12 individual sheets with prints of drawings.
12 einzelne Blätter mit Druckgrafiken.
Edition of 100

The exhibition-dossier is conceived as a methodological dispositif—a mediation space drawn on the narratives of art and artists—, used to explore the spiritual, theoretical and poetical undertakings in art and art practices grounded in the local terrain, in order to complement the existing research and to expand the circle of inquiries.

Florian Pumhösl processes the tropes of art, architecture and graphics of the modernist avant-garde to create new aesthetic systems through painting, film and installation.

An early discussion at an Independent Space Index Stammtisch led to a proposal that Vienna’s independent scene could be considered a large and diverse intergenerational institution, presenting hundreds of exhibitions and projects per year, creating a responsive web of international networks.

Exhibition catalogue published in conjunction with the Austrian pavilion of the 45th Biennale of Venice held in 1993 featuring Andrea Fraser, Christian Philipp Müller and Gerwald Rockenschaub. Texts by Helmut Draxler, Chantal Mouffe, Albert Müller, Michael Müller, Felicia Riess, Otto E. Rössler, Peter Weibel and Slavoj Žižek. Includes biographies and a checklist of the exhibition. Text in English, German and Italian.

The starting point here is the relation between writing and time,
object and text, hence the title “Schreibtischuhr” (writing desk clock).
We are considering the time of the written as a point of origin and
analysis, rather than the duration of the spoken. e desk stands for
the common starting point of both the artist and

Herbert Fuchs macht aus seinen Künstlerfreunden Geiger, Zobernig und Kippenberger Kunstfiguren, die in seinen Textmontagen aus facts und fiction, aus Erinnerungen an gemeinsam verbrachte Tage und Nächte,

Gaëlle Lauriot-Prévost and Dominique Perrault invited the historian Frédéric Prot and the photographer Philippe Chancel to reveal, both in writing and images, this radical work by the architect Jean Dubuisson that he designed during the 1960s, as well as the commitment of his client André Weil to build a domain at Pontpoint.

Forked Apologies gathers twenty-five texts by Michael Van den Abeele, all but two written on invitation by fellow artists and architects in the course of the last ten years. Drawings by Michael Van den Abeele of the concerned works and exhibitions accompany the texts. In fiction or description,

Kate Newby’s works celebrate the moments in which they are created and presented; at the same time, they are open to change. Drawn from impressions collected when navigating cities and landscapes, her sculptures and interventions foreground process:

Georg Frauenschuh (geb. 1979) verbindet in seiner Malerei einen persönlichen Standpunkt mit einer diskursiven Herangehensweise. In seinem bis 2015 vorwiegend abstrakten Œuvre tauchen in jüngster Zeit vermehrt figurative Sujets auf.

We see women looking at art, everything an exhibition has to offer: paintings, sculptures, installations. If we’re women, then one could say they’re women looking at women looking at art.

Die Werke des chinesischen Künstlers Ai Weiwei sind Ausdruck seiner kritischen Auseinandersetzung mit Geschichte, Kultur und Politik seiner Heimat und reflektieren auf mehr oder weniger subtile Weise seine eigene Biografie.

Auslöser ist ein zweisprachiges Indie-Print-Magazin, das sich auf die menschlichen Geschichten hinter der Kamera konzentriert. Jede Ausgabe enthält vier ausführliche Fotograf:inneninterviews, eine Hinter-den-Kulissen-Reportage und ein fotografisches Objekt im Detail.

Texts by Hans Haacke that range from straightforward descriptions of his artworks to wide-ranging reflections on the relationship between art and politics.

of cities and private living rooms is a semi-fictional multi-media installation that is composed of a two-channel film installation and a photo slide projection. The work questions the hidden biography of the artist’s great-grandmother.

Bezeichnet der Begriff „Speicher“ ursprünglich einen Aufbewahrungsort für Getreide und Vorräte bildet
Nadim Vardags Künstlerbuch Erkenntnisprozesse nicht nur zu Etymologie und Semantik, sondern
insbesondere zur Ästhetik von

In his photo series, Asamoah shows us young men through time, finding contentment within the transitions of boyhood to adult-hood.

Der österreichische Konzeptkünstler und Jurist Guido Kucsko fokussiert in seiner künstlerischen Arbeit grundsätzliche Fragen des Denkens, Fühlens und des kreativen Schaffens.

The year of lockdown was an occasion for Markus Redl to undertake a journey in the smallest radius and to deal with the objects that surrounded him.

FUKT Magazine, one of the world’s leading, engaging and inspiring drawing magazine returns for its 20th edition. This new anniversary release looks at the art of portraits in drawing.

threedscans.com is an archive of downloadable 3D scans initiated in 2012 by Oliver Laric. All scans are free to use without copyright restrictions. This book compiles examples of the scans in use.

“Modernism/Murderism”, translated by Vasvi Oza, brings together, for the first time in English, a forgotten debate on Modern Art that took place in the pages of the Gujarati-language periodical “Kumar” between 1959 and 1964.

The book was solely designed by women, from cover to paper, from typeface to printing.

Im Zuge der Recherchen für die neue Ausstellung stieß das kuratorische und wissenschaftliche Team in den Sammlungen des Staatlichen Museums Auschwitz-Birkenau auf Ansichtskarten mit österreichischen Sehenswürdigkeiten. Auf deren Rückseiten zeichnete der polnische Auschwitzüberlebende Jan Kupiec nach seiner Befreiung 1945 in Mauthausen/Ebensee Szenen aus den Konzentrations- und Vernichtungslagern Auschwitz und Birkenau.

Which code to read the world with? Which story to invoke the world with? Connectings (2021) is an artist book by Adéla Součková that addresses the contemporary mythological world. Součková‘s pictographic blue and red line drawings depict a human gaining self-awareness through the connection between the Sky and the Earth.

Art for UBI is a manifesto: the world of art positions itself in favor of universal and unconditional basic income, placing in the foreground its advantageous conditions in economic, social and ecological terms.

This publication documents the 2016 exhibition “One, No One and One Hundred Thousand,” which took place at Kunsthalle Wien, Karlsplatz. Curated by Luca Lo Pinto, the show took its inspiration from Oulipo, a literary strategy whose objective was to propose new “structures” for writing that were mathematical in nature.

the 10 last copies:
Bernhard Cellas Panoptikum an rekonvaleszenten Männern - quer durch ein Jahrhundert - demonstriert eine Ikonografie des medizinischen Fortschritts und die Typologie der mise en scène, der bald wieder in den Alltag Zurückkehrenden. Es legt in seiner jeweiligen Inszenierung auch einen Bruch offen,

Bei dieser Publikation handelt es sich um ein Künstlerbuch das anlässlich der Ausstellung "Mathias Poledna. Actualité", welche im Grazer Kunstverein stattfand, erschien.

STURM OF LOVE ist der Abdruck eines SMS-Austausches zwischen einem anonymen Paar. Dieser Austausch gibt sehr intime, voyeuristische Einblicke in eine Beziehung und beleuchtet die abgründigen Seiten von Kommunikation im postdigitalen Zeitalter. Der SMS-Austausch, läuft in zwei parallelen Spalten durch das ganze Buch, inklusive Cover. Das Impressum befindet sich auf einem Lesezeichen aus Neon-Papier.

The Dark Redacted published in April 2020 by the Small Walker Press in their Invisibility series, featuring ten of my drawings, prose by acclaimed writer Gary Barwin, publication design by Lauren Wickware, and printed by Andora Graphics.

This is the story of what happens after your property and after your progress … it’s over.
"Everything But the World: The Complete Annotated Screenplay" constitutes a scrapbook of the making of a pilot.

This book is dedicated to the complex artistic trajectory of Chiara Fumai, who played a significant role in the development of performance and feminist aesthetics in the twenty-first century and who died prematurely in 2017, at the age of only thirty-nine.

This book is an extension and continuation of an artwork titled Proposal for a House Museum of an Unknown Crying Man by artist Mahmoud Khaled, in which he imagines a house museum for an anonymous person who has entered Egypt’s queer history as an „Unknown Crying Man“ and iconic image.

First monograph devoted to the work of video artist and performer Wolfgang Stoerchle (1944-1976), an artistic figure of the Californian scene in the 1970s, based on extensive research and three international exhibitions.

"Notes from the future: a crossbreed laborer's diary" brings together artists who use forms from documents, anthropology and science fiction, as so many imaginary territories to be cannibalized within visual production; challenging notions of culture, origin and belonging.

It creates expanded and stratified performances which also include the implementation and dissemination of design collections, audio-visual formats and editorial products.

roulotte. A tiny and portable pavilion. A bar. An ephemeral gathering place. An homage to the Fun Palace; the cult project by architect Cedric Price and theatre director Joan Littlewood that back in the 60’s wanted to realize a university of the street, a laboratory of fun. Little Fun Palace brings together artists, philosophers, economists, scientists, engineers, musicians, architects, sociologists, writers, meteorologists, teenagers exploring every aspects of realty in its diverse areas and shapes. This is a seriously spontaneous survey releasing intelligence from any cirrus of intellectualism.

Published on the occasion of the collaboration between 3 137 and Ilaria Conti, within the framework of the sync Curatorial Fellowship (January – March 2020), Around Labor, Art, and the Auratic Condition (This is Not a Love Song), this non-linear

Dénes Farkas’ personal exhibition focuses on issues of choice, uncertainty, insecurity and preparedness, highlighting the contingency of normality and casting doubt on the production of truth and scientific rationality.

The exhibition comprises

"of course blue affects my way of shitting” is a collection of prose and poetry by Petrit Halilaj written between 2007 and 2008. Many of the artist's titles for previous exhibitions and artworks have come from these texts, which have never been presented in their entirety until now.

Dissent Without Modification (Bergen Kunsthall), written by Grace Ndiritu, is a research book composed of interviews with radical and progressive artists and thinkers, who started their education and careers in the 1990s. Some are well-known, some are not. They are African, European, and American women working as painters, photographers, performers, hackers, activists and educators, among other roles such as Lisha Sterling, Monster Chetwynd and Kathrin Böhm.

This limited edition of PROVENCE includes 42 posters by: 5 posters 83 x 63.5 cm, 34 posters 55.5 x 42.5 cm, 3 posters 28 x 42.5 cm

Mister Spare owns a pen that can write 320 miles. That's how the pen was sold to Mister Spare: as a 320-mile pen. But Mister Spare isn't going anywhere. Mister Spare writes in the same notebook every day.

For the 17th International Architecture Exhibition, La Biennale di Venezia, the Lithuanian Space Agency and its founder Julijonas Urbonas present Planet of People, an artistic study into a hypothetical artificial planet made up of human bodies. Along with the exhibition in Venice, the LSA introduces its first annual report.

"Short Term Eternity" brings together two artists – Gordon Matta-Clark (1943–1978, USA) and Anu Vahtra (1982, Estonia) – whose practices are related to each other in many ways, even if they are born in different times and locations. The aim of the book is not

Impulse Interviews consists of over 60 interviews with some of the 20th Century’s most engaging and important cultural creators.

170 drawings of the same beautiful cock. What’s wrong with a cock? Nothing at all. Even less if it is the most beautiful cock in the world, because a cock doesn’t mean anything but itself: source of life, source of pleasure. The life drawings in this book, made with delight and admiration, claim to pay tribute tothe most beautiful cock in the world.

RAW Académie was developed in Dakar to create a space of experimental teaching and collaboration, of deconstruction and exposure, of knowledge and nourishment. Koyo Kouoh, founder of RAW Material Company, wished for curatorial inquiry and critical writing to join artistic thinking at this site of international encounters. During these two-month long sessions that take place twice a year, young artists and

The Memory of The Archive: Christoforos Savva in the 1954–1968 Cypriot Press & Literary Periodicals is published on the occasion of the survey exhibition project Untimely on Time: Christoforos Savva (1924–1968), co-organised by the Cyprus Ministry of Education and Culture, Cultural Services and Point Centre for Contemporary Art,

"Selbstbewusstwerdung" versammelt ausgewählte Rezensionen, Manifeste, Gespräche und theoretische Texte der italienischen Kunstkritikerin, feministischen Autorin und Aktivistin Carla Lonzi (1931-1982). Diese bislang im Deutschen nicht zugänglichen Kunstkritiken und Schriften

Jeder Raum, wo Wesen wie wir leben, ist voll beweglicher Materie. Doch worin liegen die ethischen und politischen Kriterien für unseren Umgang mit dieser Materialität des Kollektiven?

Nähert man sich der Autonomie der Kunst als einem historischen Problem statt als einer gefährdeten Errungenschaft, ergibt sich eine grundlegend reorganisierte Kunstgeschichte. Die moderne Freiheit der Kunst zeigt sich als gesellschaftliche Selbstentmündigung, ihr bürgerlicher Fortschritt als akademische Beschränkung. Als moderne wurde die künstlerische Praxis unausweichlich individuell, sittlich und national....

The liberal capitalist world order that prevailed after 1989 is today in a stage of advanced disintegration. The collapse of this order exposes the illiberal core of its freedoms and forms of ownership shaped by the market: the violent unfreedoms of the dispossessed as well as the willingness of the propertied to use violence. Art, too, reveals itself as the venue of these forces and their exclusions:

his intimate book explores Broy Lim’s realization of his homosexuality in his hometown of Singapore, where it still remains illegal. Combining personal texts and photos, and now they know narrates Lim’s sexual identity and his nine-year relationship with his partner, while also representing the broader struggle of many youths who navigate their sense of self in conservative heteronormative societies.

Charles Fréger has photographed a series of portraits of Breton women wearing costumes and headdresses of endless variety: from high starched towers to elaborately pinned, tucked and embroidered confections of handmade lace, as delicate as they are distinctive.