Immer mehr Museen öffnen sich nach langer Tabuisierung für einen transparenten Umgang mit Fälschungen, tauschen Erkenntnisse aus und entscheiden sich – falls notwendig – Werke aus der Sammlung abzuschreiben.

The 208 pages of ERB Issue Two are bursting with essays, reviews, reportage, interview, photography and experiment by writers from all over Europe — and beyond. It is a reading experience unto itself, designed like nothing else. The ERB’s print designer, Patrick Doan, gave the magazine a distinctive, layered form. TURN the pages to read, but CUT the pages — easily done with a finger — to open a second layer, where you’ll find shorter essays, asides, and the occasional language game. Issue Two features resurrected darlings, psychic detectives, lyrical slang, Chinese palindromes and to every reader their own Dichter und Denker. Discover Europe’s new république des lettres.

@shouseRCA and @shousetanlin are two publications from their respective Twitter accounts. Each account was one of the two voices of the statementhouse (temporary title) built at the Royal College of Art in London in 2015.

What is the color of Milk? Is it white? Or almost white? The images in this book show forty colors of human milk. They have been drawn from found footage images representing breast milk and human milk.

Once considered an outsider artist, after her show at the Guggenheim Museum was seen by more than half a million visitors, Hilma af Klint firmly established her place in art history. She has also been the subject of documentary films and biographies. In 2013, Iris Müller-Westermann organized the first retrospective exhibition of af Klint s work.

Keine weitere Jahresmonografie. Keine Großthesen über Zäsur und Neuanfang. Kein Versuch, sich der Gegenwart über den Weg einer ausgewählten Vergangenheit zu nähern. Stattdessen:

On the occasion of the exhibition "Julia Schmidt - Economies of Hygiene", Meyer Riegger, Berlin. October 6 - December 18, 2010

Das AMAM verwahrt mehr als 1.500 Dokumente, darunter mehr als 300 Zeichnungen, Collagen, Aquarelle, Radierungen und Skizzenbücher von den frühen 1950er Jahren bis zum frühen Tod der Künstlerin im Jahre 1970. Sämtliche Zeichnungen und zahlreiche Seiten aus den Notebooks sind in der vorliegenden Publikation meist erstmals perfekt farbig abgebildet.

This is not a catalogue raisonné. Nor is it a family album. If anything, it is an album dé-raisonné, the collage of a life commented on discreetly by its author. It is a reproduction of the world of Olga Mohler-Picabia around a mentor and a great love, Francis Picabia. A variation on the theme of Pygmalion, this album is the highly personal expression of a quarter century of learning. An intaglio portrait of Picabia through the eyes of Olga, a portrait that is at once funny, intimate, sensible and often very moving.

How to Book in Berlin serves as a comprehensive guide to bookmaking and publishing, offering insights we wished we had when we were starting out. It includes information on research methods, funding strategies, production techniques and distribution approaches, all underpinned by the perspectives and advice of experienced publishers. Our ultimate ambition is to alleviate the challenges often associated with the journey of creating artists’ books and to foster meaningful connections within the diverse and vibrant artists’ book communities.

Im Frühjahr 2019 bereiste ich zum ersten Mal Japan. Ich blieb für zwei Monate. Meine Reisevorbereitungen starteten gewissenhaft: kurz vorher besuchte ich auf Empfehlung einen zweiwöchigen Japanisch-Intensivkurs für Anfänger*innen am Japonikum der Uni Bochum. Trotz ernsthafter Bemühungen gingen meine Sprachlernversuche komplett daneben. Mir fehlte

This inspirational book includes an introduction to Karshan’s unique drawing practice and personal history by Jonathan Casciani, a transcript from the film

The Egyptian Postures is a guide to the most advanced Mazdaznan exercises that Johannes Itten taught his students at the Bauhaus. Often performed while singing or humming the postures were intended to activate glands and re-channel internal energies, stirring the blood in ways that contributed to the perpetual evolution of humanity. They were also said to induce auto-illumination, the participant’s body generating an intense light from within.

In “Playing with Ludwig”, artist Nikolaus Gansterer and philosopher Klaus Speidel adress fundamental questions of sense making in language and visual forms. In a playful dialogue with the writings of Ludwig Wittgenstein, they tackle subjects like pain and pictures,

Tabea Blumenschein (1952–2020), Hilka Nordhausen (1949–1993) und Rabe perplexum (1956–1996) waren exzentrische Künstler*innen der achtziger Jahre – sie agierten abweichend von Normen und außerhalb des Zentrums im subkulturellen Milieu.

Lieselott Beschorner blickt auf gut 70 Jahre künstlerisches Schaffen und auf eine fast ebenso lange Mitgliedschaft in der Wiener Secession zurück, in die sie 1951 als eine der ersten Frauen aufgenommen wurde.

Examines both the art-historical framework of Tomma Abts’s painting as well as its deep philosophical and psychological dimensions.

“Das phantomastische Malbuch” is a creepy, preposterous, and endearing adventure in painting produced by big artists for little ones, designed for persons of all ages.

In 1977, the artist from Dornbirn known as FLATZ is still a young protagonist in the international art scene and is eager to establish his art as well as himself.

An overview of the various socio-political themes addressed by the Austrian artist's work. “Dengler's oeuvre is also about trauma, both personal and collective, and although it offers no consolation whatsoever, another place where it investigates the meanderings of the human psyche is the shrink's—pop or not—sofa.

More just spatial practices are to be found in the diversity and nuances of myriad space-making paradigms that tackle local challenges while providing credible responses to current global issues. In Radical Rituals, we collect spatial protocols following an imaginary line: the 45°N parallel.

“Portraits by Robert” is a book of poems about people. Most of the poetry is in post-American English (our English). A handful of pieces are in other languages.

‘The persistence of thoughts of such a kind in individual memory is very rare. If they are not fixed by writing or other means, they tend to disappear in a short time. This process of erasure operates in a similar manner to what happens during the forgetting of dreams.

“I also don't know the five new federal states and, if I want to film there, I have to have a leading figure. It is the profiteer, development aid worker and missionary all in one. He breaks into the accession area from the West in army strength. The film is about such a salesman.” –– Harun Farocki, 1990/91

The Library of Mr. & Mrs. Neutra uses the built environment of Richard and Dione Neutra’s VDL House (1932/1965) as a space for site-specific research into the content and material structure of the modernist architect’s library.

"18 Autoren rätseln. Sie wundern sich über die Bedeutung eines Zeichens. In WHAT teilen sie in kurzen Stücken mit, was Ihnen durch den Kopf schwebt, in Hirnwindungen hängen bleibt und schreibend zu Blatt gelangt.

Comprising a single roll of film, the photographs presented in this book capture the bespoke furniture designed by Charlotte Perriand in 1961 for use in the rooms of Building E of the United Nations complex in Geneva.

“The Radiant City” is a series of faux-panorama photographs that document transgressions and anomalies within the planned space of the large socialist housing estates, in Budapest, Hungary.

On the occasion of Monumenta 2012, Éditions Dilecta published the previously unseen sketches of Daniel Buren. His plans, drawings and collages document the genesis of the project. From the abandoned initial ideas to the final work, we follow the creation of this extraordinary installation.

Morceaux choisis is the first seminal overview of Saâdane Afif’s artistic practices. The publication features 48 exhibitions or performances organized in 28 separate sections, covering a period of 14 years.

Guy Bourdin was a groundbreaking image-maker and undoubtedly one of the most influential fashion photographers of the twentieth century. Intriguing and revolutionary, his work has achieved a cult-like following; the striking use of color, suggestive narratives, and surrealist aesthetics establishing a visual language all his own.

The first comprehensive study of Knoll's innovative textile designs and the company's role within the history of interior design In 1940, Hans Knoll founded a company in New York that soon earned a reputation for its progressive line of furniture. Florence Schust joined the firm and helped establish its interior design division, the Knoll Planning Unit. In 1947, the year after their marriage, Hans and Florence Knoll

"Spaces of Commoning: Artistic Research and the Utopia of the Everyday'' is the outcome of a research project pursued by a group of artists, architects and social theorists, who in the face of exhilarating politics of accumulation and dispossession explore commoning as the subject as well as the means of their collective study.

Als jüngster der Becher-Studenten – geboren 1967 – hat sich Elger Esser in seinem fotografischen Konzept am grundlegendsten von dem seiner berühmten Lehrer entfernt.

The Henry Rox Revue combines artistic masterpieces between acrobatics, music and dance with the bizarre things of everyday life - the impossible is captured here in unique photographs. Henry Rox`s photographic world of images is a crazy revue with subtle humor and witty charm. She plays with dressing up and parodying and lives from simple and equally imaginative arrangements and productions in which he casts various roles with various fruits and vegetables as the main actor.

The relationship of art to work and the conditions of artistic production has long engaged many in the field of visual art. Work is a broad concept, the meaning of which has changed radically as a result of the social and technological transformations that have taken place over the past century. (engl.)

Was haben Warnungen vor Computerviren, vor einem weltumspannenden Terrorismus oder vor einer neuen hochansteckenden Krankheit miteinander gemeinsam?

Die »Économie libidinale« ist das frühe Hauptwerk Lyotards und zugleich seine problematischste Schrift.

Stolen is the result of a trip to Glasgow's very own Mitchell Library and one afternoon browsing and photocopying. (Englisch)

Basement Arcade is an “artist's book” fully conceived by the German born American photographer, Rolf Koppel. (Engl.)

The narrator of Not So Too Much of Much of Everything takes the reader on a breathless journey through the air-conditioned rooms and arid streets of the modern Arab metropolis.

Following From Berkeley to Berkeley: Objectif Exhibitions, 2008–2010, this publication is the second in a two-part series of interviews with artists who exhibited at Objectif Exhibitions, Antwerp, between 2010 and 2011. (engl.)

Double faced playing cards created by Ryan Gander with Mia Frostner, Robert Sollis, Paul Tisdell and Rasmus Troelsen.

Daumenkino: Ergänzung zu Kapitel 05, Seite 177 - 200 zu dem Buch "Eine gestalterische Auseinadersetzung mit der Stadt St. Pölten".

Texts by Johanna Billing, Christian Nae, Christian Jendreiko, William Tyler, and James Merle Thomas. Photos by Jörg Koopmann. Collages by Martin Fengel

Kleinanzeigen von Künstlern ab 1985.

Since the beginning of her stay in Cairo in 2008, Jacqueline Benz made narrative scenes in which she participates. The text is divided into fragments dealing with themes in which misunderstandings, marriage or the police are recurring themes. The situations of everyday life are accompanied by those inspired by her art projects.

The list is close to complete, and will be updated when new material appears

Will die Psychoanalyse als Theorie wie als klinische Disziplin nicht zu einem lebenden Leichnam verkommen, zum Beispiel in ihrer heute so gern gepflegten Selbstvergewisserung als datenbasierte Psychotherapie, so muss sie immer wieder vom neuen den „Gang an die Grenze“ antreten.

"Wir kommen gerade aus Lateinamerika. Kolumbien genauer gesagt. Scheiß Kolumbien.

Text, Zeichnungen

Die "Diplompublikation 2006" der Abschlussklasse am Studienbereich Bildende Kunst der Hochschule für Gestaltung und Kunst in Zürich versammelt Inserts aller siebzehn Diplomandinnen und Diplomanden sowie einen Beitrag von Carlpeter Braegger, der als Gast von den Studierenden eingeladen wurde.

19 Porträts

Bei dieser Publikation handelt es sich um ein Begleit- bzw. Programmheft zu einer Tagung und Filmreihe, kuratiert von Helmut Draxler.

Anweisung auf dem Cover des noch nicht geöffneten Umschlag: "Do not open until you are in the mood to read" (English)

Die »Poesien des Alltags« sind Liebeserklärungen an die unscheinbaren Dinge des täglichen Gebrauchs. Erzählt werden ihre Kultur-, Erfindungs- und Nutzungsgeschichte. Illustriert sind sie auch. Von kranken Streichhölzern ist da die Rede, von den längsten Büroklammer-Ketten der Welt, von Lucifax und von Kyle McDonald, der eine Büroklammer gegen ein Haus eintauschte. Sobald es Weihnachten wird, erscheint eine neue Poesie.

Nicht erst die traurige Realität der heutigen Demokratie, als bloße Herrschaft der Massen und ihrer Bedürfnisse, nicht nur die Omnipräsenz des Ökonomischen und seiner Verwerfungen erfordern es, Politik neu zu denken.