This publication is devoted to Roman Ondak, the Slovak conceptual artist whose work often operates through subtle shifts in everyday situations, social behavior, and exhibition conventions.

Rather than foregrounding objects, Ondak frequently works with gestures, situations, and minimal interventions that unsettle familiar forms of perception and display.

Edited by Maria Hlavajova and Silvia Eiblmayr, the book is closely tied to the curatorial and institutional context in which Ondak’s work was presented at Taxispalais. In this sense, it can be understood less as a broad survey than as a focused publication on an artist whose practice explores the space between art and life with conceptual precision and formal restraint.

Because I could not find a reliable public description of the book’s detailed internal contents, I have kept this text close to what can be supported by the documented editorial context, the institution, and Ondak’s established artistic practice.