Locating the Producers
Durational approaches to Public art
Paul o´Neill, Claire Doherty
Locating the Producers explores how 'durational' processes to public art curating and commissioning have emerged as an alternative to nomadic, itinerant and short-termist approaches in recent years. It provides an in-depth analysis of five durational projects as its starting point: The Blue House, and Beyond, the Netherlands, Trekroner Art Plan, Denmark, and Creative Egremont, and the Edgeware Road Project, United Kingdom.