In einem virtuosen Essay lotet Jean-Luc Nancy das Verhältnis zwischen Klang, menschlichem Körper und dessen Gespanntheit auf diesen Sinn und den Sinn überhaupt aus, ist der Körper – so Nancy – doch selbst eine Echo-Kammer, deren innere Schwingungen und äußere Gespanntheit sich einander verschränken.

Edition of 500 copies Double-CD of Hermann Nitsch’s Sixth Symphony for large orchestra performed and recorded November 1, 1980 at Museum des 20. Jahrhunderts, Vienna. Packaged in big 2CD jewel-case with 12 page booklet.

Hans G Helms hat zwischen 1959 und 1968 drei Sprachkunstwerke geschaf- fen, die zu den fortschrittlichsten ihrer Gattunggehören:„Fa:m’Ahniesgwow“, „Golem“ und „Konstruktionen“ erwei- tern in unterschiedlicher Intensität die phonetischen, semantischen und syn- taktischen Felder der Sprache. Sie bewegen sich in einem „Niemandsland zwischen den Sprachen“ und bilden vielstimmige Konstruktionen aus frem- den Sprachen und Sprachverfremdung.

Sarah Morris (born 1967) has explored surface as a means of investigating power, psychology and urban and bureaucratic structures through her layered artistic practice including films, paintings, drawings and site-specific installations.

First release of Gerhard Rühm's Radio-Play 'Masoch'.

Music has been just as central as art, film and architecture in the formation of the German capital’s unique identity, although too often neglected by Berlin’s historians and biographers.

Experimental, Art Rock, Avantgarde Music.

Supergeile Compilation bestehend aus 3 LPs, 2 DVDs und einem 48 Seiten-Booklet. 41 der besten Bands aus Österreich zwischen 1977 und 1985 mit 80% unveröffentlichtem Songmaterial.

In this publication trendy pragmatism coincides with the improvisation of jazz music. The result is a plan of action to constructively deal with disorder in urbanism.

CD

Kim Feser, Matthias Pasdzierny: „… and a musicologist present at all times“ – elektronische Tanzmusik im Fokus populärer Diskurse und akademischer Forschung.

This LP is a collection of 29 pieces recorded 1980-84. Outsider art home-recordings using voice, acoustic guitar, accordion and bontempi organ.

"Subetage" is an English-language non-fiction work featuring interviews with and about Sabotage comrades-in-arms. For the first time, strategies in the music sector, nasal perspectives, design and fashion tactics, future operational objectives, and free-land zones are discussed in interview-like conversations.

Adria (00:12:39) was written and recorded in March, 2001, as a soundtrack for an exhibition in February 2002 at Galerie Christian Nagel, Berlin.

Booklet zu Spacelength Througth mit
Enigmatic Whisper
12” Schallplatte; eine Ergänzung zu Printed Cinema #17

Die Bedeutung des Kunstwerks im ausschließlich musealen Sinne gibt es kaum noch. Heute liegt der Fokus in den Künsten vermehrt auf dem Entstehungsprozess und der Interaktion. Da so kaum etwas Konkretes übrig bleibt, sind Dokumentationen umso wichtiger geworden: Sie sind gewissermaßen das neue Produkt des Kunstprozesses.

Florian Fusco spent three months (Oct-Dec 2010) interviewing homerecording artists in their homes and bedrooms in Greater Manchester and Blackpool.

- comes with CD

Astrid Seme (*1985) is studying graphic design in the masters program Werkplaats Typografie in Arnhem, the Netherlands. Her main artistic interest is the investigation of the relation between oral and written speech. In this respect, her central theme is the graphic notations of oral speech and the acoustic interpretation of graphic notations.

This record is part of the exhibition ‘Stoikerinnen\’ by Kasia Fudakowski, June 14 – September 19, 2014 at Kunstverein Harburger Bahnhof, Hamburg, curated by Anna Sabrina Schmid.

„… voller Ruhe und Sehnsucht, Nebel und Sturm …“
Gelesen von Wolfram Berger. Mit Musik aus dem col-legno-Katalog.

Exploring the infra-spaces between images, sound, and voice in the work of artist Marcelline Delbecq, in conversation with art historian Pascale Cassagnau (in the framework of the “Beyond Sound” interview series, dedicated to sound arts).

2 very long tunes of pure Industrial abstract electronic experiments. Sounds out of shapes.

»Wer hätte nicht einen flüchtigen Schauder, eine geheime Scheu und Beklommenheit zu bekämpfen gehabt, wenn es zum ersten Male oder nach langer Entwöhnung galt, eine venezianische Gondel zu besteigen?

Wiener Festwochen 1961 CD

Italian electro-acoustic composers Giuseppe Ielasi and Nicola Ratti reconvene their unique Bellows collaborative project for a new album on Shelter Press.

NELLA FANTASIA is a study about horizontality, time, and nomadic structures.

(deutsch/ englisch)

Auf der CD gibt es 14 eigene Lieder, Texte verschiedener Schriftsteller und slowenische Volkslieder, wieder ungewöhnlich, humorvoll und provokant neu interpretiert. Komponiert haben Maja Osojnik, Michael Bruckner-Weinhuber und Bernd Satzinger; alle drei sind Mitglieder von Maja Osojnik Band.

Along the arc of Dalt’s music, beyond what steers her so allusively away from self-repetition, there is an undefinable forward inertia. What can explain, for instance, the near absence of her voice? Is it personal interest, renunciation, an embrace?

A “politics of listening” is an intervention into and a reorganization of forms that listening takes rather than a call for free speech or for a platform for voices to be heard.

Bruce Russell is like, the granddaddy of new music. If you think the dings and tings you're hearing in low lit performance spaces are out of this world, imagine what he's been up to for the past few decades. From the Dead C to Handful of Dust, he's made his mark by refining (and redefining) sound art from his hometown in Dunedin.

The Morning Line is both ruin and monument, the blackened frame of a cathedral-like structure; a drawing in and of space; an ‘anti-pavilion’.

Musical score written through the transcription of a daily occurrence.

General Fundy is the name of a collaborative audio art project critical of "the decadence of Western policy and Western economy."

Nico Dockx, Florian Hecker, Marcellvs L., Astrid Nippoldt nähern sich in verschiedenen Medien – in reinen Soundinstallationen, mit Video-, Film- oder Fotoarbeiten – auf jeweils sehr spezifische Weise dem Phänomen Klang.

Wo entdeckt Parov Stelar in Öberrösterreich spannende Sounds? Was zeigt Patrick Pulsinger seinen Freunden aus dem Ausland, wenn sie nach Wien kommen? Welche Radiosendungen empfiehlt uns Gustav? Auf welchem Friedhof möchte der Austrofred einmal begraben werden? Mit Austrian Heartbeats präsentieren wir den ersten Reiseführer zum Thema aktuelle Musik in Österreich!

The 24th issue of zweikommasieben focuses on an aspect of experimental electronic music that might be rather obvious. Nevertheless, this aspect is integral to the type of discerning perspective adopted in the pages of this magazine:

Piano Sublimations is a collaboration between the Austrian composer and musician JUUN
and the visual artist Michael Wegerer.

Movement Notation is considered the first publication of the "Eshkol- Wachman Movement Notation" (EWMN), developed by Noa Eshkol and Abraham Wachmann. With this polyphonic notation system, Eshkol and Wachmann centered dance on its basic

The first book of the online-network Norient discusses contemporary movements and trends within globalised music scenes in Europe, Africa, Latin-America, Asia and the US. In Out of the Absurdity of Life – Globale Musik, journalists, scientists, artists and photographers question protest and provocation within the US, Ghana and England. They dive into the shrill party worlds of São Paulo, trace the reinvention of Syrian synthesizer-pop and discuss the provocation potential of Latin-American copulation dance-moves. Journalistic and scientific. Part of the book is in German, part in English.

The book deals with the process of visualising music using the first movement of Mozart's
Symphony in A major as an example. It describes various visualisation approaches, such
as the translation of the structure of the piece into natural worlds of colour and texture, and
finally assigns individual parameters of the symphony to agricultural machines and their
tracks.

In seinem Buch “Heller als die Sonne. Abenteuer in der Sonic Fiction” (1998) postuliert der afro-britische Theoretiker Kodwo Eshun den Begriff “Fission” (Teilung, Spaltung, Zertrümmerung) als Gegenposition zur Praxis der “Fusion”.

Cyanotypes documents six distinct series of cyanotypes produced by visual artist, performer, and composer Marclay in collaboration with Graphicstudio.

Das Buch B-Boys, Fly Girls & Horticulture dokumentiert das Fotoprojekt von Paul Hutchinson, das der Hip-Hop-Szene in Deutschland und Indien gewidmet ist.

Astrid Seme (* 1985) beschäftigt sich in ihrer künstlerischen Arbeit verstärkt mit dem Verhältnis aus gesprochener und geschriebener Sprache. Die grafische Notation von gesprochner Sprache und die akustische Interpretation von grafischenen Notationen bilden dabei ein zentrales Thema.

A rare case of left-wing / socialist electroacoustic music.

In the Burgkapelle, Eva Petrič stages a multimedial work based on an ESA photograph of the space telescope "Hubble", depicting newly emerged stars and star constellations.

Die Musik spielt im künstlerischen Werk von Dieter Roth eine zentrale Rolle.

Published on the occasion of the exhibitions:
Cachivache Bugui Bugui at Bozar Brussels and The Sound of White Smoke at Krinzinger Gallery Vienna

Das Buch enthält neue theoretische Essays und künstlerische Arbeiten, die sich auf diese bahnbrechende Arbeit beziehen, alle Originalversionen der Notationen von 4'33'' sowie alle Variationen, Ableitungen und Fortschreibungen des "stillen Stücks", die der Komponist zwischen 1962 und 1992 verfasst hat.

(Deutsch/Englisch)

Following its German publication, Marc Schwegler’s essay Über das Potenzial begrenzter Ordnungen now appears in an English translation by N. Cyril Fischer and a completely re-worked design by Dorothee Dähler and Kaj Lehmann. The essay begins with a consideration of the conceptual framework for Andrea Taeggi’s album Noméri— Tere, a link to the digital version of which is included in the publication.

With texts on The Visitors, Stars Exploding, and The Man, an Interview with Edek Bartz and Ragnar Kjartansson, a Who is Who of the Visitors by Ragnar Kjartansson, and much more.

"After all, each piece of music once upon a time was the newest music on earth."

In meinem Elternhaus hatten wir eine Laterna Magica, mit der man farbige Glasdias projizieren kann. Als Lichtquelle dieses Projektors diente eine klare 100-Watt-Glühbirne, in deren Glashülle mein Vater, der Goldschmied war, mittels einer Schablone unseren Familiennamen eingeätzt hatte.

... a HörBuach im Bludazer Dialekt ...

Texte vo dr Leonie Neyer, glesa vo BludazerInna.

In 2018, the artist Elisa Rose and the musician Gary Danner will have been involved in digital art for 30 years as STATION ROSE/STR. During that time, there was a transformation from a purely analog to a new, irretrievably interwoven digital/analog world.

arbitrary presents “Delirious Cartographies” (arbitrary13) by composer, improviser and synthesist Richard Scott. Part of the Danish imprint’s Framework editions, this release includes three pieces on 12" vinyl and six printed drawings – as well as a text by Scott – published as a limited edition portfolio folder.

„But, there are always people who do, kind of, die, in sort of part of a creative process, and we need to, kind of, cherish and appreciate those people. That was a bit of a downer wasn’t it!“ Peter Sleazy Christopherson.

Die „Gustav Mahler Lied Collector’s Edition“ ist eine sieben DVDs umfassende Box, die als Ergebnis des „lied lab 2011: gustav mahler festival“ erscheint.

Limited edition of 300 vinyl pressings of a sound work by Ben Cain. Commissioned by the Zagreb Museum of Modern Art for a public art festival in 2005 this 7” holds two audio tracks featuring location and spoken word recordings.

Trance has been the flagship for electronic music across the globe during the nineties and early zeroes. The sound’s trademark optimistic and euphoric aspects has brought some of the most compelling musical pieces of its time, and undoubtedly had a significant influence on future electronic music to come. Yet, its historical significance has been highly overlooked.