Through his pictures, we see how Mr Mullen goes through the world and how he sees the world. (Matthias Hermann) Mr Mullan's ‘city’

consists of branches, a pillar, a ladder, a path, the justice centre, a reflection (lines), a reflection, young trees, the last car, a reflection (blue), a corner of a house, yellow, a tree (RGB), a support, white and red, etc. This is how the inventory of ‘25 Photographs’ continues, mapping Julian Mullan's city as visual zones of transition and change. In most cases, these are boundaries of surfaces and patterns that often disappear from everyday view and only gain attention, colour and contour through the artist's dispositif, thus experiencing new dimensions of meaning as latent boundary surfaces, but also of the containment of their own object-subjects, from which the poetry of experience speaks. In an eulogy by Matthias Hermann, we read: "When I look at these photographs, I feel as if I were reading haikus or listening to certain “non-narrative” music, such as Satie, for example – things that I don't quite understand, yet which nevertheless put me in a certain (probably romantic) mood, the origin of which I ultimately cannot or do not want to decipher. A mixture of longing and devotion."