André Thomkins zählt zu den innovativen und vielseitigen Künstlern der zweiten Hälfte des 20. Jahrhunderts.

Outer space appears in Thomas Ruff’s work not as a romantic distance, but as a technically produced image.

Science and technology have always played a crucial role in advancing medical treatment.

From the wooden foundations beneath Amsterdam, extending upstream to rural timber traditions in the German Rhineland,

The first biography of the epic life of one of the most important, enigmatic and private artists of the 20th century.

Michael Craig-Martin reflects on artistic practice from the perspective of both artist and teacher.

Imi Knoebel is a leading figure of 1960s abstraction, and one of its most popular contemporary exponents.

Arnulf Rainer’s work is defined by overpainting, erasure, intensification, and physical intervention.

Industrial photography appears here as a broad visual field in which labour, technology, architecture, production, and social organization become visible.

Industrial photography is presented here as a field in transition:

In her films, photographs, and sound works, Tacita Dean uses silence, time, and entropy to explore particular human sensibilities.

FLYING LIKE A BUTTERFLY: a dream machine is a collaborative publication by WIRWIR Publishing in Berlin and Pitzilein Books in Mexico City.

Hervorgegangen aus der Zusammenarbeit des Künstlers Thomas Demand und des Direktors der Nationalgalerie in Berlin Udo Kittelmann, versammelt der Band Beiträge von Autoren aus den verschiedensten Bereichen des öffentlichen Lebens, die alle etwas gemeinsam haben:

Peter Kogler is regarded as one of the most important Austrian artists to have consistently integrated digital technologies into his artistic practice.

At the interface between art and industry, the MAK has been a partner of the company J. & L. Lobmeyr since its founding.

This publication is dedicated to nineteenth-century glassware from the MAK Collection and considers it in relation to J. & L. Lobmeyr, one of the key names in Viennese glass production.

Rosemarie Trockel: Anima is the catalogue published on the occasion of the exhibition at the MAK Gallery, Austrian Museum of Applied Arts, Vienna, in 1994.

Americans is the second book in a series on America by Christopher Morris.

Altered After brings together artworks shaped by questions of time, care, and transformation in response to HIV/AIDS.

The Last Newspaper was a hybrid exhibition inspired by the ways artists approach the news and respond to the stories and images that command the headlines.

Bernhard Cella’s sweeping pictorial documentary of convalescent men present us with an iconography of a century of medical progress and, by the same token, with a typology of the mise en scenes of soon-to-be homecoming patients.

“A Longing for Beauty: The Wiener Werkstätte and the Stoclet House” explores the Wiener Werkstätte as one of the central reform projects of Viennese Modernism.

The issue introduces the editorial approach that would define the magazine in its early years:

678 gibt Einblick in eine Werkphase, in der Pumhösl Film, Malerei, Zeichnung und Raum in ein präzises Verhältnis setzt.

Friedrich Kiesler – Lebenswelten / Life Visions is dedicated to the work of the architect, artist, and theorist Friedrich Kiesler.

 Vor wenigen Jahrzehnten noch Science-Fiction, erobern Roboter und robotische Systeme heute unseren Alltag.

Heinz Franks Arbeit bewegt sich zwischen Zeichnung, Sprache, Objekt, Architektur und philosophischer Reflexion. Seine Zeichnungen und Texte arbeiten häufig mit Paradoxien, Verdichtungen und einer bewusst instabilen Bedeutung.

Monolithische Mahnmale versammelt Zeichnungen und Essays zu Bunkern in Hamburg.

The publication reflects a scene marked by self-organization, shifting institutional frameworks, and the need to create new spaces for art after political rupture.

The publication reflects Klub Zwei’s collaborative method. Rather than treating representation as a neutral form of visibility, it asks how images, narratives, and public statements shape political understanding.

Leopold Kessler has revealed new possibilities for art in the public space. He has shown that every activity, even the most mundane and the most banal, can be changed into “doing art.”

Kader Attia: RepaiR is both an artist’s book and a reference monograph on one of the central concepts in Kader Attia’s work: repair.

The catalog for the exhibition Kader Attia: Sacrifice and Harmony brings together a wealth of materials, images, and texts related to the French artist’s new works.

The extensive catalogue documents a programmatic group exhibition of Austrian contemporary art of the 1980s and brings together central artistic positions of the period.

Fluxus Subjektiv was published in 1990 on the occasion of the exhibition of the same name and the Fluxus actions at Galerie Krinzinger in Vienna.

The self-published photo volume Wet City / Islak Kent is Murat Yusuf Sen’s contribution to the visual reflection on urban change in Istanbul.

This unique collaboration between two key figures in performance art spans all phases of their twelve-year partnership and shared life.

Der Schweizer Fotograf Kurt Blum (1922–2005) ist vor allem für seine Porträts von Künstlerinnen und Künstlern bekannt.

Stump offers a radical, up-close look at the political spectacle in the United States, at a time marked by unprecedented partisanship,

"The winter in L.A. that year was kind of a 'grey July.' Diana and I lived at 234 Entrada Drive in January and February of 2001.

Eine exklusive Sammlung von Fotografien aus einer bemerkenswerten Zeit – Andy Warhols Factory gesehen durch die Linse eines der meist bewunderten Fotografen der Welt,

Die Ausgabe behandelt eine Reihe zeitgenössischer Themen aus Kultur, Politik und Medienkritik. Beiträge befassen sich unter anderem mit der politischen Bedeutung neuer Technologien wie Kryptowährungen,

Es war ein historischer Augenblick der Kunstmoderne, als Kasimir Malewitsch unter dem Banner des Suprematismus seine gegenstandslosen Bilder der Öffentlichkeit vorstellte und Wladimir Tatlin gleichzeitig revolutionären Konterreliefs präsentierte.

When he went to Algeria in the 1950s Dirk Alvermann was only eighteen, a rebellious West German teenager thrilled by the struggle for freedom by the Algerian people against French colonial rule.

Christoph Schlingensief presents a comprehensive overview of the work of the German filmmaker, theatre director, and artist Christoph Schlingensief.

One of the most important figures in global modernism, Cuban artist Wifredo Lam (1902'1982) traveled extensively in Europe in the 1930s,

Die Ausgabe des Jahrbuchs „kursiv“ aus dem Jahr 2011 steht unter dem Leitthema „Der Wert der Kunst“.

Between 1978 and 2008 Frida Parmeggiani was among the most sought after costume designers in Europe.

The painter Henry Fuseli (Johann Heinrich Füssli) is one of the most distinctive artists of the late eighteenth century.

Mit der Serie Vasen–Extasen setzen Anna und Bernhard Blume ihre fotografischen Untersuchungen zum Verhältnis von Subjekt und Objekt fort.

Last year we traveled to China to begin filming a remake of Metropolis.

TL CS PP DS was published on the occasion of Sophie Thun’s exhibition at the Secession in 2020.

33 degrees in the city, everything is sweating. Under the stage lights, the artificial hairpiece only intensifies the heat.

Neither. Die Musik Morton Feldmans ist eine umfassende musikwissenschaftliche Studie von Sebastian Claren, die sich mit den kompositorischen Strategien und dem ästhetischen Denken von Morton Feldman auseinandersetzt.

In his collages, films, and architectural stagings, David Maljković engages critically with the legacy of modernism. Central to his practice are sculptural and

The Baule people of the Ivory Coast are renowned for their refined sculptural work of masks and figures.

Der Band zeichnet das Bild der mongolischen Steppennomaden vom 7. bis zum 14. Jahrhundert:

Die Publikation erscheint anlässlich des 80. Geburtstages von Hartwig Ebersbach. Eine Biografie im Spiegel der Kasperpuppen-Sammlung: Hartwig Ebersbach ist Kasper.

Simon Denny presented a solo exhibition at the Ursula Blickle Stiftung (Kraichtal, Germany), an institution known for its focus on contemporary, conceptually oriented artistic practices.

Salt’n Vinegar presents a series of photographs created by A-chan in her New York home and during travels between 2011 and 2013.