Live from the Commodore Ballroom captures a legendary performance by UJ3RK5 in Vancouver in 1980. Sharing an affinity with bands such as Devo and Talking Heads, UJ3RK5 emerged out of punk, new wave, and post-punk music, as well as the Vancouver School of photo conceptualism that some of the members were associated with.

D/P/I (Alex Gray) is a musician, DJ and visual artist from USA; he has made music under the alias of Deep Magicand as a part of various Sun Araw Trios, Duos and Quartets. Now, most of the time, he plays drums, guitar, or saxophone at home for his other half & two cats. Here he presents Composer. Mastered and cut by Rashad Becker at D+M.

Italian electro-acoustic composers Giuseppe Ielasi and Nicola Ratti reconvene their unique Bellows collaborative project for a new album on Shelter Press.

Der dritte Band in der Schriftenreihe der Schering Stiftung dokumentiert Kim's Arbeit in Form eines Katalogs zu seiner Ausstellung "Carved Air" mit Texten von Lucía Ayala, Jaime E. Forero-Romero und Yunchul Kim.

Im physischen Akt des Zeichnens macht Peter Jellitsch die Unsichtbarkeit der Datenerfassung sichtbar: eine visuelle Symbolisierung dessen, was die weltumspannende Vernetzung produziert, eine potenziell unendliche und nie vollständige Wertschöpfung aus dem Nichts.

Mood Disorder documents the propagation of a photograph of David Horvitz across the internet.

How can the suggestive power of images be activated? What effect is generated by the conjunction of images and text? How do the images of our own memory interrelate with images from cinema or art history?

It’s 1912. We find ourselves in Kalimpong, India, in the foothills of the Himalayas. We are in the company of the eccentric Belgian-French explorer Alexandra David-Néel.

For the last 20 years, New York based German contemporary artist Josephine Meckseper s practice has interrogated consumerism, politics and art history through juxtapositions of images and objects.

Piano Sublimation is a collaboration-project between the austrian composer and musician JUUN and the visual artist Michael Wegerer.

Eine limitierte 12''-Vinyl-Platte.
Marge und Grübl, eine rudimentäre Aussprache ist die Audioaufzeichnung einer Performance zwischen Manfred Grübl und seiner Hündin Marge.

Film Works with Merce Cunningham dokumentiert Tacita Deans (*1965) zwei Arbeiten mit und über den Tänzer und Choreografen Merce Cunningham (1919-2009), die sie im Rahmen ihrer Kurt-Schwitters-Preis-Ausstellung im Sprengel Museum präsentierte.

East [hyphen] West maps the shifting sonic and visual landscape of Istanbul at a specific point in time, exploring the cultural complexities of a city where the boundaries of 'West' and 'East' are reflected in its sights and soundscape.

A one off project/collaboration between British Techno star Neil Landstrumm with American artist Jeremy Blake and musician Mike Fellows.

Adria (00:12:39) was written and recorded in March, 2001, as a soundtrack for an exhibition in February 2002 at Galerie Christian Nagel, Berlin.

This soundproject was curated by Jacob Fabricius and Tommy Lund.

Cyanotypes documents six distinct series of cyanotypes produced by visual artist, performer, and composer Marclay in collaboration with Graphicstudio.

The Jupiter 08 project is an archaelogical journey to the era when electronic music flourished in the Eastern Bloc and about current domestic producers.

Die musikalische Revue "Opus Musicum" verfügt auf mehr als 100 Seiten über Musik und Musikwissenschaft für den anspruchsvollen Leser.

Recorded by Joana Escoval at Lisbon's Botanical Garden, May
2009, while drawing the series Olea Europaea var. Europaea – fase de adaptação.

"Born to be a Star" geht dem Paradigma des Starsystems unter dem Aspekt der ästhetischen und symbolischen Produktion und seiner kulturellen und popkulturellen Auswirkungen nach.

This publication is composed of a yellow and blue bi-colour cassette with a black and white booklet including a download code.

Guitar, Drums :D H Douglas ; Songwriter, Arranged By, Keyboards : Oliver Alden ; Vocals, Tambourine: Angela Alden

Book object classified as mail art or correspondence art.

Just because we work with our eyes does not mean our ears are unreceptive, quite the contrary, music is certainly one of our greatest inspirations. Since the dawn of time, man has produced images just as he has created music, it is certainly vital. These creations, visual or audio, are increasingly omnipresent and invasive.

For Wasting Time on the Internet 2.0, artists were asked to base a work on at least three hours of ‘wasting time on the internet’. Starting from common ground, each of the works reflect on different aspects of the exhibition concept.

Jack Hauser (AT), Sabina Holzer (AT) and Jeroen Peeters (BEL) created a fabulous publication drifting through Images.

Visual music, expanded cinema, live cinema, VJing, live audiovisual performance—these are concepts enough to create some confusion in the wide realm of today’s artistic audiovisual production.

«He was a very good pianist who constantly resisted all virtuosity; and this was precisely why he became a virtuoso in the freedom of sounds. He created a music that reached the limits of what was bearable».

Melitta Moschik erkundet die Wahrnehmung und Repräsentation von Wirklichkeit im Kontext der Kunst und visualisiert die realen und virtuellen Welten der Information in ikonografischen, raumplastischen Werken.

Die Bedeutung des Kunstwerks im ausschließlich musealen Sinne gibt es kaum noch. Heute liegt der Fokus in den Künsten vermehrt auf dem Entstehungsprozess und der Interaktion. Da so kaum etwas Konkretes übrig bleibt, sind Dokumentationen umso wichtiger geworden: Sie sind gewissermaßen das neue Produkt des Kunstprozesses.

Johanna Benz erzählt in ihrem Bilderbuch die Geschichte des Mannes, der von sich sagte: »Ohne mein Akkordeon bin ich nichts.« Ein Fest der Farben und Klänge, ein Tanz der Buchstaben, eine bunte Hommage an Pacho Rada.

Franz West (geboren 1947 in Wien, Bildhauer, Objekt- und Aktionskünstler, lebt und arbeitet in Wien) und Heimo Zobernig (geboren 1958 in Mauthen/Österreich, lebt und arbeitet in Wien) konzipierten gemeinsam ein Singspiel, eine Performance.

Second part in the reissue series of all Selten Gehörte Musik records.

Les Duresses emerges through a prism of speculative intonation. Marc Sabat uncovers an opening of tonal possibilities that he roots in an unfinished composition for solo violin by Morton Feldman.

This LP is a collection of 29 pieces recorded 1980-84. Outsider art home-recordings using voice, acoustic guitar, accordion and bontempi organ.

Buchla creates immersive, intricate, and at times overwhelming soundscapes carried by masterful viola and synth renditions, broken up only by his dark yet soft, almost hushed voice.

CD-Reissue of the Vinyl-LP originally released 1983 by Fondazione Mudima (Multhipla M20137). Comes in high-gloss fullcolour 6-panel Digipak with 16 page illustrated booklet.

Edition of 30 copies with unique pencil drawing by Dominik Steiger on the back of the sleeve. Signed and numbered.
This LP is a collection of 29 pieces recorded 1980-84. Outsider art home-recordings using voice, acoustic guitar, accordion and bontempi organ.

Vinyl, including a 12-page booklet.

“Musicforcicadas” [is] an extended collage of Japanese singing and insects, folded and endlessly looped into a hypnotic Steve Reich/Oval-inspired minimalist glitch mantra.

First release of Gerhard Rühm's Radio-Play 'Masoch'.

Along the arc of Dalt’s music, beyond what steers her so allusively away from self-repetition, there is an undefinable forward inertia. What can explain, for instance, the near absence of her voice? Is it personal interest, renunciation, an embrace?

A rare case of left-wing / socialist electroacoustic music.

Recording of Wolf Vostell's happening / Fluxus Concert 'Sara-Jevo', realised September 9th, 1994 at Fundació Pilar i Joan Miró in Mallorca, Spain.

Edition of 500 copies. Comes in fullcolour 6-panel DVD-size digipak. All copies from Rumpsti Pumsti (Musik) come with a postcard signed by Nitsch.

New works by Swiss Musique Concrete composer and visual artist Marc Zeier / G*Park.

Third part in the reissue series of the legendary Selten Gehörte Musik artist-records from the 1970’s.

On the occasion of 100 years of the manifesto The Art of Noises by Luigi Russolo, Franck Ancel initiated with Baptiste Houssin The noise of conversation

Record produced to accompany the exhibition Un-Scene II at WIELS. Design by Sara De Bondt studio.

2CD-Box collecting 11 pieces from Jean Dubuffet's 'Expériences musicales' (recorded in 1961) for the first time on CD.

First ever sound-edition by famous Swiss sculptor and conceptual artist Roman Signer (b.1938).

This LP collects some of Mon's earliest concrete phonetic poems recorded 1962-64 as well as the radio-play 'Ich bin der ich bin die' from 1971.

Reissue of Rolf Julius’ first and only LP from 1985.

Edition of 500 copies Double-CD of Hermann Nitsch’s Sixth Symphony for large orchestra performed and recorded November 1, 1980 at Museum des 20. Jahrhunderts, Vienna. Packaged in big 2CD jewel-case with 12 page booklet.

2 very long tunes of pure Industrial abstract electronic experiments. Sounds out of shapes.

Happily, it doesn't "climax", but continues to splinter out, receding but widening as it does so, ending in a disturbing (wonderful) series of soft beeps that sound like warning alarms, evoking a strong sense of longing in this listener.

First part in the reissue series of all Selten Gehörte Musik records.

This record is part of the exhibition ‘Stoikerinnen\’ by Kasia Fudakowski, June 14 – September 19, 2014 at Kunstverein Harburger Bahnhof, Hamburg, curated by Anna Sabrina Schmid.

Karl Holmqvist’s practice is radically typographic: letters, numerals and special characters are his only medium.