In his 1929 Hollywood production The Case of Lena Smith, director Josef von Sternberg vividly brought to life his youthful memories of Vienna at the turn of the last century. (Germ./Engl.)

Critic Dwight Macdonald called it “the most completely satisfying American film I have seen”. But only a short fragment survives - Lena Smith is one of the legendary lost masterpieces of the American cinema.

Assembling 150 original stills and set designs, numerous script and production documents and essays by eminent film historians, the book reconstructs Sternberg’s drama about a young woman fighting the oppressive class system of Imperial Vienna. It also includes essays by Janet Bergstrom, Gero Gandert, Franz Grafl, Alexander Horwath, Hiroshi Komatsu and Michael Omasta, a preface by Meri von Sternberg, as well as contemporary reviews and excerpts from Viennese literature of the era