Citizen Culture explores the intersection of art and politics and doubles as a platform for open dialogue and engagement.

Der Fortschritt bürgerlicher Gesellschaften, mit anderen Worten, geht notwendig zulasten von Mensch und Natur.

Die hier aufgezeigten Veränderungen innerhalb der Phase 2 sind Ausdruck einer allgemeinen Problemlage, die mit der Akademisierung der Linken in Zusammenhang zu stehen scheint.

Zwei Dinge sind unendlich – die Dummheit und das All. Ob es das All wirklich ist, wie die Einstürzenden Neubauten behaupten, können wir nicht mit Sicherheit beurteilen. Dass Dummheit zwar Grenzen propagiert, aber grenzenlos agiert, zeigt sich täglich.

This book has been published in the context of the curatorial and artistic research experiment FORMER WEST (2008-2016).

Tanzfotografien sind Quellen unseres Wissens von Bewegung

Ungeachtet der brutalen kolonialen Ge

Nowadays, the notion of Heritage is besieged by multiple perspectives. Thoughts, materials, architectures and cities are all parts of heritage, a claim that stirs reactions, as well as creates expectations of the materials themselves.

There is an area between Venezia and Venice, between the reality and the logo, between the city and its brand.

Migrant Journal is a six-issue publication exploring the circulation of people, goods, information, even fauna and flora around the world and the transformative impact they have on space.

Mode and Mode is a periodical that addresses printed matter in fashion practice.

Imaginative Bodies contains a series of in-depth conversations with dancers and choreographers, composers, visual artists, Hip Hop artists, dramaturgs, a lighting designer and a puppeteer.

Here is a kaleidoscopic assemblage and poetic history of New York: an unparalleled and original homage to the city, composed entirely of quotations.

'There is a thinking that happens in contemporary art that I believe can be productively seen as ‘non-philosophy’. The act of non-philosophy transforms the complex experience of life into something new.

Impressed by Peter Weiss’ novel The Aesthetics of Resistance, whose first volume had been published in 1975, Farocki planned to conduct a long TV interview with Weiss for the German public-broadcaster Westdeutscher Rundfunk (WDR).

Trotz ihrer fortgeschrittenen Institutionalisierung steht „Performance" nach wie vor für eine schillernde Kunstform. Gleichwohl vermag der Begriff auch Abwehr zu provozieren.

Die Renitenz der in dieser Ausgabe gestellten Frage, was die Kunst vom will, ist Programm. Denn momentan sieht es so aus, als laufe alles im tionalen Kunstbetrieb der Biennalen und in den institutionellen Allianzen großen Museen auf die Optimierung sensueller und konsensueller Mehrwerterzeugung hinaus.

Der Begriff der „Aneignung" ist so alltäglich und vielschichtig wie er kunsthistorisch gesehen eine spezifische künstlerische Formation — die „Appropriation Art" — markiert. Warum sollte es sinnvoll sein, sich heute wieder mit dem vieldiskutierten Komplex der „Appropriation Art" zu befassen?

The edition is based on a pre-existing brochure, a technical guide for the modification of radio frequencies, augmented by 98 photographs made by the author, inserted at random among graphs and instructions for radio transmitters.

Philipp Schwalb mit Lorenzo Bernet. 8. November 2016

Edited by Bettina A.W. Funcke, Continuous Project #8 is the final "issue" within the series, also with #8 "Continuous Project" will become know as "Consultants."

Avery Singer with Annette Südbeck. 18. November, 2016

Heinrich Dunst. 27. Oktober 2016

MIGRANT JOURNAL ist eine sechsteilige Publikation, die den Austausch von Personen, Waren, Information und sogar Flora und Fauna sowie deren Einfluss auf den Raum weltweit untersucht.

Der dritte Band in der Schriftenreihe der Schering Stiftung dokumentiert Kim's Arbeit in Form eines Katalogs zu seiner Ausstellung "Carved Air" mit Texten von Lucía Ayala, Jaime E. Forero-Romero und Yunchul Kim.

How do 'witchery' phenomena and practices manifest within cultural, economical, political, religious and scientific spaces in Africa and beyond?

Socialist Architecture – The Reappearing Act ist eine Zusammenarbeit von Architekt Srdjan Jovanovic Weiss und dem Fotografen Armin Linke.

Spector cut+paste: Die Zeitschrift als permanenter Workshop—hier haben wir einige der Themen gefunden, die uns bis heute umtreiben; hier haben wir gelernt, uns zwischen künstlerischen und publizistischen Praktiken zu bewegen; hier haben wir begonnen, Text, Bild und Typografie zu kombineren, um so eigene Formate zu erfinden und die inhaltlichen Aspekte von Gestaltung zu untersuchen. Die vier Hefte, die bis 2008 erschienen sind, gibt es jetzt erstmals als Bündel. Unter anderem mit Beiträgen von Kathrin Röggla, Rimini Protokoll, Slavoj Žižek, Vladimir Sorokin, Tilo Schulz, Mark Hamilton, Christof Gassner, Olaf Nicolai, Aglaia Konrad, Thorsten Krämer und Gitte Villesen.

This Book was published on the occation of the exhibition at Kunsthalle Basel, Prisoners of Shothik.

Imagine the infinitely tiny size of an atom. Focus on the size of this microscopic particle in relation to your own human body. Now scale up to the size of the planets, galaxies, to the solar system as a whole. The weight of your body exists between these vastly different scales.

The book presents the artistic avant-gardes of the last five decades as a tapestry of incidents as fascinating and unlikely as any collection of myths or legends.

The publication is in part an archival document to a Situationist Intervention that took place sometime during the summer months of 1997, an intervention with specific interior / exterior locations within the centre of London.

Blueprint for Counter Education is one of the defining (but neglected) works of radical pedagogy of the Vietnam War era.

Out of stock / 5 last copies

More than anything else about architecture, Tobias Engelschall is fascinated by transformation. Between the regularity and randomness of architectural development, the new always emerges from what already exists.

'I For Idiot’ functions as an extension of the film ‘Avenida Progreso’ in the sense that it assembles three different perspectives: a philosopher’s, an ethnologist’s and a film theorist’s, and juxtaposes these with some of the external layers of reality that have in one way or another informed the film.

I Saettatori is a dual-language (Italian / English) catalogue from Mousse Publishing with texts by Marcello Smarrelli and Francesco Barocco.

How do I imagine being there? sets out to answer questions by means of a choral reflection.

Of Democracy / De la Démocratie is a facsimile publication in English and French by Henri Chopin, an avant-garde artist, poet and musician.

Three years ago, during a talk at a university, a student asked me, “What is the relationship between your work and your teaching?”..

The book includes theoretical essays and previously unpublished documentary material relating to the long-term collaborative art project CODE:RED, which was initiated in 1999/2000 by the P.A.R.A.S.I.T.E.Museum of Contemporary Art.

Madill's work addresses the construction of identity around the unstable binarism of homo/heterosexual.

The Exhibitionist is a journal focusing solely on the practice of exhibition making. Its objectives are to create a wider platform for the discussion of curatorial concerns, encourage a diversification of curatorial models, and actively contribute to the formation of a theory of curating.

Reflection
Response
La Critique

Untersuchungen zum Buch Hypnerotomachia Poliphili mit zahlreichen Abbildungen aus dem Originalbuch, kommentiertes Beilageblatt mit den Originalholzschnitten.

Reflection
Response
La Critique

Eine Zusammenstellung unterschiedlicher Beiträge zu dem Thema "Unabhängige Räume". Nach einem Symposium im Kunsthaus Zürich (1997).

The question of life has always been one of modernity’s main preoccupations.

The Jahresring series is one of the longest continually published annual journals for contemporary art in Germany.

This volume is a collection of dynamic and engaged writings by art historian John C. Welchman on a range of contemporary European artists:

This issue comprises various outlooks on “perspective.” This might be taken to mean something as specific as a particular opinion or as general as an axonometric projection; in short, different ways and means of looking at the world.

The book Public Sphere by Performance results from a two-year research project Performance and the Public that Ana Vujanović, Bojana Cvejić and Marta Popivoda carried out in 2011 and 2012, during the residency of TkH (Walking Theory) platform (Belgrade) at Les Laboratoires d’Aubervillier.

This book offers a first report on the activities of the Cercle d’art des travailleurs de plantation congolaise (CATPC), an association based in Lusanga, in the Democratic Republic of Congo.

How did art escape the deadlock of the Situationists’ anti-art refusal?

Mit Beiträgen von: Ann Cvetkovich, Chris Tedjasukmana, Anja Michaelsen, u.v.m.

Sprache: Deutsch

The eighth volume of the Critical Spatial Practice series focuses on Jill Magid’s “The Barragán Archives,” a multiyear project that examines the legacy of Pritzker Prize–winning architect Luis Barragán (1902–1988), and questions forms of power, public access, and copyright that construct artistic legacy.

The internet does not exist. Maybe it did exist only a short time ago, but now it only remains as a blur, a cloud, a friend, a deadline, a redirect, or a 404.

Every curated encounter involves hospitality, with curators in the role of host and the invited artists, audiences and even exhibits as guests.

Das "dynamix duo" und sein Weg in die deutschsprachige Popliteratur der 60er Jahre.