Heimo Zobernig’s work has, since the 1980s, examined the fundamental conditions of display perception and exhibition making.

His practice spans painting sculpture installation and graphic work and often focuses on the structural elements of the exhibition space itself.

The publication Display concentrates on Zobernig’s investigation of presentation formats and spatial arrangements. The term display refers both to the staging of artworks within exhibitions and to the relationship between object space and viewer.

The volume brings together images and texts that document Zobernig’s use of modular structures serial forms and a reduced visual language. His works frequently operate between autonomous artwork and functional exhibition element thereby turning the conditions of presentation themselves into a subject of artistic inquiry.