Philipp Quehenberger live at Kunstraum Innsbruck on the occasion of the exhibition opening SOUFFLÉ, a mass exhibition, in September 1, 2007.

Edition of 500 copies. Comes in fullcolour 6-panel DVD-size digipak. All copies from Rumpsti Pumsti (Musik) come with a postcard signed by Nitsch.

Der Schub vor dem Abheben eines Jets ist ein passender Vergleich mit der Energie der Musik von merker.tv. Auf set.jet, dem ersten Album der Linzer Band fusionieren House, Electro, HipHop und Rock zu einem Sound, der so brachial aus dem Bauch kommt, dass der Groove in Folge auch passgenau in der Magengrube landet.

This sensation that you are in a world where there can be no physics, but only a chronics, of things. Box with 100 page booklet and CD

Die Publikation "Sound" widmet sich der Bedeutung des Klangs in der bildenden Kunst.

Limited edition of 300 vinyl pressings of a sound work by Ben Cain. Commissioned by the Zagreb Museum of Modern Art for a public art festival in 2005 this 7” holds two audio tracks featuring location and spoken word recordings.

«Das magische Quadrat» ist ein Erlebnis für Schönberg-Anfänger und -Kenner. Die Box als Archiv selten zugänglichen Materials ist zugleich ein ungewöhnliches, anregendes Instrument zur Vermittlung von Musik- und Kunstgeschichte im schulischen und im privaten Musikunterricht. Im Stile eines Lehrmittels angelegt, will das "Magische Quadrat" seinen Benutzern keine Lerninhalte eintrichtern, sondern zum handelnden und forschenden Aneignen animieren.

„But, there are always people who do, kind of, die, in sort of part of a creative process, and we need to, kind of, cherish and appreciate those people. That was a bit of a downer wasn’t it!“ Peter Sleazy Christopherson.

Alona Rodehs Safe & Sound Deluxe Edition blickt in die Vergangenheit und Zukunft von unterschiedlichen audiovisuellen Methoden von Sicherheit und Schutzmaßnahmen, sowie deren Adaptionen in die gängige und subkulturelle Ästhetik – von den Anfängen der Moderne bis heute.

This LP collects some of Mon's earliest concrete phonetic poems recorded 1962-64 as well as the radio-play 'Ich bin der ich bin die' from 1971.

Happily, it doesn't "climax", but continues to splinter out, receding but widening as it does so, ending in a disturbing (wonderful) series of soft beeps that sound like warning alarms, evoking a strong sense of longing in this listener.

... a HörBuach im Bludazer Dialekt ... Texte vo dr Leonie Neyer, glesa vo BludazerInna.

Although John Cage occasionally worked in large, sophisticated studios - for example, when he composed Fontana Mix in 1958 - his approach to electronic and tape music was often uncomplicated, makeshift, and pragmatic, employing simple tabletop devices: tape machines, phonograph cartridges, contact microphones, record players, portable radios, etc.

The central hole of Catalan traditional music discs found in second-hand stores has been moved. This ready-made action offers new sounds when listening to the original recording.

Uneasy times demand uneasy music. The world is in turmoil. And so are many of us. No matter what perspective we take, what used to be familiar is becoming increasingly alien, oscillating widely between peril and hope, between regression and progress, between standstill and explosive change.

Live from the Commodore Ballroom captures a legendary performance by UJ3RK5 in Vancouver in 1980. Sharing an affinity with bands such as Devo and Talking Heads, UJ3RK5 emerged out of punk, new wave, and post-punk music, as well as the Vancouver School of photo conceptualism that some of the members were associated with.

"Wenn es stimmt, dass mittlerweile alles Pop ist, was ist dann Pop? ... Von der Tonleiter zur Indexmenge bis zum Glocken-Terror am Alter Markt ist für jeden etwas dabei. 99 Melodien."

With their debut album set.jet in late 2008, merker.tv fathered an awesome bastard of house, disco, electropop and rocking guitars.

Fowre #1 includes a 60-minute audio supplement of beautiful rare and early synth music on cassette tape, curated by Leo from Vermont, and is accompanied by this free synth playlistcurated by editor Andrew Siskind.

2CD-Box collecting 11 pieces from Jean Dubuffet's 'Expériences musicales' (recorded in 1961) for the first time on CD.

A “politics of listening” is an intervention into and a reorganization of forms that listening takes rather than a call for free speech or for a platform for voices to be heard.

The »Sounding Museum« fuses anthropology, acoustic ecology, soundscape composition, and trans-cultural communication inside the context of museum education.

Supergeile Compilation bestehend aus 3 LPs, 2 DVDs und einem 48 Seiten-Booklet. 41 der besten Bands aus Österreich zwischen 1977 und 1985 mit 80% unveröffentlichtem Songmaterial.

Das Bühnenbild für die Lulu-Inszenierung der Salzburger Festspiele 2010 stammte von Daniel Richter. Brigade Commerz hat den Künstler nach einem anstrengenden Theatertag bei Rotwein und Zigaretten zu einer Vielzahl von Themen befragt.

Nico Dockx, Florian Hecker, Marcellvs L., Astrid Nippoldt nähern sich in verschiedenen Medien – in reinen Soundinstallationen, mit Video-, Film- oder Fotoarbeiten – auf jeweils sehr spezifische Weise dem Phänomen Klang.

Heavy metal is a cultural phenomenon that unites its fans across borders, generations, genders, religions, and social classes. Metalheads is a journey into the heavy metal underground around the world that documents the lives and passion of these fans.

"Interesting Productions" erscheint anlässlich der gleichnamigen Ausstellung von Bo Christian Larsson, Murena und Tobias Yves Zintel in der Lothringer 13 - Städtische Kunsthalle München.

Published in 2008 as a long awaited follow up to the 1985 publication 'The Fall Lyrics', VII compiles 208 pages of Mark E. Smith's musings, found footage, drawing, scrawled lyrics. Covering 52 songs VII offers an insight into the mind of one the the musics most formidable characters.

Im Rahmen einer Ausstellung präsentieren und entwarfen die beiden Künstlerinnen Doris Lasch und Ursula Ponn aus München eine Maxisingle mit den Werken „Loop“ von Christine Lemke (Berlin) und „Gutemorgen Schazzilein“ von Willem Oorebeek (Brüssel). Das Schallplattencover ziehrt eine Fotografie der beiden Künstlerinnen.

The Curves of the Needle is the title of an artist book (BAWAG FOUNDATION EDITION, vol. 5) and a slideshow which was in the center of the exhibition 299.792,458 km/s by Cerith Wyn Evans at the BAWAG FOUNDATION from 10 March to 7 May 2005.

Adria (00:12:39) was written and recorded in March, 2001, as a soundtrack for an exhibition in February 2002 at Galerie Christian Nagel, Berlin.

Das Heft richtet sich, um die, Zitat, »besten Musiken der Welt« ans Tageslicht befördern zu können, naturgemäß auch gegen kunstfernere Geschäftspraktiken, die sich allseits fest etabliert haben.

All songs composed and performed by Concert (Chris Evans, Morten Norbye Halvorsen, and Benjamin Seror) (engl.)

Astrid Seme (*1985) is studying graphic design in the masters program Werkplaats Typografie in Arnhem, the Netherlands. Her main artistic interest is the investigation of the relation between oral and written speech. In this respect, her central theme is the graphic notations of oral speech and the acoustic interpretation of graphic notations.

“Resonant Bodies, Voices, Memories” evolves around memory, voice and the body – more specifically around instances where our habitual abilities to sense, remember, and speak are somehow disrupted or suspended. Such shifts and ruptures may occur through experiences such as living under an oppressive regime, migration, trying to make oneself understood in a foreign language, or through physical inhibitions like aphasia or stuttering.

o.A

Sarah Morris (born 1967) has explored surface as a means of investigating power, psychology and urban and bureaucratic structures through her layered artistic practice including films, paintings, drawings and site-specific installations.

New works by Swiss Musique Concrete composer and visual artist Marc Zeier / G*Park.

This publication is composed of a yellow and blue bi-colour cassette with a black and white booklet including a download code.

With sound extracts by Alexei Borisov, Tommi Grönlund & Petteri Nisunen, Christian Fennesz, Carsten Nicolai, Zsolt Olejnik, Finnbogi Pétursson, Terre Thaemlitz, Zavoloka, and Franz Pomassl. Compiled by Franz Pomassl.

«He was a very good pianist who constantly resisted all virtuosity; and this was precisely why he became a virtuoso in the freedom of sounds. He created a music that reached the limits of what was bearable».

In seinem Buch “Heller als die Sonne. Abenteuer in der Sonic Fiction” (1998) postuliert der afro-britische Theoretiker Kodwo Eshun den Begriff “Fission” (Teilung, Spaltung, Zertrümmerung) als Gegenposition zur Praxis der “Fusion”.

This interview with Romain Kronenberg by curator Anne-Laure Chamboissier traces the filmmaker's progression, from his first projects to the most recent, including some currently in development. It reveals the complexity of a body of work where the relationship between image and sound is constantly reinvented with each new creation. (in the framework of the “Beyond Sound” interview series, dedicated to sound arts).

CD-Reissue of the Vinyl-LP originally released 1983 by Fondazione Mudima (Multhipla M20137). Comes in high-gloss fullcolour 6-panel Digipak with 16 page illustrated booklet.

Die musikalische Revue "Opus Musicum" verfügt auf mehr als 100 Seiten über Musik und Musikwissenschaft für den anspruchsvollen Leser.

Hip-hop was never a musical movement, but rather an expression of youth culture. Its adaptability, the inventiveness of its protagonists, and its continuing relevance have revealed its true potential over the course of the last 40 years.

2 very long tunes of pure Industrial abstract electronic experiments. Sounds out of shapes.

„... eine listige Geburtstagsgabe ... Für alle, die Spaß haben am Denken, an seiner Sinnlichkeit.“ (Fritz Göttler, SZ)

An audio portrait of British artist Liam Gillick, An Idea Just Out of Reach was recorded at the Hamburger Bahnhof in Berlin in February 2009, and records his thoughts on everything from his own work to larger matters of contemporary art. As a talker and an interlocutor, Gillick proved to be quick-witted and always open to new perspectives.

"Ich, Uwe Bressnik, Kärntner Künstler" und "Io, Uwe Bressnik, artista austriaco": in diesen minimalen Differenzen erscheint das Bild einer sehr ernsthaften, ironischen, in vielen Medien und Stilen operierenden Künstlers, der hier eine ganze Reihe von Autoren zu intensiven Auseinandersetzungen mit seinem Werk verführen kann.

In this publication trendy pragmatism coincides with the improvisation of jazz music. The result is a plan of action to constructively deal with disorder in urbanism.

The Rolling Stones album "Sticky Fingers" famous for its cover artwork, created by Andy Warhol.

This LP is a collection of 29 pieces recorded 1980-84. Outsider art home-recordings using voice, acoustic guitar, accordion and bontempi organ.

Reissue of Rolf Julius’ first and only LP from 1985.

Following its German publication, Marc Schwegler’s essay Über das Potenzial begrenzter Ordnungen now appears in an English translation by N. Cyril Fischer and a completely re-worked design by Dorothee Dähler and Kaj Lehmann. The essay begins with a consideration of the conceptual framework for Andrea Taeggi’s album Noméri— Tere, a link to the digital version of which is included in the publication.

A one off project/collaboration between British Techno star Neil Landstrumm with American artist Jeremy Blake and musician Mike Fellows.

(The Beatles) in Hamburg ist ein Klangkunstprojekt, das 11 Kompositionen und mehrere visuelle Ausformungen umfasst.

When the Chapman Brothers' infamous “Hell” sculpture―which featured 5,000 miniature model Nazi soldiers performing atrocities―was destroyed in a London warehouse fire in 2004, they began a modified version called “Fucking Hell.” This audio CD accompanies “Fucking Hell,” and is compiled from live recordings made in 2008.

»Im Grunde sind wir alle Improvisatoren«, sagt der Flötist Norbert Trawöger und weiß das auch in die Tat umzusetzen: Dem Wunsch folgend, »aus dem Moment heraus« zu spielen und der Neugierde, sich dabei selbst »von außen zuzuhören«, fand 2012 in der Magdalenabergkirche Bad Schallerbach (OÖ) die Aufnahme von 21 frei improvisierten Flötenstücken statt.

Recorded by Joana Escoval at Lisbon's Botanical Garden, May 2009, while drawing the series Olea Europaea var. Europaea – fase de adaptação.