Spielerisch leicht und humorvoll setzt sich Claus Richter mit der Bildwelt des Science-Fiction-Films auseinander.

In the search for new ways of experiencing sound, this book describes a path from music to the visual arts.

Derived from the same series of compositions, Dissolvè and Scillions are drawn from modular synthesizer recordings which have been reworked, treated and composed in the computer.

Yannick Dauby is a french sound artist based in Taiwan since 2007. He relentless explores the soundscapes of his adopted island through field recording,

Rural is the first release in the Continuous Tone series of sound works by visual artists. Each project is issued as a one-off heavy pressing 12-inch vinyl record with carefully designed packaging and specially commissioned sleeve notes inserted as an 10-page illustrated information booklet.

“La Danza del Agua” (The Dance of Water) is an eclectic musical journey through Latin American experimentalism – a sort of unofficial companion to the Anthologies of Atypical Portuguese Music volumes but focussing on South American music themes instead.

LP edition of 2012’s tape Dies Irae. Re-mastered for vinyl and with new artwork by Belgium artist, Elzo Durt.

Featuring members of punk band Scrambled Eggs and free improv unit "A" Trio, this band from Lebanon has a style that includes elements of punk, krautrock, free jazz and improvisation.

INFO is pleased to announce Remain Calm, an LP and booklet cataloguing Nile Koetting’s performative installation and its immersive soundtrack produced in collaboration with Nozomu Matsumoto and Miriam Stoney.

First split LP in a brand new series of collaborations, pairing artists working on the fringes- or not at all. This first split pairs Brighton’s Blood Stereo’s tape gonk with Hair & Treasure’s farm life loops.

ABCDLP002 - Short Big Drama, 2012 was written and composed by George van Dam.

GRITTY, ODD & GOOD is a new weird, pseudo-music compilation curated by avant-garde experimental composer and audio artist Francisco López.

But “Ruído(s)” doesn’t sound like an intentional one. You won’t listen to it on any of the thirteen tracks that scavenge for a solution in the space between ambient music and field recordings.

Ross Alexander first came to our attention with Memorias Vol.1 – Bugandan Sacred Places, released back in 2017 on Sucata Tapes, it featured a mind altering mix of recorded sounds from a series of

Outsider Portuguese artist Filipe Felizardo delivers a singular album of 21st century loner folk from the confines of his apartment.

Gerard Gormley is an Irish composer and sound artist whose work explores the actual and latent sonic potentials of spaces, buildings, and sites. His work evolves through various experimental processes that explore sound in relation to space, place, and architecture.

Offset print, compact disc with PowerPoint song (Woog Riots), edition of 25. Since the late 1990s, Michael Riedel has advanced his own model of a self-sustaining artistic production, continuously using reproductions as a means to "reintroduce the system of art into the art system."

Nicolas Metall 'Growing ideas of falling generations' is the first record of Nicolas Mallet, guitarist and electronic musician based in Berlin. A perfect project to dance with ghosts, HAL 9000 psychanalising JS Bach in a psychiatric hospital along a Motorway.
Double LP, Art work by Nicolas Moulin, Music, lyrics, written and performed by Nicolas Metall, Nicolas Metall : synthesizers, analog drums, lyrics and vocals

GTR#009, BRUME, Mother Blast, Double LP, All tracks written by Christian Renou, Mixed and produced by Brume at Brume Rec. 1985–2014 Brume (Christian Renou) is a prolific French musique concrete composer/sound sculptor who has won himself a place of his own with his crossover between sound collages,

Mixed and produced by Frederic Bigot at the Padded Cell in Berlin. February 2013, Mastered by Norsq, Front, back and inside sleeve: Nicolas Moulin

RAVI SHARDJA, « Grün ist grau », composed and played by french musician Ravi Shardja (GOL) with participation of Jean Marcel Busson (GOL) and Frederic Rebotier.

Weiner's later work expanded into wall installations, video, film, books, sound art, sculpture, performance art, installation art, and graphic art, maintaining his focus on language as a sculptural element.

Lecture on Nothing is a recording of John Cage’s original text (of the same title) as read by a deaf performer.

Short bursts of sound produced with my own voice traverse the space. The tones of sound collide, sometimes harmonious, sometimes dissonant, calling across the space, measuring and defining the architecture. The sounds are produced by a pair of parabolic reflectors facing each other.

Susan Philipsz is one of the internationally most renowned contemporary artists. Her art explores the boundaries between sculpture and sound, between materiality and immateriality.

What does it mean to process field recordings from the Ukrainian war in an electronic music track?

The first book of the online-network Norient discusses contemporary movements and trends within globalised music scenes in Europe, Africa, Latin-America, Asia and the US.

Hans G Helms hat zwischen 1959 und 1968 drei Sprachkunstwerke geschaf- fen, die zu den fortschrittlichsten ihrer Gattunggehören:

Movement Notation is considered the first publication of the "Eshkol- Wachman Movement Notation" (EWMN), developed by Noa Eshkol and Abraham Wachmann. With this polyphonic notation system, Eshkol and Wachmann centered dance on its basic

The book deals with the process of visualising music using the first movement of Mozart's Symphony in A major as an example.

A celebration of the visual artistry behind the evolution of sound recording with specially commissioned photography of iconic, rarely-seen artefacts from the collections of the EMI Archive Trust

A collective effort from a vital scene in Kampala, KIKOMMANDO takes its name from Ugandan street food of flat bread and beans.

Rab-Rab Press announces the publication of “Free Jazz Communism“, a new book actualising Archie Shepp–Bill Dixon Quartet at the 8th World Festival of Youth and Students in Helsinki 1962.

arbitrary presents the first in a series of remix collaborations and releases by Mads Emil Nielsen and Chromacolor, a project from the German sound artist and producer Hanno Leichtmann.

The H-block, or Høyblokka as it is called in Norwegian, was the Government Quarter’s main building. The was building was completed in 1958. Architect Erling Viksjø was inspired by the French modernist Le Corbusier, and set out to create an elegant, monumental but sober functionalism.

An account of an album about Albania by British experimental musicians made in the eighties.

“Where Do You Draw The Line Between Art and Politics?” consists of a series of interviews with individuals who have been active in various capacities at the intersection of art and politics.

arbitrary presents “Delirious Cartographies” (arbitrary13) by composer, improviser and synthesist Richard Scott. Part of the Danish imprint’s Framework editions, this release includes three pieces on 12" vinyl and six printed drawings – as well as a text by Scott – published as a limited edition portfolio folder.

arbitrary presents the third in the “Black Box” series of releases by Mads Emil Nielsen. The release, which showcases a more sample and grid-based side of the Danish musician/composer’s work, is part of a sequence of publications with music and audio originally made for theatre, radio soundtracks and more.

Ein Buch über 1971 und die Zeit davor, Freiheit als Bild, die Materialität eines Übergangs, Musik, Sexualität und was ein aus Italien kommender, in Kairo geborener crooner in Berlin verliert: Ricky Shayne

There was a time when a person would pick up an instrument to compose yet another song for a loved one. A sad figure humming into a microphone, pronouncing the most basic words and forms to convey quantity, quality, fact,

Felicity is an Australian sound artist, composer and educator based in Berlin and her latest effort "Train Tracks Recorded And Edited By Felicity Mangan" will be out world wide on tape and digital December 9.

Six years after landing at the Isle Enchanted in 2016, and after much inland exploration, native assimilation,

The Russian producer Vladimir Karpov is well on his way towards a lasting legacy as a modern synthesizer wizard in the grandiose vein of Vangelis and Jarre. With a propensity for concept albums he has built a sturdy discography during this past decade that echoes the progressive ideas of the psychedelic generation as it moved into adulthood with Moog in hand.

The 24th issue of zweikommasieben focuses on an aspect of experimental electronic music that might be rather obvious. Nevertheless, this aspect is integral to the type of discerning perspective adopted in the pages of this magazine:

The Ring Orchestra is an eight-person effort, a collective coming together to tackle opera and one of the genre’s controversial poster boys.

Mouse on Mars take over the Kunstbau of Lenbachhaus in Munich, Germany with a sound installation for which they developed a site-specific composition. Working with and responding to the exhibition space, the installation transforms the Kunstbau itself into a gigantic stereophonic acoustic instrument.

Trance has been the flagship for electronic music across the globe during the nineties and early zeroes.

It creates expanded and stratified performances which also include the implementation and dissemination of design collections, audio-visual formats and editorial products.

The research of Mariateresa Sartori revolves around three thematic fulcrums: empirical scientific method; behavioural dynamics, often in relation to neurosciences; music and sound in relation to language.

The Danish label/imprint arbitrary announces the release of Framework 3 (arbitrary11) by Mads Emil Nielsen. Framework 3 is the latest instalment in Nielsen’s sequence of graphic scores and recordings.

Impulse Interviews consists of over 60 interviews with some of the 20th Century’s most engaging and important cultural creators.

Music has been just as central as art, film and architecture in the formation of the German capital’s unique identity, although too often neglected by Berlin’s historians and biographers.

Dance and musical improvisation are ephemeral expressions urging us to embrace the moment in thoughtful joy. Devon Fornelli’s improvisations documented here are two performances:

“Arc” by award-winning author Paul Savoie is a poem which captures the pensive impressions of a moment and is suffused with a quiet musicality.

Heavy metal is a cultural phenomenon that unites its fans across borders, generations, genders, religions, and social classes. Metalheads is a journey into the heavy metal underground around the world that documents the lives and passion of these fans.

Following its German publication, Marc Schwegler’s essay Über das Potenzial begrenzter Ordnungen now appears in an English translation by N. Cyril Fischer and a completely re-worked design by Dorothee Dähler and Kaj Lehmann.

Rab-Rab Press announces the publication of Free Jazz Communism, a new book actualising Archie Shepp–Bill Dixon Quartet at the 8th World Festival of Youth and Students in Helsinki 1962.

Fourth part in the Selten Gehörte Musik reissue series. Two CDs packaged in illustrated 12“ LP gatefold-sleeve. Edition of 500 copies.

Digital Album Includes high-quality download in MP3, FLAC and more. Paying supporters also get unlimited streaming via the free Bandcamp app.