130 Propagandabilder, Werbe- und künstlerische Plakate von den 40er- bis Ende der 80er-J.

The publication “Jean-Frédéric Schnyder. Mappe A55” shows 17 female nudes from the “How To Paint (1973–75)” works series created according to the instructions of the DIY painting course of the same name by Walter T. Foster.

CORNER football + society is a periodical publication that proposes a crossdisciplinary approach, taking football and its complex contemporary and historical context as a starting point.

Das Operndorf Afrika ist zehn Jahre alt geworden. Was ist aus Schlingensiefs Vision, ein Operndorf im westafrikanischen Burkina Faso zu gründen, geworden? Werden dreißig Kilometer außerhalb der burkinischen Hauptstadt Ouagadougou nun Wagner-Opern inszeniert?

Als Blinky Palermo im Alter von 33 Jahren auf den Malediven starb, studierte Förg noch an der Münchner Akademie. Die beiden sind sich nie begegnet. Kann man trotzdem von einer Freundschaft der beiden sprechen? Nein, kann man nicht. Man muss!
When Blinky Palermo died unexpectedly in February 1977 while on a trip to the Maldives, he was 33 years old and Günther Förg studied at the Munich Academy of Fine Arts. So, Förg and Palermo never met.

How can art and culture contribute to creating new imaginaries of the future within the current political and social discourse marked by misinformation, radicalization, populism, and a general crisis of representative democracy? Shaping Desired Futures draws the map of a changing Europe that can help contextualize today’s burning questions and trace still unknown narratives shared by Eastern and Central Europe. Through a series of interviews, essays, and artistic contributions, it proposes new means through which art can model alternative visions and help shaping different desirable futures.

The winter 2021 issue of Mizna, guest-edited by Tarik Dobbs, challenges conventional forms, language, and ideas within literary processes and traditions.

Mizna is a critical platform for contemporary SWANA literature, film, art, and cultural production centering the work of Arab and Southwest Asian and North African artists. For more than twenty years, we have been creating a decolonized cultural space to reflect the expansiveness of our community and to foster exchange, examine ideas, and engage audiences in meaningful art.

The winter 2020 issue of Mizna is guest edited by Palestinian graphic novelist Leila Abdelrazaq and addresses prompt of A New World Order. These days, it seems as though revolutionary changes are happening daily.

Bianca Baldis Publikation Play-White ist zwischen ihrer jüngsten gleichnamigen Videoarbeit und einer neu in Auftrag gegebenen Serie von Textilarbeiten angesiedelt, und vereint Ideen rund um den komplizierten Akt des „Passing".

Her most recent comic seemingly depicts Amelie von Wulffen’s own life. It stands in for a parody of the contemporary, female, mid-career artist.

Cet ouvrage est publié à l'occasion de l'exposition Amelie von Wulffen, à l'espace 315, Musée national d'art moderne du Centre Georges Pompidou, Paris, 2 mars-2 mai 2005.

This is an anthology of the artist’s collected comics from 2011 to 2020, only allegedly a casual branch of her practice. It includes November (2011) and At the cool table (2013) as well as lesser known, shorter comics of the last few years.

„The conceptual is no longer in opposite to working freely unlike historic conceptual art dictated, but for David Roth both complement each other in his endeavour of fundamental research of painting in as broad a spectrum as possible.

A catalogue as reader: the enclosed texts describe the nearly one hundred works the artist produced through the year 2020 under the name “Stefan Riebel”; these texts, however, are autonomous pieces of writing * in their own right.

THE LINE – Atlas of Remoteness documents the exploration of contemporary landscapes by walking along a straight line around the Earth. This volume focuses on a segment that goes from the River Rhine to the High Alps extending through the territory of Liechtenstein. THE LINE is a project by the Institute for Linear Research, an independent research platform.

In the book the mind is the body Lisa Gutscher journies into the body and presents a fantastic tapestry of stories and visuals. Like a children's science book, the artist reveals before us readers the magic of the body without confining it to machinic partitioning, binary oppositions or theory as such. It is stories, both visual and textual, that are the fuel and destination of this journey:

“I wanted a newspaper, the picture in my head was of someone slapping a fat stack of paper on the table in front of you, in your face, saying: Right, now it’s happened.” (Siggi Hofer)
The versatility that distinguishes Siggi Hofer’s exhibitions is also evident in a publication accompanying his current

Hermann Nitsch (*1938 in Wien) ist ein bedeutender Wegbereiter des Wiener Aktionismus. Seit 1957 arbeitet er an der Verwirklichung seines zentralen Werkes: Das Orgien-Mysterien-Theater ist ein nonverbales,

The punk pulp love story by a post-post-modern dandy, boy-about-town, lost in the perverse underworld of sex & drugs & culture wars.

A three-dimensional paper sculpture with eight different views. A pop-up book as an homage to the contemporary art book scene.

‘Abstraction as an Open Experiment’ addresses the exploration and interpretation of the potentiality of abstraction, which starting from the 1960s became a vehicle for artists to rethink the relationships between modernist art, the individual and society.

Hock describes some of her works as ‘hosting structures’ – structures that seek collaboration with another work and in this way can create something larger than themselves.

Started as a xerox zine, a saturated compilation of drawings done by amateurs, musicians or comics authors, Nazi Knife explored, in its more recent issues, some more singular editorial approaches:

“Erasure is a visual depiction of the modernist erasure of graffiti. It is authored by X, the artist, and I merely the conceptual constructor of what X had innocently, non-artistically performed.” – Eldon Garnet

Since 2001 Prinz Gholam have been dealing with the self and the body as cultural constructs in their performative work. In the actions they perform together, the two artists succeed in revealing and breaking through the postures of our iconographic heritage that are consciously or unconsciously inscribed in us.

The Danish label/imprint arbitrary announces the release of Framework 3 (arbitrary11) by Mads Emil Nielsen. Framework 3 is the latest instalment in Nielsen’s sequence of graphic scores and recordings.

Vrach is Renaud Regnery's collection of all the sketches made for the painting of the same name: Vrach, 2019, plaster, acrylic paint and alkyd lacquer on wallpaper on canvas, 200 x 135 cm.

Curator Christine Eyene challenges the Eurocentric and patriarchal frameworks that have informed the history of sound art and, to some extent, continue to define current practice. Sounds Like Her is a challenge

Alejandro Cartagena’s photographs of recently built Mexican suburbs, ask us to look at this phenomenon of the suburban environs and how it has fueled variously the need for solutions to overcrowded cities, or the desire to form and incorporate community living where replication and anonymity are the rule rather than the exception.

Das Buch gibt einen umfassenden Einblick in das vielgestaltige Werk Ingrid Wieners, die die Gobelinweberei als zeitgenössisches Medium neu entdeckt hat.

Ein präziser Blick auf das architektonische Umfeld, den sozialen Kontext und die geografischen Gegebenheiten wurde für die Projekte durchgehend vorausgesetzt, die im dritten Band der von András Pálffy edierten Reihe Konzept und Entwurf präsentiert werden.

In 1994, after seeing photographs of the plastic sheets given to Rwandan refugees to live under, Shigeru Ban went to the United Nations High Commissioner for Refugees to propose ideas for better shelters. Since then, Ban has been critically heralded for his innovative approaches to environmentally sound architecture and his devotion to humanitarian efforts in the wake of some of the most devastating natural and man-made disasters.

Joachim Brohm (Jahrgang 1955) unternimmt ein foto-urbanistisches Projekt mit Langzeitbeoachtung. Von 1992 bis 2002 fotografiert er auf ein und demselben Areal, das - am Rande einer deutschen Großstadt gelegen

Featuring a wealth of sketches, precision drawings, and computer-generated artwork, as well as a range of styles, concepts, languages, and alphabets, Free Hand illustrates the idiosyncratic creative processes behind the design of typefaces, logos, and word-images.

Each drawing in the Codification of intimacy is based on a chapter, a passage or a key word that Voigt has chosen to distill from Niklas Luhmann's Love as Passion (1982). Voigt began her drawings by first marking those passages in the text that triggered intuitive associations.

Der Schweizer Künstler Urs Graf (um 1485-1527/28) verdingte sich als Söldner und führte ein ziemlich abenteuerliches Leben. In Gerichtsakten fiel des Öfteren sein Name – im Zusammenhang mit Schlägereien, Körperverletzung und Ehebruch. So entfaltet sich auch im außergewöhnlichen Konvolut seiner Zeichnungen ein Bild seiner Zeit: Soldaten, Dirnen und Narren tummeln sich in seinen Werken.

This publication is based on a lecture delivered by Elise By Olsen at Elisava School of Design and Engineering in Barcelona in June 2019.

Anfang der 1980er Jahre wurde Taaffe als wichtiger Vertreter der Appropriation Art international bekannt. Sein Interesse an Ornamenten unterschiedlicher Kulturen und historische Naturdarstellungen, die er als Fragmente in leuchtenden Farben auf die Leinwand bringt, prägen seine Bilder.

Der 1938 in London geborene Star-Fotograf David Bailey begann seine Karriere als Chronist des „Swinging London“ der 1960er-Jahre und gilt bis heute als Meister der Porträtaufnahme.

Kreatives Schmuckdesign jenseits von Luxus und Pomp. Schmuck ist im Trend. Ob Glamour, Gothic, Pop oder Minimalismus rund um eines der ältesten und immer wieder innovativsten Kulturgüter der Welt finden sich derzeit viele ungewöhnliche Entwürfe, Materialien und Gestalter.

For Markus Guschelbauer, the landscape is a reference point and a backdrop for his photographic interventions and stage settings.

Through his photographs of lobbies captured in more than two hundred hotels in Vienna, Wolfgang Thaler has succeeded in portraying an entire city, the hybrid face with which it welcomes and takes leave of its guests, offcially and incognito. (Andreas Spiegl)

Nur ein Test. Bitte nicht wirklich kaufen.

A corporate report as conceptual intervention

Vom Paradies der Damen ist eine eigens für das Medium Buch konzipierte Fotoserie eines 500 qm großen Geschäftsraumes, dem ehemaligen Modegeschäft von Beate Mohrs Familie. (dt./engl.)

Till Lukat, Hans Lichtenwagner, Lukas Weidinger, Marc Hennes, Ricaletto, Malin Schönberg, Carlotta Richter, Leo Koppelkamm

Im Notfall Meditation: der programmatische Titel erhebt den prekären und bedrohten Augenblick zur Dauer, er ist dem gleichnamigen Gedichtband von Frank O’Hara entnommen.

Ein Buch zu den Fotoarbeiten von Hannah Cullwick 1855 - 1902 und dem Film Normal Work von Pauline Boudry, Renate Lorenz, der sich mit den Fotoarbeiten von Hannah Cullwick beschäftigt.

work in progress

Ve:ernacular Painting presents large mural paintings from the last fifteen years by Gijs Frieling (Amsterdam, 1966), together with a number of small paintings, pieces of embroidery and objects. (Englisch)

With a cast that included Chief Crazy Horse, Krishna, a Valkyrie, a bunch of zombies, some fetish boys, a donkey and an albino snake, Shezad Dawood’s film ‘Feature’ effortlessly slips between film genres, playing havoc with the unwritten rules of distinction and boundary.

In case you don't usually take the bus around New York City, I highly recommend it - it's cheap and air-conditioned and you get to sit next to, and sometimes touch, people you don't know. There's plenty to see, inside and out: street action, fashion statements, and most of all, people...

Human or Other was published in conjunction with Katrin Plavčak’s 2018 exhibition at the Secession in Vienna.

Franz Graf hat für die vier Flächen in der Passage Hauptbahnhof/U1 Südtiroler Platz unterschiedlichste Bildmotive aus seinem künstlerischen Archiv zu komplexen Kompositionen zusammengefügt.

Katalog zur Ausstellung im Mai 2007 im KW Institute for Contemporary Art

Queer Publishing - A Family Tree: The Queer Tree of Life maps the landscape of queer LGBTQ publishing between 1880 and 2019 in an international context.

Seit 10 Jahren betreiben Jean-Paul Felley und Olivier Kaeser in Genf den Kunstraum Attitudes. Die vorliegende Publikation hält Rückblick auf die Projekte in dieser Zeitspanne und reflektiert in zahlreichen Texten die Geschichte und das Umfeld von Attitudes. Da in dieser Zeit kaum Kataloge zu den Projekten erschienen sind, schliesst die vorliegende Publikation eine wichtige Lücke.

Remake des in den 60er Jahren vierteljährlich erschienen Heftes "tips für sie".