In the search for new ways of experiencing sound, this book describes a path from music to the visual arts.

Derived from the same series of compositions, Dissolvè and Scillions are drawn from modular synthesizer recordings which have been reworked, treated and composed in the computer.

Yannick Dauby is a french sound artist based in Taiwan since 2007. He relentless explores the soundscapes of his adopted island through field recording,

Rural is the first release in the Continuous Tone series of sound works by visual artists. Each project is issued as a one-off heavy pressing 12-inch vinyl record with carefully designed packaging and specially commissioned sleeve notes inserted as an 10-page illustrated information booklet.

Gerard Gormley is an Irish composer and sound artist whose work explores the actual and latent sonic potentials of spaces, buildings, and sites. His work evolves through various experimental processes that explore sound in relation to space, place, and architecture.

Nicolas Metall 'Growing ideas of falling generations' is the first record of Nicolas Mallet, guitarist and electronic musician based in Berlin. A perfect project to dance with ghosts, HAL 9000 psychanalising JS Bach in a psychiatric hospital along a Motorway.
Double LP, Art work by Nicolas Moulin, Music, lyrics, written and performed by Nicolas Metall, Nicolas Metall : synthesizers, analog drums, lyrics and vocals

GTR#009, BRUME, Mother Blast, Double LP, All tracks written by Christian Renou, Mixed and produced by Brume at Brume Rec. 1985–2014 Brume (Christian Renou) is a prolific French musique concrete composer/sound sculptor who has won himself a place of his own with his crossover between sound collages,

Mixed and produced by Frederic Bigot at the Padded Cell in Berlin. February 2013, Mastered by Norsq, Front, back and inside sleeve: Nicolas Moulin

RAVI SHARDJA, « Grün ist grau », composed and played by french musician Ravi Shardja (GOL) with participation of Jean Marcel Busson (GOL) and Frederic Rebotier.

Movement Notation is considered the first publication of the "Eshkol- Wachman Movement Notation" (EWMN), developed by Noa Eshkol and Abraham Wachmann. With this polyphonic notation system, Eshkol and Wachmann centered dance on its basic

A collective effort from a vital scene in Kampala, KIKOMMANDO takes its name from Ugandan street food of flat bread and beans.

Rab-Rab Press announces the publication of “Free Jazz Communism“, a new book actualising Archie Shepp–Bill Dixon Quartet at the 8th World Festival of Youth and Students in Helsinki 1962.

An account of an album about Albania by British experimental musicians made in the eighties.

“Where Do You Draw The Line Between Art and Politics?” consists of a series of interviews with individuals who have been active in various capacities at the intersection of art and politics.

arbitrary presents the third in the “Black Box” series of releases by Mads Emil Nielsen. The release, which showcases a more sample and grid-based side of the Danish musician/composer’s work, is part of a sequence of publications with music and audio originally made for theatre, radio soundtracks and more.

Felicity is an Australian sound artist, composer and educator based in Berlin and her latest effort "Train Tracks Recorded And Edited By Felicity Mangan" will be out world wide on tape and digital December 9.

The Russian producer Vladimir Karpov is well on his way towards a lasting legacy as a modern synthesizer wizard in the grandiose vein of Vangelis and Jarre. With a propensity for concept albums he has built a sturdy discography during this past decade that echoes the progressive ideas of the psychedelic generation as it moved into adulthood with Moog in hand.

The 24th issue of zweikommasieben focuses on an aspect of experimental electronic music that might be rather obvious. Nevertheless, this aspect is integral to the type of discerning perspective adopted in the pages of this magazine:

The Ring Orchestra is an eight-person effort, a collective coming together to tackle opera and one of the genre’s controversial poster boys.

Mouse on Mars take over the Kunstbau of Lenbachhaus in Munich, Germany with a sound installation for which they developed a site-specific composition. Working with and responding to the exhibition space, the installation transforms the Kunstbau itself into a gigantic stereophonic acoustic instrument.

The research of Mariateresa Sartori revolves around three thematic fulcrums: empirical scientific method; behavioural dynamics, often in relation to neurosciences; music and sound in relation to language.

Music has been just as central as art, film and architecture in the formation of the German capital’s unique identity, although too often neglected by Berlin’s historians and biographers.

Dance and musical improvisation are ephemeral expressions urging us to embrace the moment in thoughtful joy. Devon Fornelli’s improvisations documented here are two performances:

Fourth part in the Selten Gehörte Musik reissue series. Two CDs packaged in illustrated 12“ LP gatefold-sleeve. Edition of 500 copies.

Digital Album Includes high-quality download in MP3, FLAC and more. Paying supporters also get unlimited streaming via the free Bandcamp app.

Tape by Good Cop

Die Secession gibt eine CD-Rom heraus, die erstmals in einem zeitgemäßen Medium die Geschichte der Künstlervereinigung vermittelt.

A “politics of listening” is an intervention into and a reorganization of forms that listening takes rather than a call for free speech or for a platform for voices to be heard.

Ähnlich Paul McCarthys berühmten »Trunks«, die ab 1982 mit den Props seiner Performances gefüllt wurden, sind die »Three Boxes« konzipiert, die Videofilme aus den Jahren 1970-75 enthalten und als geschlossene, aufeinander gestapelte Kisten ausgestellt werden. Ihr Inhalt wird in der vorliegenden Publikation erstmals und einzigartig öffentlich gemacht und dokumentiert.

Werkverzeichnis und Veröffentlichungen von 176-1983

In seinem Buch “Heller als die Sonne. Abenteuer in der Sonic Fiction” (1998) postuliert der afro-britische Theoretiker Kodwo Eshun den Begriff “Fission” (Teilung, Spaltung, Zertrümmerung) als Gegenposition zur Praxis der “Fusion”.

The first installment of The Social Life of the Record, a series of original texts by musicians, fans, critics, collectors, dealers, label owners etc. - reflecting on recording, releasing, listening to, filing, flipping and DJing records today.

The »Sounding Museum« fuses anthropology, acoustic ecology, soundscape composition, and trans-cultural communication inside the context of museum education.

Ein ruhig gelesener Vortrag, ein lebhaftes Zwiegespräch und ein expressives Stück Sprechtheater deklinieren die Möglichkeiten einer rein auf Sprache basierenden imaginären Musik.

Mit Beiträgen von Nora M. Alter, Michel Chion, Christoph Cox, Diedrich Diederichsen, Caryl Flinn, Barbara Flückiger, Tom Holert, Brandon LaBelle, Christian Petzold, Constanze Ruhm, Christian Scheib, Holger Schulze, Axel Stockburger, Terre Thaemlitz, Hildegard Westerkamp

Kim Feser, Matthias Pasdzierny: „… and a musicologist present at all times“ – elektronische Tanzmusik im Fokus populärer Diskurse und akademischer Forschung.

NO ONES BOX - eine Box voll Poesie, voll bewegter Bilder für Auge und Ohr, eine Büchse, Schachtel für Pandora, Eva oder Pavlovs Hund.

Recorded voices recount the nature and dangers of human desire, crisis and transcendence with abandon.

Das Heft richtet sich, um die, Zitat, »besten Musiken der Welt« ans Tageslicht befördern zu können, naturgemäß auch gegen kunstfernere Geschäftspraktiken, die sich allseits fest etabliert haben.

Das Heft richtet sich, um die, Zitat, »besten Musiken der Welt« ans Tageslicht befördern zu können, naturgemäß auch gegen kunstfernere Geschäftspraktiken, die sich allseits fest etabliert haben.

A church bell of 600kg was cast in bronze in 2013, then destroyed with a sledgehammer and buried in the yard of the museum after its exhibition in 2014. The clapper was removed to never emit a sound and remain silent forever until its destruction.

Alona Rodehs Safe & Sound Deluxe Edition blickt in die Vergangenheit und Zukunft von unterschiedlichen audiovisuellen Methoden von Sicherheit und Schutzmaßnahmen, sowie deren Adaptionen in die gängige und subkulturelle Ästhetik – von den Anfängen der Moderne bis heute.

Wild oriental flav. cut-up scapes of turkish movie scores, pop etc.

Piano Sublimations is a collaboration between the Austrian composer and musician JUUN
and the visual artist Michael Wegerer.

Skarbek is a dance-theater project initiated by the German artist Antje Majewski in collaboration with the author Ingo Niermann.

In this publication trendy pragmatism coincides with the improvisation of jazz music. The result is a plan of action to constructively deal with disorder in urbanism.

Historically in England, representations of the black body constitute a ubiquitous presence across fine art and popular culture, yet up to now the subject has received only marginal critical attention.

16 stills taken from karaoke videos. Song texts and images are combined randomly, as in the original source.

Die unbehaglichen, aufwühlenden und verstörenden Stimmen in Ulrike Müllers Audioinstallationen verkörpern die Affekte gegenwärtiger Entfremdung und die freakhafte, nicht anpassungsfähige Eigenart des Individuums. ZuhörerInnen werden in gesprochenen Texten mit der Erfahrung der eigenen grundlegenden Differenz von anderen vor dem Hintergrund sozialer Begegnungen konfrontiert.

LIGNA hat sich 1997 im Freien Sender Kombinat Hamburg zusammengefunden und lädt seitdem in der Rundfunksendung Lignas Music Box HörerInnen ein, mittels Telefon ihre Musik von zu Hause über den Äther auszustrahlen. International bekannt wurden die Radiokünstler Ole Frahm, Michael Hüners und Torsten Michaelsen durch das Radioballett – eine Art des öffentlichen Radiohörens, bei dem die TeilnehmerInnen bestimmte aus dem öffentlichen Raum ausgeschlossene oder verbotene Gesten ausführen. Mit zahlreichen performativen Interventionen hat LIGNA in den vergangenen Jahren im Radio, im Stadtraum und im Theater ihre politische Ästhetik weiterentwickelt. Die Publikation LIGNA An Alle! Radio, Theater, Stadt versammelt erstmals eine Auswahl der Produktionstexte und theoretischen Überlegungen, die LIGNA als Teil ihrer Praxis begreift.

The Möbius Cantata ZART provokes a musical experience along the “eventhorizon of time”.
(German / English)

Die „Gustav Mahler Lied Collector’s Edition“ ist eine sieben DVDs umfassende Box, die als Ergebnis des „lied lab 2011: gustav mahler festival“ erscheint.

The Morning Line is both ruin and monument, the blackened frame of a cathedral-like structure; a drawing in and of space; an ‘anti-pavilion’.

Wild Style Lion limited vinyl 12" collaboration with Kim Gordon.
The band recorded two songs with the indie-noise-legend in Berlin after J Mascis introduced her to the band. Dinosaur Jr. invited Wild Style Lion on their German Tour 2014.

Within six months of its publication in March 1967, first as a paperback original and, two weeks later, as a hardcover, a project rejected by seventeen publishers and on which even its publisher Bantam Books had placed design restrictions, was already in its 11th printing and approaching sales of half a million copies.

The Rolling Stones album "Sticky Fingers" famous for its cover artwork, created by Andy Warhol.

Influenced by friend and musician Robert Alfons (Trust), Seth Fluker’s version of Dressed for Space is a study of sound through figurative and abstract imagery.

Bonnie Camplin is a musician, artist, dj and club organiser from London. Featured previously on Dec 01, ‘Nova Popularna’ as a member of donAteller, this release is now her first solo LP.

The first release on Decemberism records is a document of the temporary bar that the artists Lucy McKenzie and Paulina Olowska ran for one month in Warsaw, 2003, in collaboration with Foundation Gallery Foksal.

On their latest LP, Vancouver artist-musicians Brady Cranfield and Kathy Slade cover classic punk songs about riots by the likes of Stiff Little Fingers, Fear, Circle Jerks, Subhumans, The Dils, The Clash and the Stiffs. The album was recorded live at The Candahar Bar, an installation by Theo Sims during the 2010 Winter Olympics.