The publication reflects a working method grounded in research, reinterpretation and contextual translation of historical visual material.

Rather than treating art history as a fixed canon, the approach considers it a flexible field of references that can be re-read, displaced and critically reframed.

Visual sources, archival fragments and historical motifs are not reproduced simply as citations but are re-situated within contemporary artistic discourse. This process often involves shifts of scale, medium or context, allowing familiar images to generate new associations and meanings.

The underlying methodology emphasizes dialogue between past and present, original and reproduction, document and artistic construction. Through this process, historical material becomes an active component in contemporary visual thinking rather than a static point of reference.