Mit Textbeiträgen von Achim Hochdörfer, Christa Benzer, Eva Maria Stadler und Verena Krausnecker und einem Gespräch von Carrie Lambert-Beatty mit der Künstlerin (D/Engl.)

If Newton lived in these dark days he would probably reformulate his laws following the formula of accelerationism.

»Das reine Denken langt nicht hin. Dazu braucht es eine Geste, eine Regung im Raum, und in diesem Raum hier.«

An additional section of sixteen color pages includes original works of art created especially for the book by graphic designer Brian Roettinger, who, with the help of artist/programmer Chandler McWilliams, compiled 25 rules for collage-making and translated those rules into a computer application. The sixteen collages produced by the application make up the book's center section.

Highly complex, thoroughly networked societies are so susceptible in some ‘neuralgic spots’ that a single pinprick is enough to trigger a catastrophic chain reaction. In this insecure situation, threats are being amplified by neoliberal restructuring in the form of privatization and technological rationalization.

A new cover on a random book. Inside of it the reproduction of the text by Ulises Carrión "The New Art of Making Books", published for the first time in 1975 in the Plural magazine, conceptualizing the artistic genre "artist book".

In almost 400 pages the third issue of Rab-Rab departs from Karl Marx' essay on the law on the forest theft.

If it was once God who pervaded and determined every last corner of human existence, it is now porn, the sibling of sex.

Published to coincide with Welcome to Iraq, an Iraqi participation in the 55th International Art Exhibition la Biennale di Venezia, 2013. Texts by exhibition curator Jonathan Watkins and acclaimed Iraqi writer Tamara Chalabi.

After working together as a research group centering around the event that was Eyjafjallajökull in May 2010, ‘Correspondence from Eyjafjallajökull’ went about re-examining the idea of Europe.

In Kritiken und Essays seit 1963 spiegelt sich ein Bild des Wiener Architekturdenkens der letzten drei Jahrzehnte- in einer Perspektive, die selbst einer Entwicklung unterliegt. Aus Polemiken, die sich immer weniger mit Bauwerken als mit Geisteszuständen befassen, entsteht im Zusammenhang eine kritische Theorie

Kaum zufällig sind die Anfänge modernen Wissenschaftsmarketings mit der Geschichte eines Verlags verbunden, dessen einziges Ziel die Verbreitung der Freud’schen Psychoananalyse war.

In 1968, toward the end of a decade that witnessed civil rights protests, the escalation of the war in Vietnam and an expanded notion of artistic practice, Yvonne Rainer presented her evening-length work, The Mind is a Muscle, a multipart performance for seven dancers interspersed with film and text. Catherine Wood examines the political and media context in which Rainer chose to use the dance-theatre situation and analyses her radical approach to image-making in live form.

In her work and throughout her life, Wilson has explored how identity and positioning are not merely given, self-defined or projected, but also negotiated.

This interview with Romain Kronenberg by curator Anne-Laure Chamboissier traces the filmmaker's progression, from his first projects to the most recent, including some currently in development. It reveals the complexity of a body of work where the relationship between image and sound is constantly reinvented with each new creation. (in the framework of the “Beyond Sound” interview series, dedicated to sound arts).

Aus der 1996/1997 noch temporären Einrichtung entwickelte sich das Museum für Reproduktion (Musée Benjamin) im Herbst 2004 zu einer festen Dependance des documenta Archivs.

In 2017 steirische herbst, one of the oldest multidisciplinary contemporary art festivals in Europe, will take place for the 50th time. Since its founding in 1968, the festival for performance art, theatre, visual arts, music, architecture, dance, literature, film and theory has been a platform for the lively debate concerning the complex social, political and economic conditions of the present.

Die jährliche Wettbewerbsdokumentation der Stiftung Buchkunst in Wort und Bild.

Die mexikanische Künstlerin Teresa Margolles (*1963) setzt sich in ihren Arbeiten mit dem vielleicht letzten großen Tabuthema unserer Zeit auseinander: mit dem Tod.