound echoes or reverberates against objects in space.

The book includes the first publication of Gidal's text from 1978, with a new introduction. Gidal in this dense theoretical essay deals with the limits of language and representation in the practice of experimental filmmaking and writing.

Dance and musical improvisation are ephemeral expressions urging us to embrace the moment in thoughtful joy. Devon Fornelli’s improvisations documented here are two performances:

“Arc” by award-winning author Paul Savoie is a poem which captures the pensive impressions of a moment and is suffused with a quiet musicality.

Heavy metal is a cultural phenomenon that unites its fans across borders, generations, genders, religions, and social classes. Metalheads is a journey into the heavy metal underground around the world that documents the lives and passion of these fans.

Following its German publication, Marc Schwegler’s essay Über das Potenzial begrenzter Ordnungen now appears in an English translation by N. Cyril Fischer and a completely re-worked design by Dorothee Dähler and Kaj Lehmann.

Rab-Rab Press announces the publication of Free Jazz Communism, a new book actualising Archie Shepp–Bill Dixon Quartet at the 8th World Festival of Youth and Students in Helsinki 1962.