'Blending the heraldic with the optical, August Krogan-Roley’s Empty Coats each present themselves as a pictorial game.

die publikation zeigt neue werkgruppen von g. b. in den love seats sitzen wir auf einem möbelobjekt & blicken aneinander vorbei. textilbilder & stickereien zeigen kisses in form von lippen ohne person.

Patricia L. Boyd’s book “Ceiling Blues” borrows its format from fabric sample books. It contains photographed fragments of frottages,

The motifs produced during time-intensive dyeing processes – which uses indigo, urine, and extracts of natural waste materials – are neither conventional fabric nor lace patterns, and they have only a distant relationship to batik painting. Yet, they are simulations and portraits of both.

Natasza Niedziółka’s fascinating works move along the interface between painting, drawing, and textile art. The canvas constitutes the carrier for her abstract, haptic embroideries.