Complete Prints 1962-2005

Complete Prints 1962–2005 is a comprehensive survey of the printed works of British artist Bridget Riley, chronicling her exploration of

printmaking over more than forty years. The volume brings together Riley’s graphic works produced between 1962 and 2005, including silkscreen and other print techniques, and situates them within the development of her wider artistic practice. The book features essays by Lynn MacRitchie and Craig Hartley, which contextualize Riley’s engagement with print media and examine the ways in which her prints reflect and extend the formal and perceptual concerns characteristic of her painting. Compiled with a catalogue raisonné by Karsten Schubert, the publication serves both as a reference work for collectors and scholars and as a visual introduction to Riley’s print output. Organized chronologically, Complete Prints 1962–2005 provides a focused overview of Riley’s contributions to printmaking and highlights her ongoing commitment to optical and geometric experimentation. The work is particularly valuable for understanding how her prints interact with and illuminate her broader artistic trajectory within the optical art movement and late twentieth-century abstraction.