“Sod and Sodie Sock” documents the collaborative exhibition project by artists Mike Kelley and

Paul McCarthy, originally presented at the Secession, Vienna, in the late 1990s. The publication brings together visual documentation of the works shown, alongside a critical essay by Werner Würtinger, situating these practices within broader currents of contemporary art at the turn of the millennium. Through imagery, texts, and contextual materials, the book offers a record of the exhibition’s conceptual strategies and formal experiments, emphasizing the roles of performance, installation, and material play in the artists’ engagement with institutional space and audience reception.