Mexican artist Pedro Reyes examines and resolves the complexities and contradictions of modern life in his work, which ranges from sculpture to TV and short film productions to public projects and calls for political, economical and audience participation.

Wie der europäische Emigrant P. es in Chengdu mit den Angestellten eines Schuh- und Kurzwarengeschäftes zu tun bekommt und eine Arie hört, von der er vermutet, sie sei italienisch.

Ein Nicht-Filmmagazin für öko-philosophisch angewandte Arthaus-Hobby-Cineasten für Unfug und anderes.

This publication accompanies the exhibition Let’s Talk About Nationalism! Between Ideology and Identity at the Kumu Art Museum in 05.02.–25.04.2010.

Zusätzlich zum Schwerpunkt Urbane Räume – öffentliche Kunst, redaktionell von Roland Schöny betreut, gibt es nach zwei Jahren einen Nachschlag zu unserem Schwerpunktheft "Temporäre Nutzungen" (dérive Heft 14 aus dem Jahr 2004).

Another catastrophe? Oh yes.

Zeitschrift der IG Bildenden Kunst.

Franz the onely austrionaut- magazine for narrative drawing

The topic featured in this issue of Landscape is test sites. It emerged from our work in the High Desert of California where time seems to lose meaning. Geologists refer to it as the stratified landscape of deep time, exposing human experience amd interaction as comparatively short lived and fast paced.

Topic: Place, Time, and Revolutionary Action

Peter Downsbrough (*1940, New Jersey) studierte Kunst und Architektur und ist gemeinsam mit Robert Barry, Sol Lewitt und Lawrence Weiner einer der ersten konzeptionell arbeitenden Buchkünstler.

Umelec Magazine ist seit 1997 das einzige Kunstmagazin, das sich der gegenwärtigen visuellen Kultur in der Tschechischen Republik widmet. Es richtet sich an die internationale Szene, insbesondere den größeren europäischen Kreis. Die Betonung der Kunst in Mittel- und Osteuropa beruht auf ihrer einzigartigen Stellung in dieser Region.

Wahl der Waffen' überprüft dei Arbeitsfelder und Methodologien aktueller Kunstpraxis. Welche neuen Bereiche tun sich im Anschluß an die institutions- und kontextkritischen Modelle der letzten Dekade auf? Welche noch unverbrauchten Strategeme stehen den KünstlerInnen dabei zur Verfügung?

Eine rückblickende Neubewertung einiger zentraler Motive des Modernismus: von Retro-Boom und Ausstellungsdesign bis Architektur und künstlerischen Kanons der Moderne.

Das Winter-Heft greift eines der Leitmotive der documenta 12 – »Ist die Moderne unsere Antike?« – auf und denkt es entlang globaler Parameter weiter

Ob im Sprachlichen oder Bildlichen, im Vortrag oder in Ausstellungen: Im Zentrum von Dominik Sittigs (*1975 in Nürnberg) Kunst steht das Problem des ästhetischen Ausdrucks. Vorstellungen von Transparenz, expressiver Unmittelbarkeit und künstlerischer Authentizität verkehren seine Arbeiten ins Undurchsichtige, Paradoxe und Artifizielle. In Texten und Bildern schafft Sittig

Repetition leads to the formation of productive cycles, effects seep out from bottom to top, the image reacts with itself and creates itself.

Our core objective, since we first started 20 years ago, has been to work closely with contemporary artists, for we consider them partners in a joint venture. They, in turn, have consistently demonstrated their commitment in collaborations that contribute substantially to the renown of Parkett.

Made in Tokyo includes Van Golden’s recently created series of Double Prints, essentially digital collages conjoining visually work from early/late periods of his practice, ephemera including photographs, invitation cards, periodicals and other material related to his time in Japan as well as the floral patterned painting Untitled (Tokyo) from 1964.

A panorama of the city, a public platform, a dysfunctional lookout, blocking the actual view but confronting the viewer with textual observations of the city and the condition of the view in Istanbul, „Panorama (The Right of View)“ was a traveling attraction and an architectonic sculpture.

Plassein is a collection of short stories, told through a series of sequential drawings that intertwine to create unsettling, dissonant dreamscapes.

Postkartenbuch mit zusätzlichem Poster und graphischer Darstellung deutscher Parlamente in Vogelperspekteive.

Imagine the infinitely tiny size of an atom. Focus on the size of this microscopic particle in relation to your own human body. Now scale up to the size of the planets, galaxies, to the solar system as a whole. The weight of your body exists between these vastly different scales.

Written by people who live well for people who live badly, mixture of the most serious and stupidest philosophical bullshit, vulgar and sober at the same time, PNB continues the tradition of fanzines, comics, counter-culture and the radical and rude criticism of the permanent order of things.

In-Between Things
Hard-Edged Things
Liquid Things
Cold Things

Nico Jungel positions his book of 424 drawings in the larger history of the image – reaching from scratched lines in caves to ink drawing and post-modern digital imagery – as a means of expressing and examining life.

Of Democracy / De la Démocratie is a facsimile publication in English and French by Henri Chopin, an avant-garde artist, poet and musician.

A note about the words in the book - where they come from and what has happened to them:

System Sin 1.0 is a sci- time system developed by the artist.

The book Lucky Pieces is an introduction to the painting based artwork of Danish artist Mette Winckelmann (1971).

Mots Slow will appear every year, one day before the previous issue.

Since the 1960s, Stephen Willats is counted as one of the most influential protagonists of international conceptual art in England.

'I For Idiot’ functions as an extension of the film ‘Avenida Progreso’ in the sense that it assembles three different perspectives: a philosopher’s, an ethnologist’s and a film theorist’s, and juxtaposes these with some of the external layers of reality that have in one way or another informed the film.

The “DNA Semantics” is a book about an interpretation of DNA/RNA as visual structures with specific formal properties and relationships.

Der Spielplatz Falkenhorst geht zurück auf eine Initiative der Anwohner des gleichnamigen Wohnkomplexes am Stadtrand von Köln.

The Communist Manifesto was first printed as a 24 page pamphlet in February 1848, in London. Since that time, it has been reproduced in countless contexts — making it not only one of the most widely read texts ever, both one that continues to be disputed for the efficacy of its call to action.

Květa Fulierová and Július Koller, their love and common life are a real creation. They do not discriminate between holidays, weekends or pauses. That which they live in, and live for, is one big work of art.

Acknowledged today as one of the most influential figures of post-war Yugoslavian art, mangelos is the pseudonym that the Yugoslavian art critic and historian Dimitrije Bašičević (1921–1987) used for his artistic activity, a parallel career he would only make public in the 1970s.

British artist Jonathan Monk replays, recasts and re-examines seminal works of Conceptual and Minimal art by variously witty, ingenious and irreverent means.

Das malerische Werk Josef Schwaigers (* 1962) zeigt ein vielseitiges Spektrum an abstrakten Bildlösungen, der Ausgangspunkt ist jedoch stets konstant: Sechs unterschiedliche Farben werden in strengen Bahnen auf die Leinwand aufgetragen und anschließend vom Maler mit den Fingern in einer bestimmten Abfolge verwischt.

The Panorama, a ritual that has turned into somewhat of an obsession over the years, serves the artist to question analogies of film and photography, of picture space and image area as well as the phenomenology of an object or place.

The Jahresring series is one of the longest continually published annual journals for contemporary art in Germany.

For almost fifty years, Lydia Okumura has explored the realm of geometric abstraction.

“New Ways of Doing Nothing,” a group exhibition that took place at Kunsthalle Wien in 2014, devoted itself to artistic production that opposes activity and instead gives an affirmative slant to forms of doing nothing or refraining—a major influence being the titular character of Hermann Melville’s “Bartleby the Scriviner: A Story of Wall Street.”

The question of life has always been one of modernity’s main preoccupations.

For the last 20 years, New York based German contemporary artist Josephine Meckseper s practice has interrogated consumerism, politics and art history through juxtapositions of images and objects.

Requests and Antisongs is an artist’s book to accompany a sequence of exhibitions by James Richards held at Bergen Kunsthall, Norway; Institute of Contemporary Arts, London; and the Kestner Gesellschaft, Hanover.

Mit Beiträgen von: Ann Cvetkovich, Chris Tedjasukmana, Anja Michaelsen, u.v.m.

How did art escape the deadlock of the Situationists’ anti-art refusal?

The eighth volume of the Critical Spatial Practice series focuses on Jill Magid’s “The Barragán Archives,” a multiyear project that examines the legacy of Pritzker Prize–winning architect Luis Barragán (1902–1988), and questions forms of power, public access, and copyright that construct artistic legacy.

Sprache: Deutsch

In cooperation with the Academy of Fine Arts and the University of Applied Arts, the Kunsthalle Wien Prize is awarded for outstanding final projects at the two universities of art in Vienna.

Luminary Petals on a Wet, Black Bough is an artist’s book focusing on Victor Man’s series of paintings.

Das Marampa Projekt - Als es im kolonialen Clubhouse Schnitzel gab, ein Ministerialbeamter unter einem Baum in Afrika telefonierte, zwei Erzzüge aufeinander zufuhren und der Trafo-Koarl im Swimmingpool einen Frosch verschluckte: So lautet der Titel des Buches und des künstlerischen Projekts, in denen Juma Hauser über mehrere Jahre Spuren einer österreichischen Bergbauunternehmung in Sierra Leone gesammelt hat.

Eine limitierte 12''-Vinyl-Platte.
Marge und Grübl, eine rudimentäre Aussprache ist die Audioaufzeichnung einer Performance zwischen Manfred Grübl und seiner Hündin Marge.

Piano Sublimation is a collaboration-project between the austrian composer and musician JUUN and the visual artist Michael Wegerer.

Magazin für narrative Zeichnung

Das im Alltag oder im urbanen Raum Aussortierte in Kunst zu transformieren und damit als Kunst einer neuen Wertigkeit zuzuführen, ist eine der grundlegenden künstlerischen Strategien Theaster Gates’.

Wegerer wurde durch seine grafischen Papierskulpturen, Rauminstallationen und interdisziplinären Ausstellungsprojekte international bekannt.

Das vorliegende Buch – der vierte und letzte Band der KUB Arena-Publikationsreihe – geht über eine Dokumentation der Aktivitäten von KAMP KAYA weit hinaus.