Riverbed

At the core of the work is an understanding of art as spatial experience and as a process that unfolds through bodily perception and movement.

Landscape is not presented as image or backdrop, but as a constructed field of experience that transforms the exhibition space into a terrain to be navigated. Materials such as stone and water are not used symbolically; they operate through their physical presence, weight, texture, and motion.

Space is not something to be observed from a distance, but something to be traversed. Walking, balancing, detours, and encounters become integral to the work. Meaning does not arise from a fixed visual composition, but from the interaction between body, material, and environment. Inside and outside, nature and architecture, perception and action are not treated as oppositions, but as interdependent conditions.

This artistic approach seeks to sharpen awareness of ecological relationships and of one’s own position within them. Perception is understood as an active and responsible act. The work invites viewers to experience environment not as background, but as a relationship—one that is continually shaped through movement, attention, and participation.