“Analog Film Manifestos” brings together eight passionate, very personal and therefore stylistically diverse confessions to analog film by Austrian filmmakers:

I asked architects to send me important images that show the basis of their work. Images that are in their head when they think.

ABCDLP002 - Short Big Drama, 2012 was written and composed by George van Dam.

The conversations and interviews of Hans Ulrich Obrist encompass a broad practice that is dialogic in relation to both words and disciplines.

Die Kunst von Sandra Peters eröffnet Bezüge zwischen Skulptur, Architektur, Sound und bewegtem Bild. Anspielungen auf historisch Bekanntes werden in ihren Arbeiten zur Anregung für die Imagination des Betrachters. Ihre Werke erzeugen

No Martyr: San Francisco Punk Posters 1976–1981 is a comprehensive visual anthology capturing the raw energy and DIY spirit of the Bay Area punk scene during its formative years.

Casa Barragán, built in 1948 by famed Mexican architect Luis Barragán as his private residence and studio, is today considered a landmark of modern architecture. It is filled with all of the artworks and artifacts that Barragán placed in it during his lifetime, faithfully kept as they were when the residence was inhabited by its author. Recognizing the special regard

This book, which brings together for the first time the entire series of films around the figure of Neanderthal Man produced by Nathaniel Mellors since 2012, is also the only monograph currently in circulation on the work of this British artist, since the catalogue The Aalto Natives – A Transcendental Manual published in

John Armleder and his class at the Hochschule für Bildende Künste in Braunschweig, Germany, who call themselves Team404, solicited original graphic works made on A4 paper from over 500 artists (Corrie Colbert, Sylvie Fleury, Thomas Hirschhorn,

Russians could say: If you tie yourself to the tree, they will simply cut your down together with the tree. At this struggle, all means are good enough: if you cannot love your homeland as a human being, if the enemy pushes you out, love it like a plant – stay, resist; or love it like a beast – run, attack,

A poignant news photograph, a striking headline or a major international event: for more than forty years Kees de Goede (1954) has been responding very tangibly to the news. For his series of Astral drawings he uses newspapers as subject matter and as the image support.

Kramer’s work is in the fields of sculpture and installation. She combines familiar and unfamiliar objects in unorthodox ways that lead to completely contrary and sometimes even usable objects. While her works are highly distinctive in form and figuration, all the interventions comment on cultural and political phenomena within societies.

Author, art entrepreneur and art advisor, Christoph Noe, is back with his next round of advice on maintaining positivity in the art world with “How To Not Fuck Up Your Art-World Happiness – Volume 2.” This latest collection of guidelines is a follow-up to Noe’s bestseller, continuing the conversation of how to stay sane, engaged and even enthralled working in the art world. “

These creative spaces were incubators of radical thinking, in which artists could exchange provocative ideas. They were welcoming environments for artists, dancers, designers, writers, and musicians pushing the boundaries of cultural and social norms.

A Faggot is a Unit by Berlin-based artist, filmmaker, and writer Padraig Robinson, brings together two original screenplays for yet-realized video works by Robinson along with a collection of research material presented as a retrograde calendar. The screenplays, / Imagine Prompt: Catfish Monogamy and The Jealousy of Sagittarius A*, both deal with

We design for life, death and posterity, all together - while understanding who and/or what is permissible to kill or let die. We try to understand why water is a false dragon and how it gives and takes life. We are encouraged to do some push-ups.

This book follows the first exhibition of Robilliard’s notebooks, ‘Disorganised Writings and Sketches’ at Rob Tufnell in Cologne in April 2019. Rob Tufnell announces a new publication of extracts from the notebooks of the poet and artist David Robilliard (b.1952 – d.1988). After his premature death from an AIDS-related illness in 1988, Robilliard left a large number of notebooks in the care of his close friend and fellow artist Andrew Heard.

Immer mehr Museen öffnen sich nach langer Tabuisierung für einen transparenten Umgang mit Fälschungen, tauschen Erkenntnisse aus und entscheiden sich – falls notwendig – Werke aus der Sammlung abzuschreiben.

The 208 pages of ERB Issue Two are bursting with essays, reviews, reportage, interview, photography and experiment by writers from all over Europe — and beyond. It is a reading experience unto itself, designed like nothing else. The ERB’s print designer, Patrick Doan, gave the magazine a distinctive, layered form. TURN the pages to read, but CUT the pages — easily done with a finger — to open a second layer, where you’ll find shorter essays, asides, and the occasional language game. Issue Two features resurrected darlings, psychic detectives, lyrical slang, Chinese palindromes and to every reader their own Dichter und Denker. Discover Europe’s new république des lettres.

@shouseRCA and @shousetanlin are two publications from their respective Twitter accounts. Each account was one of the two voices of the statementhouse (temporary title) built at the Royal College of Art in London in 2015.

In meinem Doktoratsprojekt „Crip Modes of Artistic Research“ erforsche ich soziale Bewegungen um „Behinderung“ in wechselnden historischen Räumen. Ziel ist es, alternative Erzählungen, Strategien der Aneignung und Verbindunglinien mit u.a. künstlerischen Mitteln aufzuzeigen. Die Arbeit verfolgt einen transdisziplinären Ansatz, der sich aus künstlerischer Perspektive den „Disability Studies“ nähert und sozialgeschichtliche, theoretische Bezüge herstellt. Es bringt diskursive Medien, Räume und Formate hervor, darunter eine regelmäßig veröffentlichte Zeitschrift (Crip Magazine) sowie andere künstlerische Formate.

What is the color of Milk? Is it white? Or almost white? The images in this book show forty colors of human milk. They have been drawn from found footage images representing breast milk and human milk.

Once considered an outsider artist, after her show at the Guggenheim Museum was seen by more than half a million visitors, Hilma af Klint firmly established her place in art history. She has also been the subject of documentary films and biographies. In 2013, Iris Müller-Westermann organized the first retrospective exhibition of af Klint s work.

Keine weitere Jahresmonografie. Keine Großthesen über Zäsur und Neuanfang. Kein Versuch, sich der Gegenwart über den Weg einer ausgewählten Vergangenheit zu nähern. Stattdessen: Abschweifungen, Irrfahrten und Exkursionen am Rande der Geschichte. So verstanden ist „ca. 1972“ der Name eines Chronotopos im Schatten der politischen Prozesse und kulturellen Aufbrüche der langen 1960er Jahre. Dekolonisierung, Schwarze Bürgerrechtsbewegung, der Mai 1968, die sexuelle Revolution und andere emanzipatorische Projekte schienen „ca. 1972“ an ihren Widersprüchen gescheitert zu sein. Aber ist das schon die ganze Wahrheit?

On the occasion of the exhibition "Julia Schmidt - Economies of Hygiene", Meyer Riegger, Berlin. October 6 - December 18, 2010

Das AMAM verwahrt mehr als 1.500 Dokumente, darunter mehr als 300 Zeichnungen, Collagen, Aquarelle, Radierungen und Skizzenbücher von den frühen 1950er Jahren bis zum frühen Tod der Künstlerin im Jahre 1970. Sämtliche Zeichnungen und zahlreiche Seiten aus den Notebooks sind in der vorliegenden Publikation meist erstmals perfekt farbig abgebildet.

This is not a catalogue raisonné. Nor is it a family album. If anything, it is an album dé-raisonné, the collage of a life commented on discreetly by its author. It is a reproduction of the world of Olga Mohler-Picabia around a mentor and a great love, Francis Picabia. A variation on the theme of Pygmalion, this album is the highly personal expression of a quarter century of learning. An intaglio portrait of Picabia through the eyes of Olga, a portrait that is at once funny, intimate, sensible and often very moving.

How to Book in Berlin serves as a comprehensive guide to bookmaking and publishing, offering insights we wished we had when we were starting out. It includes information on research methods, funding strategies, production techniques and distribution approaches, all underpinned by the perspectives and advice of experienced publishers. Our ultimate ambition is to alleviate the challenges often associated with the journey of creating artists’ books and to foster meaningful connections within the diverse and vibrant artists’ book communities.

This inspirational book includes an introduction to Karshan’s unique drawing practice and personal history by Jonathan Casciani, a transcript from the film

The Egyptian Postures is a guide to the most advanced Mazdaznan exercises that Johannes Itten taught his students at the Bauhaus. Often performed while singing or humming the postures were intended to activate glands and re-channel internal energies, stirring the blood in ways that contributed to the perpetual evolution of humanity. They were also said to induce auto-illumination, the participant’s body generating an intense light from within.

In “Playing with Ludwig”, artist Nikolaus Gansterer and philosopher Klaus Speidel adress fundamental questions of sense making in language and visual forms. In a playful dialogue with the writings of Ludwig Wittgenstein, they tackle subjects like pain and pictures,

Tabea Blumenschein (1952–2020), Hilka Nordhausen (1949–1993) und Rabe perplexum (1956–1996) waren exzentrische Künstler*innen der achtziger Jahre – sie agierten abweichend von Normen und außerhalb des Zentrums im subkulturellen Milieu.

Lieselott Beschorner blickt auf gut 70 Jahre künstlerisches Schaffen und auf eine fast ebenso lange Mitgliedschaft in der Wiener Secession zurück, in die sie 1951 als eine der ersten Frauen aufgenommen wurde.

Examines both the art-historical framework of Tomma Abts’s painting as well as its deep philosophical and psychological dimensions.

“Das phantomastische Malbuch” is a creepy, preposterous, and endearing adventure in painting produced by big artists for little ones, designed for persons of all ages.

In 1977, the artist from Dornbirn known as FLATZ is still a young protagonist in the international art scene and is eager to establish his art as well as himself.

An overview of the various socio-political themes addressed by the Austrian artist's work. “Dengler's oeuvre is also about trauma, both personal and collective, and although it offers no consolation whatsoever, another place where it investigates the meanderings of the human psyche is the shrink's—pop or not—sofa.

More just spatial practices are to be found in the diversity and nuances of myriad space-making paradigms that tackle local challenges while providing credible responses to current global issues. In Radical Rituals, we collect spatial protocols following an imaginary line: the 45°N parallel.

“Portraits by Robert” is a book of poems about people. Most of the poetry is in post-American English (our English). A handful of pieces are in other languages.

‘The persistence of thoughts of such a kind in individual memory is very rare. If they are not fixed by writing or other means, they tend to disappear in a short time. This process of erasure operates in a similar manner to what happens during the forgetting of dreams.

“I also don't know the five new federal states and, if I want to film there, I have to have a leading figure. It is the profiteer, development aid worker and missionary all in one. He breaks into the accession area from the West in army strength. The film is about such a salesman.” –– Harun Farocki, 1990/91

The Library of Mr. & Mrs. Neutra uses the built environment of Richard and Dione Neutra’s VDL House (1932/1965) as a space for site-specific research into the content and material structure of the modernist architect’s library.

"18 Autoren rätseln. Sie wundern sich über die Bedeutung eines Zeichens. In WHAT teilen sie in kurzen Stücken mit, was Ihnen durch den Kopf schwebt, in Hirnwindungen hängen bleibt und schreibend zu Blatt gelangt.

Comprising a single roll of film, the photographs presented in this book capture the bespoke furniture designed by Charlotte Perriand in 1961 for use in the rooms of Building E of the United Nations complex in Geneva.

“The Radiant City” is a series of faux-panorama photographs that document transgressions and anomalies within the planned space of the large socialist housing estates, in Budapest, Hungary.

On the occasion of Monumenta 2012, Éditions Dilecta published the previously unseen sketches of Daniel Buren. His plans, drawings and collages document the genesis of the project. From the abandoned initial ideas to the final work, we follow the creation of this extraordinary installation.

Morceaux choisis is the first seminal overview of Saâdane Afif’s artistic practices. The publication features 48 exhibitions or performances organized in 28 separate sections, covering a period of 14 years.

Guy Bourdin was a groundbreaking image-maker and undoubtedly one of the most influential fashion photographers of the twentieth century. Intriguing and revolutionary, his work has achieved a cult-like following; the striking use of color, suggestive narratives, and surrealist aesthetics establishing a visual language all his own.

The first comprehensive study of Knoll's innovative textile designs and the company's role within the history of interior design In 1940, Hans Knoll founded a company in New York that soon earned a reputation for its progressive line of furniture. Florence Schust joined the firm and helped establish its interior design division, the Knoll Planning Unit. In 1947, the year after their marriage, Hans and Florence Knoll

"Spaces of Commoning: Artistic Research and the Utopia of the Everyday'' is the outcome of a research project pursued by a group of artists, architects and social theorists, who in the face of exhilarating politics of accumulation and dispossession explore commoning as the subject as well as the means of their collective study.

Als jüngster der Becher-Studenten – geboren 1967 – hat sich Elger Esser in seinem fotografischen Konzept am grundlegendsten von dem seiner berühmten Lehrer entfernt.

The Henry Rox Revue combines artistic masterpieces between acrobatics, music and dance with the bizarre things of everyday life - the impossible is captured here in unique photographs. Henry Rox`s photographic world of images is a crazy revue with subtle humor and witty charm. She plays with dressing up and parodying and lives from simple and equally imaginative arrangements and productions in which he casts various roles with various fruits and vegetables as the main actor.

The relationship of art to work and the conditions of artistic production has long engaged many in the field of visual art. Work is a broad concept, the meaning of which has changed radically as a result of the social and technological transformations that have taken place over the past century. (engl.)

Was haben Warnungen vor Computerviren, vor einem weltumspannenden Terrorismus oder vor einer neuen hochansteckenden Krankheit miteinander gemeinsam?

Die »Économie libidinale« ist das frühe Hauptwerk Lyotards und zugleich seine problematischste Schrift.

Stolen is the result of a trip to Glasgow's very own Mitchell Library and one afternoon browsing and photocopying. (Englisch)

The narrator of Not So Too Much of Much of Everything takes the reader on a breathless journey through the air-conditioned rooms and arid streets of the modern Arab metropolis.